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研究生: 張海倫
Helen F. Chang
論文名稱: The Wing Project
The Wing Project
指導教授: 陳景容
學位類別: 碩士
Master
系所名稱: 美術學系
Department of Fine Arts
論文出版年: 2002
畢業學年度: 90
語文別: 中文
論文頁數: 35
中文關鍵詞: The Wing Project
英文關鍵詞: The Wing Project
論文種類: 學術論文
相關次數: 點閱:317下載:4
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  • 這些作品是我對人類努力的本性以及其代表象徵所做的觀察。達文西在他的飛行機器裡所用的翅膀,被用來當做這種努力的象徵,同時結合了人類的造型,而人類的造型也代表了這種努力的象徵。這些作品還包括了一些畫像,這些畫像記錄著畫家一生中的一些關係,而畫家的創作力跟這些關係則是息息相關的。

    An investigation into the nature and representation of human endeavor is made. Leonardo da Vinci’s wing from one of his flying machines is appropriated to serve as the iconic symbol for such endeavor, and human figures are integrated with the same as allegorical expressions of endeavor. Several portraits are also included as records of the fundamental relationships of the artist’s life and upon which the artist’s creative activity depend.

    Adler, Kathleen and Tamar Garb. 1987. Berthe Morisot. Oxford: Phaidon Press Limited. Bernard, Bruce and Derek Birdsall. 1996. Lucian Freud. New York: Random House, Inc. Bordieu, Pierre. 1990. The Logic of Practice, translated by Richard Nice. Stanford: Stanford University Press. Bright, Susie and Jill Posener, Eds. 1996. Nothing but the Girl: The Blatant Lesbian Image. London: Freedom Editions. Foucault, Michel. 1976. Histoire de la sexualité 1: La volonté de savoir. Paris: Éditions Gallimard. Flynn, Tom. 1988. The Body. New York: Harry N. Abrams, Inc. Goldstein, Laurence. Ed. 1997. The Male Body: Features, Destinies, Exposures. Ann Arbor: University of Michigan Press. Leppert, Richard. 1996. Art and the Committed Eye: The Cultural Functions of Imagery. Boulder: Westview Press Inc. Lucie-Smith, Edward. 1985. In The Male Nude: A Modern View. Catalogue for an exhibition organized by Francois de Louville. London: Sarema Press, Ltd. Lucie-Smith, Edward. 1998. Adam: The Male Figure in Art. New York: Rizzoli International Publications, Inc. MacCurdy, Edward, ed. 1930 The Notebooks of Leonardo da Vinci. New York: Reynal & Hitchcock Mirzoeff, Nicholas. 1999. An Introduction to Visual Culture. New York: Routledge Press, Inc. Nelson, Robert S. and Richard Shiff, Eds. 1992. Critical Terms for Art History. Chicago: The University of Chicago Press. Pollock, Griselda. 1988. Vision and Difference. London: Routledge. www.grc.nasa.gov www.interware.it/user/mike/tsr/Arte/greci/tuffo.html

    Adler, Kathleen and Tamar Garb. 1987. Berthe Morisot. Oxford: Phaidon Press
    Limited.

    Bernard, Bruce and Derek Birdsall. 1996. Lucian Freud. New York: Random House,
    Inc.

    Bordieu, Pierre. 1990. The Logic of Practice, translated by Richard Nice. Stanford:
    Stanford University Press.

    Bright, Susie and Jill Posener, Eds. 1996. Nothing but the Girl: The Blatant Lesbian
    Image. London: Freedom Editions.

    Foucault, Michel. 1976. Histoire de la sexualité 1: La volonté de savoir. Paris:
    Éditions Gallimard.

    Flynn, Tom. 1988. The Body. New York: Harry N. Abrams, Inc.

    Goldstein, Laurence. Ed. 1997. The Male Body: Features, Destinies, Exposures. Ann
    Arbor: University of Michigan Press.

    Leppert, Richard. 1996. Art and the Committed Eye: The Cultural Functions of
    Imagery. Boulder: Westview Press Inc.

    Lucie-Smith, Edward. 1985. In The Male Nude: A Modern View. Catalogue for an
    exhibition organized by Francois de Louville. London: Sarema Press, Ltd.

    Lucie-Smith, Edward. 1998. Adam: The Male Figure in Art. New York: Rizzoli
    International Publications, Inc.

    MacCurdy, Edward, ed. 1930 The Notebooks of Leonardo da Vinci. New York:
    Reynal & Hitchcock

    Mirzoeff, Nicholas. 1999. An Introduction to Visual Culture. New York: Routledge
    Press, Inc.

    Nelson, Robert S. and Richard Shiff, Eds. 1992. Critical Terms for Art History.
    Chicago: The University of Chicago Press.

    Pollock, Griselda. 1988. Vision and Difference. London: Routledge.

    www.grc.nasa.gov

    www.interware.it/user/mike/tsr/Arte/greci/tuffo.html

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