目次 第一章 緒論..................................................................................................1 第一節 創作研究動機與目的....................................................................................1 一、研究的動機......................................................................................................1 一、研究的目的......................................................................................................2 第二節 創作研究範圍與限制....................................................................................4 第三節 名詞解釋.........................................................................................................6 第二章 創作學理之基礎..........................................................................7 第一節 人類學中的刺青圖騰淵源.........................................................................7 第二節 圖騰的象徵意涵與裝飾美學.....................................................................10 一、圖騰的種類及演變.................................................................................10 二、圖騰的象徵美學..............................................................................................11 三、圖騰的裝飾美學應用.....................................................................................13 第三節 寫實主義中人物畫的風格表現.................................................................16 一、繪畫對象的階級位移......................................................................................17 二、寫實主義的人像風格表現..........................................................................17 三、西洋繪畫中刺青者形象的探尋.....................................................................18 第四節 台灣社會臉譜形象...............................................................................25 一、從人物圖象了解畫家的社會意識................................................................25 二、台灣前輩畫家的寫實主義精神....................................................................25 三、台灣當代刺青圖象的記錄..............................................................................28 第三章 ..創作理念與背景...........................................................................29 第一節 台灣當代刺青潮流現象..............................................................................29 一、流行文化的帶動..............................................................................................29 二、學術研究與紳士化介入................................................................................30 三、紋身設備與大環境的改變.............................................................................31 四、台灣近期刺青風格的發展...............................................................................32 五、西方近期刺青風格的發展...............................................................................35 第二節 當代刺青者的紋身動機..............................................................................36 一、同儕與幫派、組織的歸屬感..........................................................................36 二、炫耀及自我保護...............................................................................................36 三、愛美追求流行....................................................................................................37 四、職業需求............................................................................................................37 五、紀念..................................................................................................................37 六、表達信念..........................................................................................................38 七、宣洩、解除焦慮..............................................................................................38 第三節 刺青師的勞動現象......................................................................................42 一、刺青學徒成師的心路歷程.................................................................42 二、刺青的材料與工具..........................................................................................42 三、台灣刺青師的圖案美學.................................................................................45 第四章 創作內容、形式與技法...........................................................47 第一節 刺青人物形象表現......................................................................................47 一、人物姿態和身體語言.....................................................................................47 二、情感的表現......................................................................................................49 三、刺青符碼的表現..............................................................................................49 第二節 當代次文化現象的詮釋..............................................................................51 一、城市塗鴉破壞奇觀............................................................................................51 二、刺青、穿環與奇裝異服..................................................................................52 三、次文化現象發展藝術的可能.........................................................................54 第三節 媒材選擇與技巧表現..................................................................................55 一、媒材選擇...........................................................................................................55 二、技巧表現 .........................................................................................................56 第五章 系列作品自述..............................................................................59 一、《無局少年》.......................................................................................................59 二、《花臂少女》.......................................................................................................62 三、《白描、刺道》...................................................................................................63 四、《重拾幸福》......................................................................................................65 五、《秋菊》...............................................................................................................66 六、《雙鶴》...............................................................................................................67 七、《閱讀》...............................................................................................................69 八、《後台的女樂手》..............................................................................................71 九、《俠客》...................................................................................................73 十、《逆流者》..........................................................................................................75 十一、《圖騰寶貝》..................................................................................................77 十二、《城市低頭族》.................................................................................................79 十三、《東區少年》..................................................................................................81 第六章 結論................................................................................................82 參考書目.......................................................................................................84 一、中英文書目........................................................................................................84 二、期刊論文...........................................................................................................85 三、網路資料...........................................................................................................86 圖版目錄.......................................................................................................87