奧托里諾・雷史畢基(Ottorino Respighi, 1879-1936)為二十世紀義大利音樂貢獻不少的管弦樂作品，他成熟的管弦樂配器法也成為後代義大利作曲家的模範，進而在義大利音樂歷史中成為舉足輕重的音樂家。

在雷史畢基有生之年結識了許多音樂家，進而影響他的音樂風格與作品上的成就；除此之外，雷史畢基出生於文化古都的波隆那，環境的影響使他特別喜愛研究文藝復興以及巴洛克早期的音樂，這些古代作品逐漸地烙印在他的想像中，因此嘗試仿作許多十八世紀的作品，並以現代的配器法加以呈現。

雷史畢基第一部以羅馬自然景觀為主題的交響詩《羅馬之泉》(Fontane di Roma)成功首演之際，他的朋友紛紛建議他開始構想二重奏的室內樂作品，因此1917年完成他生平唯一一首正式出版且較為成熟之器樂奏鳴曲《B小調小提琴奏鳴曲，作品一一零》(Violin Sonata in B minor, P. 110)。由於雷史畢基對於管弦樂的聲響有著豐富的想像，因此將許多管弦樂的演奏技法寫入鋼琴中，也給予此首小提琴奏鳴曲非常強烈的戲劇張力。

本論文主要探討《B小調小提琴奏鳴曲，作品一一零》，共分為五個章節：第一章為緒論，描述研究動機與方法，以及研究範圍與目的；第二章為文獻探討，主要概述雷史畢基之生平介紹，以及列舉出他各個時期的發展之重要作品，再藉由這些作品分析出他音樂的寫作特色，接著最後介紹《B小調小提琴奏鳴曲，作品一一零》的創作背景與首演資料；第三章為樂曲分析，參考Ricordi於1947年出版的版本；第四章為鋼琴合作核心之探討、詮釋探討與有聲資料比較，由鋼琴合作為出發點進行論述，以及分析四種不同演奏家所詮釋的版本，為樂曲的詮釋進一步分析；第五章為結語。

As a non-operatic composer, Ottorino Respighi (1879-1936) contributed not only a lot of orchestral works to 20th-century Italian music, but also his mature orchestration as a paragon to later Italian composers. As a result, Respighi became a critical musician in the history of the Italian music.

During his lifetime, Respighi encountered many musicians, which had influences on his style and the success of his works. Additionally, born in Bologna, an ancient cultural capital in Italy, Respighi had an enthusiasm for studying Renaissance and early Baroque music so that stimulated him to compose the pastiche of 18th-century music with the modern orchestration, due to the imagination of these ancient works.

After the successful premiere of his first symphonic poem Fontane di Roma with the theme of the natural landscape of Rome, Respighi’s friends offered him some advices to conceive a duet chamber music, and the first officially published instrumental sonata Violin Sonata in B Minor, P. 110 was consequently completed in 1917. Because of the rich sounds of orchestration, Respighi wrote many orchestral performance techniques into the piano part, which gave this violin sonata a dramatic tension.

This thesis is mainly about Violin Sonata in B Minor, P. 110. There are five chapters, started with motivation, purpose, scope and research method described in chapter I. An overview of Respighi’s biography, the lists of his significant works during his lifetime, his composition styles through these critical works are introduced in Chapter II. In addition, the background and the premiere of Violin Sonata in B Minor P. 110 are demonstrated as well. In Chapter III, this part analyzes the composition published by Ricordi in 1947. In Chapter IV, the core-values of Collaborative Piano is introduced first, and followed by the interpretation of music from Collaborative Piano, the comparison of four versions interpreted by different performers. And finally, the conclusion of this thesis can be found in Chapter V.

【中文書目】
任蓉。《雷斯必基藝術歌曲之研究》。臺北：樂韻，1999。
李燕宜。《鋼琴・合作：理論與實例》。臺北市：五南圖書，2014。
徐孟東。《20世紀帕薩卡里亞研究》。北京：人民音樂，2003。
陳國修。《陳國修音樂秘笈2—大作曲家的生涯》。臺北：世界文物，1994。
劉志明。《西洋音樂史與風格》。臺北：全音，1987。
【中文論文】
陳致千。〈雷史畢基Ottorino Respighi《b小調小提琴奏鳴曲》之研究報告〉。國立臺北藝術大學管弦與擊樂研究所，2002。
彭志宇。〈奧圖里諾。雷斯匹基《四首抒情詩》研究〉。天主教輔仁大學音樂研究所，2017。
歐佩怡。〈雷史畢基B小調小提琴奏鳴曲之樂曲分析與詮釋〉。國立臺南藝術大學音樂表演與創作研究所，2008。
鄭丞佑。〈雷史畢基：B小調小提琴奏鳴曲之分析與詮釋〉。國立臺灣師範大學音樂研究所，2017。
【中文期刊】
周郁然，〈我們的遺珠之憾－羅馬即靈感時光即歌樂 隨著雷史畢基穿梭古蹟〉，《MUZIK古典樂刊》No. 93 (十二月號，2014)：A31。
【翻譯專書】
Dallin, Leon. 《二十世紀作曲法》(Techniques of Twentieth Century Composition)。康謳 譯。臺北市：全音樂譜，1982。
Moore, Gerald. 《無愧的伴奏家》(The Unashamed Accompanist)。鄭世文 譯。台北市：世界文物，1996。
【外文書目】
Blume, Friedrich. Classic and Romantic Music: A Comprehensive Survey. New York: W. W. Norton, 1970.
Flamm, Christoph. Ottorino Respighi und die Italienische Instrumentalmusik von der Jahrhundertwende bis zum Faschismus. Laaber: Laaber-Verlag, 2008.
Hepokoski, James; Darcy, Warren. Elements of Sonata Theory. New York: Oxford University Press, 2006.
Katz, Martin. The Complete Collaborator: The Pianist as Partner. New York: Oxford University Press, 2009.
Kostka, Stefan. Materials and Techniques of Twentieth-Century Music. New Jersey: Pearson Prentice, 2006.
Kostka, Stefan; Payne, Dorothy. Tonal Harmony with An Introduction to Twentieth-Century Music. Boston: McGraw Hill, 2000.
Loft, Abram. Violin and Keyboard: The Duo Repertoire. Portland: Amadeus Press, 1991.
Rosen, Charles. Sonata Forms. London: W. W. Norton, 1988.
Webb, Michael. Ottorino Respighi: His Life and Times. Leicester: Troubador Publishing Ltd. 2019.
【國外學術論文】
Kinsey, Jordan E.. Conductor Guides to Three Standard works for Wind Band: Eric Whitacre’s October, Gordon Jacob’s An Original Suite, and Ottorino Respighi’s Huntingtower: Ballade for Band. Southern Illinois University, 2011.
Li, Christine Harada. A Survey of Respighi’s Influences, French Cyclical Works, and Britten’s Violin Concerto. University of Michigan, 2020.
Scalamogna, Lucas. Stylistic Interpretation and Performance Issues in Ottorino Respighi’s Violin Sonata in B Minor. University of Georgia, 2017.
【網路資訊】
五人聯盟
https://nyphil.org/~/media/pdfs/program-notes/1920/Respighi-Trittico-botticelliano.ashx.
作品編號P之介紹
https://en.wikipedia.org/wiki/List_of_compositions_by_Ottorino_Respighi.
阿里戈．賽拉托之介紹
https://peoplepill.com/people/arrigo-serato.
聖雀奇利亞音樂學院沿革
https://www.conservatoriosantacecilia.it/il-conservatorio/la-storia/.
韓國湖巖獎
http://www.hoamfoundation.org/eng/foundation/intro.asp.
Moore, Edward, Huberman Plays New Italian Sonata in Violin Recital, (Chicago Daily Tribune, Jan. 1923), 19.
https://www.newspapers.com/image/354951905/?terms=Respighi%20violin%20sonata&match=1.
【樂譜】
Respighi, Ottorino. Sonata in Si Minore, per Violino e Pianoforte. Milano: Ricordi, 1947.
【線上有聲資料】
Anne-Sophie Mutter & Lambert Orkis
https://open.spotify.com/album/0UgVFRiLOEpjkjomD3sE9E?si=u-DPxkAAS62bWGWhb88CxQ. Access 2000.
Kyung Wha Chung & Krystian Zimerman
https://open.spotify.com/album/1e9vK7KbiNow9ztaoDHEDI?si=g4ZQp1ObRTaTO1EUYJsJew. Access 1989.
Leonidas Kavakos & Yuja Wang
https://youtu.be/0HbzaVsjmF8. Access 2014.
Renato de Barbieri & Tullio Macoggi
https://youtu.be/VPOKV5G3z8s. Access 1962.