本論文旨在透過動物形象的象徵、圖像與文本研究，對於「動物與人類」之間的「權力與支配」以及「情感與依賴」的雙重關係進行更進一步的探討，以分析動物形象的意義被不同的文明、時代、宗教、哲學與文化轉譯為多重且多元的詮釋，進而透過當代視野建構藝術家本身與動物之間微妙的互動關係。故，本論文探討的內容與議題涉及：動物形象在人類的日常生活中如何被表現？動物形象在科學研究與自然史的圖像中如何被再現？動物形象如何在文學中被詮釋？動物形象在西方的宗教與神話中象徵的意涵？繪畫中的動物形象扮演的角色是象徵、點景、人類財產；抑或是主體？
本文主要的研究方法從問題意識的產生，採取視覺文化分析、圖像學、圖像分析、比較文學等研究方法，得以讓動物圖像相關的藝術作品連結到多元與跨領域的文本，同時對於動物形象主題進行探討，重新審視基督教的創世紀（Genesis）、亞里斯多德的創造論（Creationism）以來的人類中心主義價值觀，並理解自18世紀的哲學家邊沁（Jeremy Bentham, 1748-1832）至20世紀的動物權學者彼得．辛格（Peter Singer, 1946-）與湯姆．雷根（Tom Regan, 1938-2017）所推動的動物權與動物解放運動，進而對於繪畫中動物形象與人類文明再現動物形象的表現進行更進一步的分析與省思。
由於動物形象的意義與詮釋反映著藝術家凝視動物的角度或個人情感的投射，因此，本篇論文最後回歸自創作者本身的生命經驗與對非人類物種的反思，對於動物形象進行創作實踐，從擬人化的動物到城市空間中動物與人類互動關係的真實處境等。筆者作為藝術家及實地的田野觀察者，本創作論述將探討當代社會文化中「人性」與「動物性」的互文關係，並視覺再現為個人繪畫創作的語彙。

關鍵字：動物形象、人類中心主義、動物權、動物解放、擬人化、人性、動物性

This dissertation aims to discover how animal images were produced to represent the power-domination and affection-dependency relationships between animals and humans. It looks at how animal subjects are visualized and given multiple interpretations by different cultures, eras, religions and philosophies. The dissertation focuses on several key issues. How are animals represented in the daily life of humans? How are animals represented in images of scientific research and natural history? How are animals and their images interpreted in literature? What symbolic roles do animals play in Western religions and mythologies? How do animals in paintings function to represent human characteristics, or to stand for individual human subjects?
In order to answer these key questions, this study applies methods of visual cultural analysis, such as iconology and iconography, in conjunction with a study of comparative literature, to discover the connections between the multiple texts and visual art works that portray animals.
By analyzing the production of animal images this study allows us to re-consider the value of animal anthropomorphization, a trait which has been profoundly embedded in historical human cultures, as demonstrated for example in the writing of Aristotle, or the Christian narrative of Adam and Eve (Genesis 3.1-6). The thesis also looks at theories of animal rights and animal liberation movements that were advocated by figures such as Jeremy Bentham (English philosopher, 1748-1832), Peter Singer (Australian philosopher, 1946-) and Tom Regan (American philosopher, 1938-2017) which offer further angles for the analysis and re-consideration of visual and textual representations of animal subjects.
In addition, as the representations and interpretations of animal subjects profoundly reflect artists’ gazes and personal attitudes towards animals, this paper therefore incorporates a self-reflexive consideration of my individual life experiences – as an artist and a field observer – of critical animal issues. My art works of animal subjects, which range from imagined and humanized images to realistic representations, aim to offer a view of the built-in intertextuality between humanity and animality in modern society.

Key words: animal images, anthropocentrism, animal rights, animal liberation movements, anthropomorphized, humanity, animality

一、中文書目（依作者名筆劃排列）
北京大學西方哲學教研室編，《西方哲學原著選讀（上）》。北京：商務印書館，1981。
朱立元，《西方美學名著提要-第 1 卷》。臺北：知書房出版集團，2000年。
余省、張為邦﹝清代﹞等，《鳥譜》。北京：故宮出版社，2014。
余省、張為邦﹝清代﹞等，《獸譜》。北京：故宮出版社，2014。
李兆良，《坤輿萬國全圖解密：明代測繪世界》。臺北：聯經出版社，2012。
吳慕迦、高天錫編，《聖經舊約原文︰希伯來文課本》。北京：宗教文化出版社，2011。
金常政，《百科全書的故事》，北京：北京圖書館出版社，2005。
思想編輯委員會，《動物與社會》。臺北：聯經出版公司，2014。
徐學庸，《古希臘正義觀：荷馬至亞里斯多德的倫理價值及政治理想》。臺北：國立臺灣大學，2016。
曹菡艾，《動物非物-動物法在西方》。北京：法律出版社，2007。
曾仰如，《柏拉圖的哲學》。臺北：台灣商務出版社，1995。
曾仰如，《亞里斯多德》。臺北：東大圖書出版，1998年。
張光直，《中國青銅時代》。香港：香港中文大學出版，1982。
張俊傑，《山水繪畫之發展》。臺北：國立歷史博物館，2009。
楊永源，〈自然與文化：西洋風景畫賞析〉，《視覺藝術與文化》，吳方正編。桃園：國立中央大學，2005。
賴品超，〈生態神學〉，《新世紀的神學議程》，郭鴻標、堵建偉編。香港：香港基督徒學會，2003。
傅和德，《舊約詮釋》。北京：宗教文化出版社，2011。
聖經資源中心編輯部，《舊約聖經》。臺北：聖經資源中心，2015。
蔣廷錫﹝清代﹞，《鵓鴿譜》。北京：故宮出版社，2014。
聶璜﹝清代﹞，《海錯譜》。北京：故宮出版社，2014。

二、中文翻譯書目（依作者姓氏排列A-Z或姓氏筆劃）
Aristotle，《動物志》，吳壽彭譯。上海：商務印書館，2010。
Arthur, Wallace，《不期而育：談動物王國的興起》，吳聲海譯。臺北：鄉宇文化出版社，2008。
Austin, Bill R.，《基督教發展史》，馬傑偉、許建人譯。香港：種子出版社，2002。
Berger, John，《影像的閱讀》，劉惠媛譯。臺北：遠流出版社，2002。
Berger, John，《觀看的方式》，吳莉君譯。臺北：遠流出版社，2005。
Bindman, David，〈頭顱骨與人種的概念〉，《身體變化：西方藝術中身體的概念和意象》，曾曬淑主編。臺北：南天書局，2004，頁131-140。
Buffon, Comte de，《自然史》，陳筱卿譯。北京：中國計量出版社，2016。
Buffon, Comte de，《自然史：動物王國》，張鑫譯。北京：譯林出版社，2015。
Copleston, Frederick，《西洋哲學史》卷一，傅佩榮譯。臺北：黎明文化出版，1985年。
Darwin, Charles Robert，《物種起源》，葉篤莊、周建人、方宗熙譯。北京：商務圖書出版，1995。
Darwin, Charles Robert，《小獵犬號航海記》，王瑞香譯。臺北：馬可孛羅出版社，2015。
Dahl, Roald，《幻想大師Roald Dahl的異想世界》，吳俊宏譯。臺北：臺灣商務印書館，2004。
Descartes, René，《沉思錄》，周春塘譯。臺北：五南文化出版社，2015。
Des Jardins, Joseph R.，《環境倫理學：環境哲學導論》，林官明、楊愛民譯。北京：北京大學出版社，2002。
Diamond, Jared，《槍炮、病菌與鋼鐵：人類社會的命運》，王道還、廖月娟譯。臺北：時報出版，2015。
Descartes, René，《談談方法》，王太慶譯。北京：商務印書館，2000。
Francione, Gary L.，《動物權利導論 : 孩子與狗之間》，張守東、劉耳譯。北京：中國政法大學出版社，2005。
Goffman, Erving，《日常生活中的自我表演》，徐江敏、李姚軍譯。臺北：桂冠出版社，1992。
Gombrich, Ernst. H.，《藝術的故事》，雨云譯。臺北：聯經出版社，1997。
Harari, Yuval Noah，《人類大歷史：從野獸到扮演上帝》，林俊宏譯。臺北：遠見天下文化出版社，2014。
Kafka, Franz，《變形記》，李毓昭譯。臺中：晨星出版社，2016。
Kafka, Franz，《變形記-卡夫卡中短篇小說集》，張榮昌譯。上海：上海譯文出版社，2012。
Kafka, Franz，《變形記-卡夫卡中短篇小說選》，柳如菲譯。臺北：海鴿文化出版社，2016。
Kant, Immanuel，《實踐理性批判：康德三大批判之二》，鄧曉芒譯。臺北：聯經出版社，2004。
Kant, Immanuel，《道德底形上學》，李明輝譯。臺北：聯經出版社，2015。
Linzey, Andrew，《動物福音 : 修關動物的基督信仰》，李鑑慧譯。北京 : 中國政法大學出版社，2005。
Magee, Judith，《大自然的藝術》，楊文展譯。北京：中信出版集團，2013。
McManners, John，《牛津基督教史》，張景龍等譯。貴州：牛津大學出版社，1996。
Manguel, Alberto，《意象地圖：閱讀圖像中的愛與憎》，薛絢譯。臺北：臺灣商務印書館，2016。
Mclnerney, Peter K.，《哲學概論》，林逢祺譯。臺北：桂冠圖書公司，1996。
Moltmann, Jürgen，《創造中的上帝：生態的創造論》，隗仁蓮、蘇賢貴、宋炳延譯。香港：漢語基督敎文化硏究所，1999。
Morris, Desmond，《裸猿》，曹順成譯。臺北：商周出版社，2015。
Morris, Desmond，《人類動物園》，何道寬譯。上海：復旦大學出版社，2010。
Morris, Desmond，《親密行為》，何道寬譯。上海：復旦大學出版社，2010。
Morris, Desmond，《人類動物園》，何道寬譯。上海：復旦大學出版社，2010。
Mirzoeff, Nicholas，《視覺文化面觀》，陳芸芸譯。臺北：韋伯出版社，2012。
Nancy, Jean-Luc，《肖像畫的凝視》，簡燕寬譯。桂林市：灕江出版社，2015。
Panofsky, Erwin，《圖像學研究︰文藝復興時期藝術的人文主題》，戚印平、範景中等。上海：上海三聯書店，2011。
Peet, Richard，《現代地理思想》，王志宏等譯。臺北：學群出版社，2005。
Pojman, Louis P.，《生與死：現代道德困境的挑戰》，江麗美譯。臺北市：桂冠出版社，1995。
Orwell, George，《動物農莊》，李立瑋譯。臺中：晨星出版社，2016。
Regan, Tom，《動物權利研究》，李曦譯。北京：北京大學出版社，2010。
Regan, Tom，《打開牢籠︰面對動物權利的挑戰》，莽萍、馬天杰譯。北京：中國政法大學出版社，2005。
Seton, Ernest Thompson，《我眼中的野生動物》，李雪泓譯。臺中：晨星出版社，2004。
Seton, Ernest Thompson，《動物英雄》，王潔瑜、孫娜譯。臺中：晨星出版社，2004。
Seton, Ernest Thompson，《獵物的生活》，王潔瑜、孫娜譯。臺中：晨星出版社，2004。
Seton, Ernest Thompson，《野獸足跡》，陸曉藍譯。臺中：晨星出版社，2004。
Singer, Peter，《動物解放》，孟祥森、錢永詳譯。臺北市︰關懷生命協會，1994。
Singer, Peter & Regan, Tom，《動物權利與人類義務》，曾建平、代峰譯。北京：北京大學出版社，2010。
Skirbekk, Gunnar & Gilje, Nils，《西方哲學史–從古希臘到廿世紀》，童世俊等譯。上海：上海譯文出版社，2004。
Sturken, Marita & Cartwright, Lisa，《觀看的實踐：給所有影像世代的視覺文化導論》，陳品秀譯。臺北：臉譜出版社，2009。
Wilson, Edward Osborne，《社會生物學：新綜合理論1-社會演化的原動力》，薛絢譯。新北市：左岸文化出版社，2012。
Wilson, Edward Osborne，《社會生物學：新綜合理論2-動物的通訊系統》，薛絢譯。新北市：左岸文化出版社，2013。
Wilson, Edward Osborne，《社會生物學：新綜合理論3-統御制度、角色、階級》，薛絢譯。新北市：左岸文化出版社，2013。
Wilson, Edward Osborne，《社會生物學：新綜合理論4-從冷血動物到人類》，薛絢譯。新北市：左岸文化出版社，2013。
Wentworth, Nigel，《繪畫現象學》，董宏宇、王春辰譯。南京：江蘇美術出版社，2006。
Wolff, Robert Paul，《哲學概論》，黃藿譯。臺北：學富出版社，2001。
Wise, Steven M.，《憤怒的獸籠》，李以彬譯。臺北：高寳圖書，2000。
夏目漱石，《我是貓》（吾輩は猫である）。卡絜譯，臺北：小知堂，2001。

三、西文書目（依作者姓氏排列A-Z）
Alberti, Leon Battista, On Painting, New Haven: Yale University, 1970
Aristotle, The Politics of Aristotle, Translated by Barker, Ernest, Oxford: Oxford University Press, 1995.
Aristotle, De Generatione Animalium, Translated by Peck, Arthur Leslie, Cambridge：Harvard University Press, 1943.
Augustine, The City of God, Translated by Marcus Dods, New York: Modern Library, 1950.
Bentham, Jeremy, An Introduction to the Principles of Morals and Legislation, edited by J.H. Burns and H.L.A. Hart, London: Methuen, 1982.
Berkeley, Ellen Perry, TNR: Past, Present and Future: A History of the Trap-Neuter-Return Movement, Washington: Alley Cat Allies, 2004.
Boddice, Bob, Anthropocentrism: Humans, Animals, Environments, Leiden: Brill, 2011.
Boice, James Montgomery, Daniel: An Expositional Commentary, London: Baker Books, 2006.
Bos, Abraham Paulus, The Soul and Its Instrumental Body: A Reinterpretation of Aristotle's Philosophy of Living Nature, Leiden & Bosten: Brill, 2003.
Barker, Ernest, The Political Thought of Plato and Aristotle, London: Methuen, 1906.
Birch, Charles & Vischer, Lukas, Living with the animals : the community of God's creatures, Geneva : WCC Publications, 1997.
Berger, John , Ways of Seeing, London : British Broadcasting Corporation, 1972.
Bildhauer, Bettina & Mills, Robert, The Monstrous Middle Ages, Toronto: University of Toronto, 2003.
Camille, Michael, Image on the Edge: The Margins of Medieval Art, London : Reaktion Books Ltd, 1992.
Castellani, Carlo, “ Ulisse Aldrovandi ”, Dictionary of Scientific Biography, New York: Charles Scribner's Sons, 1970.
Darwin, Charles, On the Origin of Species by Means of Natural Selection, or the Preservation of Favoured Races in the Struggle for Life, London: John Murray, 1859.
Darwin, Charles, The Descent of Man, and Selection in Relation to Sex, London: John Murray, 1871.
Darwin, Charles, The Expression of the Emotions in Man and Animals, London: Harper Collins, 1998.
Derrida, Jacques, The Animal That Therefore I Am, Translated by David Wills, New York: Fordham University Press, 2008.
Dor, Joël, Introduction to the Reading of Lacan: The Unconscious Structured Like a Language, New York City: Other Press, 1998.
Eamon, William, Science and the Secrets of Nature: Books of Secrets in Medieval and Early Modern Culture, New Jersey: Princeton University Press1994.
Everett, Charles W., Jeremy Bentham, London: Weidenfeld & Nicholson, 1966.
Fudge, Erica, Renaissance Beasts: Of Animals, Humans, and Other Wonderful Creatures, Champaign: University of Illinois Press, 2004.
Francione, Gary L. & Charlton, Anna, Animal Rights: The Abolitionist Approach, Kentucky: Exempla Press, 2015
Gernsheimer, Jack, Designing Logos: The Process of Creating Symbols That Endure, New York City: Allworth Press, 2008.
Goffman, Erving, The Presentation of Self in Everyday Life, Edinburgh: University of Edinburgh Social Science Research Centre, 1959.
Gombrich, Ernst H., Aby Warburg : An Intellectual Biography, London: The Warburg Institute, 1970.
Hursthouse, Rosalind, Ethics, humans and other animals : an introduction with
readings, London ; New York : Routledge, 2000.
Huxley, Robert (Ed.), The Great Naturalists, London: Thames & Hudson, 2007.
Impelluso, Lucia, Nature and its symbols, Los Angeles : J. Paul Getty Museum, 2004.
Kant, Immanuel, Lectures on ethics, translated by L. Infield, New York: Harper & Row,
1963.
Klingender, Francis Donald, Animals in art and thought to the end of the Middle Ages, Cambridge: M.I.T. Press, 1971.
Kolb, Arianne Faber, Jan Brueghel the Elder: The Entry of the Animals Into Noah's Ark, Los Angles: J. Paul Getty Museum, 2005.
Kaufmann, Thomas DaCosta, Arcimboldo: Visual Jokes, Natural History, and Still-Life Painting, Chicago: University of Chicago Press, 2009.
Kemp, Martin, Visualizations: The Nature Book of Art and Science, Berkeley & Los Angeles: University of California Press, 2000.
Lavater, Johann Caspar, Physiognomical sketches by Lavater, London: R.H. Westley & J. Luffman, 1802.
Lavater, Johann Caspar, Essays on physiognomy; designed to promote the knowledge and the love of mankind, London: W. Tegg, 1862.
Leodhas, Sorche Nic, Thistle and Thyme: Tales and Legends from Scotland, New York City: Open Road Media, 2014.
Linzey, Andrew & Cohn-Sherbok, Dan, After Noah : animals and the liberation of theology, London: Herndon, Va. : Mowbray, 1997.
Linzey, Andrew, Animals Theology, London: SCM Press, 1994.
Linzey, Andrew, Christianity and the rights of animals, New York : Crossroad, 1987.
Linzey, Andrew, Why Animal Suffering Matters: Philosophy, Theology, and Practical Ethics, Oxford: Oxford University Press, 2009.
Lippincott, Louise, & Blühm, Andreas, Fierce Friends: Artists & Animals 1750-1900, London: Merrell Publishers Limited, 2005.
Mandelbrot, Benoit, The Fractal Geometry of Nature, New York: W.H. Freeman and Company, 1982.
Mason, Adair Stuart, George Edwards: The Bedell and His Birds, London: Royal College of Physicians, 1992.
Matthew, H. C. G. & Harrison, Brian (ed.), Oxford Dictionary of National Biography, Oxford University Press, 2004.
Mitchell, W. J. T., The Language of Images, Chicago: The University of Chicago Press, 1980.
Mitchell, W. J. T., Iconology: Image, Text, Ideology, Chicago: The University of Chicago Press, 1986.
Mitchell, W. J. T., Picture Theory: Essays on Verbal and Visual Representation, Chicago: The University of Chicago Press, 1994.
Miller, Fred D., Nature, Justice, and Rights in Aristotle’s Politics, Oxford: Oxford University Press, 1995.
Miller, Daniel K., Animal Ethics and Theology: The Lens of the Good Samaritan, New York: Routledge, 2012.
Moltmann, Jürgen, God in Creation: A New Theology of Creation and the Spirit of God, Minneapolis: Fortress Press, 1985.
Morris, Desmond, The Human Zoo, New York: Kodansha America Inc., 1996.
Morris, Desmond,The Naked Ape: A Zoologist's Study of the Human Animal, El Dorado: Delta, 1999.
Mittman, Asa Simon & Dendle, Peter J.(Ed.), Apocalyptic Monsters: Animals Inspirations for the Iconography of Medieval North European Devourers, Farnham: Ashgate Publishing Limited, 2013.
Normandin, Sebastian & Wolfe, Charles T. (ed.), Vitalism and the Scientific Image in Post-Enlightenment Life Science 1800-2010, New York: Springer Press, 2013.
Nussbaum, Martha Craven, Aristotle's De Motu Animalium: Text with Translation, Commentary, and Interpretive Essays, New Jersey: Princeton University Press, 1985.
Panofsky, Erwin, Meaning in the visual arts: Papers in and on art history, Garden City: Doubleday & Company, Inc., 1955.
Panofsky, Erwin, The Life and Art of Albrecht Dürer, New Jersey: Princeton University, 2005.
Panofsky, Erwin, Studies In Iconology: Humanistic Themes In The Art Of The Renaissance, New York: Harper & Row,1972.
Parris, Leslie (ed.), The Pre-Raphaelites, London: Tate Gallery, 1984.
Pickeral, Tamsin, The Dog: 5000 Years of the Dog in Art, New York: Perseus Distribution Services, 2008.
Pliny (the elder), Natural History, Translated by Harris Rackham, Cambridge: Harvard University Press, 1945.
Pojman, Louis Paul, Life and Death: Grappling with the Moral Dilemmas of Our Time, Burlington: Jones & Bartlett Publishers, 1992.
Pojman, Louis P., Environmental Ethics, Boston: jones & Bartlett Publishers,1994.
Prater, Andreas, Venus at Her Mirror: Velazquez and the Art of Nude Painting, New York City: Prestel Publishing Ltd, 2002.
Regan, Tom, The Case for Animal Rights, Berkeley: University of California Press, 1985.
Rice, Tony, Voyages of Discovery, London: National Natural Museum, 2010.
Russell, Mark A., Between Tradition and Modernity: Aby Warburg and the Public Purposes of Art in Hamburg, 1896-1918, New York & Oxford: Berghahn Books, 2007.
Ryder, Richard D., Animal Revolution : Changing Attitudes towards Speciesism, Oxford, UK. : Berg, 2000.
Ryder, Richard D., Victims of Science: The Use of Animals in Research, London: Davis-Poynter Ltd., 1975.
Salt, Henry S., Animals' rights considered in relation to social progress, London: Macmillan & Co., 1894.
Seckel, AI, Master of Deception, New York: Sterling Publishing Company, 2004.
Secord, William, Dog painting 1840-1940 : a social history of the dog in art, including an important historical overview from earliest times to 1840 when pure-bred dogs became popular, Woodbridge, Eng. : Antique Collectors' Club, 1992.
Seton, Ernest Thompson, Lives of Game Animals, Newton, MA: Charles T. Branford, 1953.
Singer, Peter, Writings on an ethical life, London: Fourth Estate, 2001.
Singer, Peter, Animal Liberation: A New Ethics for our Treatment of Animals, London: Paladin , 1977.
Sunstein, Cass. R. & Nussbaum, Martha C. (Ed.), Animal Rights: Debates and New Directions, New York: Oxford University Press, 2004.
Sleigh, Charlotte, The Paper Zoo: 500 Years of Animals in Art, London: British Library,2016.
Speaight, George, A History of the Circus, London: Tantivy Press, 1980.
Stahl, P.J. & Grandville, J.J., Public and Private Life of Animals, London：S. Low, Marston, Searle, & Rivington, Lippincott, 1877.
Schiller, Justin G.& David, Dennis M. V., Maurice Sendak：A Celebration of The Artist and His Work, New York: Abrams Books Press, 2013.
Smith, Justin E. H., Nature, Human Nature, and Human Difference: Race in Early Modern Philosophy, New Jersey: Princeton University Press, 2015.
Tobias, Michael, Deep Ecology, Santa Monica, Cal.: MIT Production, 1985.
Toynbee, Jocely M.C., Animals in Roman life and art, Mainz am Rhein : P. von Zabern, 1983.
Thomas, Keith, Man and The Natural World: Changing Attitudes in England 1500-1800, London: Penguin Books, 1984.
Werness, Hope B., The Continuum Encyclopedia Of Animal Symbolism In Art, London: A&C Black, 2006.
Willis, Roy, Signifying Animals: Human Meaning in the Natural World, London & New York: Routledge, 1994.
Wise, Steven M., Rattling the cage : toward legal rights for animals, Cambridge, Mass : Perseus Books, 2000.
Wraight, Christopher D., Rousseau's The Social Contract: A Reader's Guide, London: Continuum Books, 2008.
Williams, David Lay, Rousseau's Social Contract: An Introduction, Cambridge: Cambridge University Press, 2014.
Wilson, Derek, Hans Holbein: Portrait of an Unknown Man, London: Pimlico, 2006.
Wilson, Simon, Tate Gallery: An Illustrated Companion, London Tate Gallery, 1991.
Wolfe, Cary (ed.), Animal Rites: American Culture, the Discourse of Species, and Posthumanist Theory, Chicago: University of Chicago Press, 2003.
Wolfe, Cary, What is Post-humanism, Minneapolis: University of Minnesota, 2009.
Yount, Lisa, Animal rights, New York: Facts On File, 2008.
Zöllner, Frank, Leonardo da Vinci, Los Angles: Taschen, 2000.

四、中文期刊（依作者名筆劃排列）
李鑑慧，〈基督教與動物解放：安德魯‧林基之動物神學〉，《神學與教會》第廿八卷第二期，（2003），頁449-450。
林永崇，〈從康德的間接義務觀論動物權利〉，《應用倫理評論》第 56 期，（2014），頁 9-22。
沈睿，〈動物與人：西方動物權利思想的來龍去脈〉，《天涯》第一期，（2006），19-26頁。
黃宗慧，〈是蛇還是小女孩？-《愛麗絲夢遊奇境》中的人與動物關係〉，《英語島（English Island）》6月號，（2015）。
蔡敏玲，〈從繪畫理論看文藝復興藝術教育概念的轉變- 切尼尼、阿爾貝提及達文西〉，《南藝學報》第8期，（2014），頁43-82。
蔡敏玲，〈從喬凡尼．卡斯蒂利歐內的舊約遷徙作品看17世紀古典繪畫理論〉，《台大文史哲學報》第74期，（2011），頁287-334。
賴毓芝，〈清宮對歐洲自然史圖像的再製：以乾隆朝《獸譜》為例〉，《中央研究院近代史研究所集刊》第80期，（2013），頁1-75。
戴麗娟，〈馬戲團、解剖室、博物館－黑色維納斯在法蘭西帝國〉，《台灣社會研究季刊》第54期，（2004年6月），頁9。
費昌勇、楊書瑋合著，〈動物權與動物對待〉，《應用倫理評論》，第51期，（2011），頁101。

五、西文期刊（依作者姓氏排列A-Z）
Bach, Friedrich Teja, “Albrecht Dürer: Figures of the Marginal”, Anthropology and Aesthetics No. 36, (1999), pp. 79-99.
Cecilia Gallerani: “Leonardo's Lady with an Ermine", Artibus et Historiae No. 25, (1992), pp.47-66.
Foister, Susan; Wyld, Martin; Roy, Ashok, "Hans Holbein's A Lady with a Squirrel and a Starling", National Gallery Technical Bulletin, volume 15, (1994), pp.6-19.
Holt, Sally Smith “A Review of Andrew Linzey's Animal Theology from a Theological Perspective”, Review & Expositor, Vol.102, No.1 (2005), pp.101-109.
Hume, Julian P., “The history of the Dodo Raphus cucullatus and the penguin of Mauritius”, Historical Biology, Vol.18,(2006), pp.65-89.
Kellert, S. R., “Attitudes, knowledge, and behavior toward wildlife among the industrial superpowers: United States, Japan, and Germany”, Journal of Social Issues, Vol.49, No.1, (1993), pp.53-69.
Kusukawa, S., “The sources of Gessner's pictures for the Historia animalium”, Annals of Science, Vol.67, (2010), pp.303–328.
Lasher, M. A., “relational approach to the human-animal bond”, Anthrozoos, Vol.11, No.3, (1998), pp.130-133.
Murdy, William H., “Anthropocentrism: a modern version”, Science. Vol.187, (1975), pp.1168-1172.
Norton, Bryan G., “Environmental Ethics and Weak Anthropocentrism”, Environmental Ethics, Vol. 6, No. 2 (1984), pp.131-148.
Shell, Janice & Sironi, Grazioso, " Cecilia Gallerani: Leonardo's Lady with an Ermine ", Artibus et Historiae, No. 25, (1992), pp.47-66.
Stewart, Charles, "Erotic Dreams and Nightmares from Antiquity to the Present", Journal of the Royal Anthropological Institute.Vol.8, (2002), pp.279-309.
Serpell, J. A., “Factors influencing human attitudes to animals and their welfare”, Animal welfare, Vol. 13, (2004), pp.145-151.
White, Lynn, “The historical roots of our ecological crisis”, Science. Vol.155, (1967), pp.1203-1207.