簡易檢索 / 詳目顯示

研究生: 高燕傑
Kao, Jeffrey
論文名稱: 探討臺北爵士樂環境與上海、東京比較
An Inquiry Into the Taipei Jazz Scene with Comparisons to Shanghai and Tokyo
指導教授: 李和莆
Lee, Wen-Pin
李承育
Lee, Cheng-Yu
學位類別: 碩士
Master
系所名稱: 民族音樂研究所
Graduate Institute of Ethnomusicology
論文出版年: 2017
畢業學年度: 105
語文別: 英文
論文頁數: 64
中文關鍵詞: jazzTaipeiShanghaiTokyovenuessoundscapesauthenticitynationalismcultural imperialismmodernism
英文關鍵詞: jazz, Taipei, Shanghai, Tokyo, venues, soundscapes, authenticity, nationalism, cultural imperialism, modernism
DOI URL: https://doi.org/10.6345/NTNU202202470
論文種類: 學術論文
相關次數: 點閱:126下載:22
分享至:
查詢本校圖書館目錄 查詢臺灣博碩士論文知識加值系統 勘誤回報
  • 無中文摘要

    Jazz is a modern musical language that beats to its own rhythm. This paper will explore how this Western musical genre has been assimilated and/or adapted in major cities in East Asia, with a focus on Taipei and Shanghai and Tokyo as comparison points. I will examine the socio-historical development of jazz music in each city through the impact of cultural imperialism and nationalism, the development of modernism, and as soundscapes. By gathering data from modern-day case studies and performing personal interviews and surveys in the search for authenticity, I will describe the current state of jazz music in Taipei and make recommendations for future promotion.

    LIST OF FIGURES iii CHAPTER I. INTRODUCTION 1 II. BACKGROUND, MOTIVATION, AND RESEARCH METHODOLOGY 4 Background Motivation Research Methodology III. HISTORICAL BACKGROUNDS 9 Introduction Shanghai Tokyo Taipei IV. TAIPEI’S INTERNAL FACTORS 24 Educational Factors Economic Factors Cultural Factors V. CASE STUDIES 31 Introduction Shanghai: Heyday Tokyo: Body & Soul Taipei: Blue Note Taipei: Sappho Taipei: Alchemy Conclusion VI. SURVEYS 44 Introduction Survey Questions Results Conclusion VII. CONCLUSION 55 APPENDICES 57 Appendix A: Interview with Wei-sheng Lin Appendix B: E-mail correspondence with Wei-sheng Lin BIBLIOGRAPHY 60

    Adorno, Theodor W. “On Popular Music.” Studies in Philosophy and Social Science 9 (1941): 17-48. Accessed April 28, 2017. http://www.icce.rug.nl/~soundscapes/DATABASES/SWA/On_popular_music_1.shtmllc

    Alchemy Bar. Accessed April 13, 2017. https://www.facebook.com/BarAlchemy/.

    Atkins, E. Taylor. Blue Nippon. Durham, NC: Duke University Press, 2001.

    Baker, Sarah Elsie, and Rosalind Edwards. “How Many Qualitative Interviews is Enough? Expert Voices and Early Career Reflections on Sampling.” Paper, National Centre for Research Methods, Southampton, England, 2012. Accessed August 1, 2017. http://eprints.ncrm.ac.uk/2273/4/how_many_interviews.pdf.

    Beckstead, David. “Improvisation: Thinking and Playing Music.” Music Educators Journal 99, no. 3 (2013): 69-74.

    Bartholomew, Ian. “Making a Home for Taiwan Jazz.” Taipei Times, January 10, 2003. Accessed April 8, 2014. http://www.taipeitimes.com/News/feat/archives/2003/01/10/0000190483/1.

    Bishop, Marlon. “Andrew Jones on the Story of Shanghai Jazz.” Afropop Worldwide. Accessed April 28, 2017. http://www.afropop.org/2415/andrew-jones-on-the-story-of-shanghai-jazz.

    Body & Soul. Accessed September 11, 2015. http://www.bodyandsoul.co.jp/.

    Brown, R.A. “Music Preferences and Personality Among Japanese University Students.” International Journal of Psychology 47, no. 2 (2012): 259–268.

    Brown Sugar. Accessed April 8, 2014. http://www.brownsugarlive.com/taipei/main.html.

    Cheung, Joys Hoi Yan. “Chinese Music and Translated Modernity in Shanghai, 1918-1937.” PhD diss., University of Michigan, 2008.

    Collier, James Lincoln. "Jazz (i)." The New Grove Dictionary of Jazz. Oxford Music Online. Accessed April 8, 2014. http://0-www.oxfordmusiconline.com.opac.lib.ntnu.edu.tw/subscriber/article/grove/music/J223800.

    Delice, Ali. “The Sampling Issues in Quantitative Research.” Educational Sciences: Theory & Practice 10, no. 4 (2010): 2001-2018.

    Dou, Eva, and Jenny W. Hsu. The Wall Street Journal, October 13, 2012. Accessed April 30, 2017. http://on.wsj.com/WhxdEh.

    Downey, Tom. “Re-Made in Japan.” Smithsonian (April 2014). Accessed April 30, 2017. http://www.smithsonianmag.com/travel/how-japan-copied-american-culture-and-made-it-better-180950189.

    Everington, Keoni. “Housing Prices 9.35 Times Average Income.” Taiwan News, April 18, 2017. Accessed April 30, 2017. http://www.taiwannews.com.tw/en/news/3143158.

    Farrer, James, and Andrew David Field. Shanghai Nightscapes: A Nocturnal Biography of a
    Global City. Chicago: University of Chicago Press, 2015.

    Fu Jen Jazz. Accessed May 31, 2017. https://www.facebook.com/fjcujazz/.

    Fusch, Patricia I., and Ness, Lawrence R. “Are We There Yet? Data Saturation in Qualitative Research.” The Qualitative Report 20, no. 9 (2015): 1408-1416. Accessed July 20, 2017. http://nsuworks.nova.edu/tqr/vol20/iss9/3.

    Heyday Vintage Jazz Lounge. Accessed November 22, 2015. http://www.heydayjazz.cn/.

    Higgins, Lee, and Roger Mantie. “Improvisation as Ability, Culture, and Experience.” Music Educators Journal 100, no. 2 (2013): 38-44.
    Hood, Mantle. “The Challenge of ‘Bi-Musicality.’” Ethnomusicology 4, no. 2 (1960): 55-59.

    Jones, Andrew. Yellow Music. Durham, NC: Duke University Press, 2001.

    Law, Wing-Wah, and Wai-Chung Ho. “Culture, Music Education and the State in Hong Kong and Taiwan in a Global Age.” Bulletin of the Council for Research in Music Education, no. 169 (2006): 63-77.

    Li, Lü-feng. “Research on Taiwanese Jazz ‘Fans.’” M.A. thesis, National Chengchi University, 2004.

    Lin, Wei-sheng. Interview by author, December 21, 2015.

    ———. E-mail message to author, January 6, 2016.

    Morse, Janice M. “Designing Funded Qualitative Research. In Handbook of Qualitative Research, edited by Norman K. Denzin and Yvonna S. Lincoln, 2nd ed: 220-35. Thousand Oaks, CA: Sage, 1994.

    Moskowitz, Marc L. “Message in a Bottle: Lyrical Laments and Emotional Expression in Mandopop.” The China Quarterly, no. 194 (2008): 365-379.

    National Theater & Concert Hall. “NTCH Summer Jazz Party - NTCH Summer Jazz Project featuring Cliff Almond.” Accessed May 31, 2017. http://npac-ntch.org/en/programs/show-ntch-summer-jazz-party-ntch-summer-jazz-project-featuring-cliff-almond-eppq9hzjyk.

    Novak, David. “2·5×6 Metres of Space: Japanese Music Coffeehouses and Experimental Practices of Listening.” Popular Music 27, no. 1 (2008): 15-34.

    Pope, Edgar W. “Imported Others: American Influences and Exoticism in Interwar Popular Music.” Inter-Asia Cultural Studies 13, no. 4 (2012): 507-517.

    Shih, Yi-Ping, and Cheng-Heng Chang. “The Sweet and the Bitter of Drips: Modernity, Postcoloniality, and Coffee Culture in Taiwan.” Cultural Studies - Critical Methodologies (CSCM) 10, no. 6 (2010): 445-456.

    Tokita, Alison. “Bi-musicality in Modern Japanese Culture.” International Journal of Bilingualism 18, no. 2 (2012): 159-174.

    Tucker, Mark, and Travis A. Jackson. "Jazz." Grove Music Online. Oxford Music Online. Accessed April 8, 2014. http://0-www.oxfordmusiconline.com.opac.lib.ntnu.edu.tw/subscriber/article/grove/music/45011.

    U.S.-China Economic and Security Review Commission. Taiwan’s Economy Amid Political Transition, by Kevin Rosier, Sean O’Connor, and Rolando Cuevas. Washington, D.C., 2016. Accessed April 30, 2017. https://www.uscc.gov/sites/default/files/Research/Taiwan%27s%20Economy%20amid%20Political%20Transition.pdf.

    Wang, Yin-xiu. “An Investigation Into Taiwan’s Acceptance of Jazz Music.” M.A. thesis, Soochow University, 2003.

    Wei, Stacey. “Discussion of Jazz Studies/Courses in Universities Department of Music in Taiwan.” Paper presented at International Symposium in Jazz Music at Fu Jen Catholic University, New Taipei City, Taiwan, April 25, 2012.

    Wong, Joseph. “Deepening Democracy in Taiwan.” Pacific Affairs 76, no. 2 (2003): 235-256.

    Zhang, Xiang-yi. Taiwan’s Jazz Spectrum. Taipei: Taiwan Classics Publishing, 2006.

    Zheng, Su. Claiming Diaspora. Oxford: Oxford University Press, 2011.

    2016 Taipei Jazz Festival. Accessed May 31, 2017. http://jazz.festival.taipei/2016/about.html.

    下載圖示
    QR CODE