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研究生: 吳郁昕
Wu, Yu-Hsin
論文名稱: 匈牙利音樂在〈柯大宜無伴奏大提琴奏鳴曲作品八〉的應用暨樂曲研究分析
The Application of Hungarian Music and the Analysis on Zoltán Kodály’s Sonata for Unaccompanied Cello Op. 8
指導教授: 高炳坤
Coo, Victor
學位類別: 碩士
Master
系所名稱: 音樂學系
Department of Music
論文出版年: 2019
畢業學年度: 107
語文別: 中文
論文頁數: 79
中文關鍵詞: 柯大宜匈牙利民間音樂大提琴無伴奏奏鳴曲
英文關鍵詞: Kodály, Hungary, folk music, cello, unaccompanied sonata
DOI URL: http://doi.org/10.6345/NTNU201900667
論文種類: 學術論文
相關次數: 點閱:84下載:7
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  • 匈牙利是個民族性相當強烈的國度,當中著名作曲家柯大宜的無伴奏大提琴奏鳴曲作品八可以說是繼巴赫無伴奏大提琴組曲之後最為突出的無伴奏大提琴作品。作品八能成為數一數二的顛峰之作,不僅僅是因為柯大宜在作品八中極盡所能地嘗試大提琴這項樂器的聲響可能性與挑戰其技術的高度,更是因為在其作曲手法上與匈牙利民間音樂之間深厚的連結。
    本文旨在釐清匈牙利音樂的脈絡與類別,並且對之應用在作品八中的部分加以探討。從最初匈牙利民間音樂的分類:舊風格、新風格……等的解說,一直到作品八的創作背景、柯大宜所使用的特殊演奏法,以及匈牙利音樂的應用等等,配合譜例說明,望能使讀者對匈牙利的民間音樂以及作品八能有更全面性的暸解。

    Hungary is a country with a strong national character. Kodály, a famous composer from Hungary, wrote the unaccompanied Cello Sonata, op. 8, which is said to be the most outstanding work for unaccompanied cello after Bach’s Cello Suites. The sonata is arguably one of the greatest musical works in the genre. Not only did Kodály explore a wide range of timber on the cello, he also expanded the instrument’s technical possibilities to new heights. Moreover, the strong link between the composition and Hungarian folk music, points out the nationalistic quality which is emphasized as the focal point of the work.
    The purpose of this paper is to clarify the context and categories of Hungarian music, and to explore how the Hungarian musical elements are used in the sonata. Starting with the classifications of Hungarian folk music: old style and new style, to the creative background of the sonata; the special technical skills used by Kodály, and the application of Hungarian music. Following what Kodály wrote on his score, it is hoped that readers can have a more comprehensive understanding of Hungarian folk musical elements in his sonata.

    中文摘要.................................................. i 英文摘要..................................................ii 目錄....................................................iii 譜例目次..................................................iv 圖表、圖片、表格目次......................................vii 第一章 緒論···············································1 第一節 研究動機與目的··································1 第二節 研究範圍與方法··································3 第二章 柯大宜生平簡介······································5 第一節 早期歷程·······································5 第二節 投身民謠採集····································6 第三節 發展音樂教育····································7 第三章 匈牙利音樂概述······································9 第一節 民間音樂·······································9 第二節 匈牙利音樂在《無伴奏大提琴奏鳴曲作品八》的應用····23 第四章 《無伴奏大提琴奏鳴曲作品八》樂曲分析··················38 第一節 寫作背景與曲式分析·····························38 第二節 創作手法······································50 結語·····················································76 參考文獻··················································78

    一、中文資料

    謝俊逢。《民族音樂論:理論與實證》。台北:全音樂譜出版社有限公司,1998。
    周力行。《匈牙利史:一個來自亞洲的民族》。台北:三民出版社,2003。
    柯大宜。《論匈牙利民間音樂》。廖乃雄 譯。北京:人民音樂出版社,1964。
    楊立梅。《高大宜音樂教育思想與匈牙利音樂教育》。上海:上海教育出版社,2000。
    王耀華。《世界民族概論》。上海:上海音樂出版社,1998。
    巴爾托克。《巴爾托克論文書信選》。台北市:世界文物,1993。
    杜亞雄。《風,來自多瑙河——匈牙利音樂文化》。北京:世界知識出版社,2002。
    楊沛仁。《音樂史與欣賞》。台北:美樂出版社,2001。
    莊美智。《莊美智大提琴演奏會》。國立交通大學音樂研究所碩士論文,未出版,新竹。
    曾憲文。《匈牙利農民音樂對高大宜的影響〈以無伴奏大提琴奏鳴曲為例〉》。國立臺北藝術大學管絃與擊樂研究所碩士論文,未出版,台北。
    陳昱翰。《匈牙利音樂素材在高大宜〈無伴奏大提琴奏鳴曲作品八〉的展現與演奏詮釋》。國立臺灣師範大學音樂系研究所博士論文,未出版,台北。

    二、英文資料

    Breuer, Janos. “The World’s Greatest Composers: Kodaly.” Magus Publishers, 1999.
    Lin, Min-Yuan. “The Treatment of the Cello in Kodaly’s Sonata for Unaccompanied Violoncello, Opus 8.” Boston University, 1995.
    Bartók, B. & Baker, T. “Hungarian Peasant Music.” The Musical Quarterly, 1933.
    Bartók, B. “The Influence of Peasant Music on Modern Music.” Tempo, 1949.
    Cella Koch, “A Study of the Sonata for Unaccompanied Cello by Zoltan Kodaly.” Estman School of Music, 1953.
    Ginzburg, Lev Solomonovich. “History of the Violoncello.” trans. Tanya Tchistyakova. Neptune:T.F.H. Publication, Inc., 1983.
    Ittzes, Mihaly. “Zoltan Kodaly: In Retrospect.” Kecskemet:Kodaly Institute, 2002.
    Sadie Stranley ed. “The New Grove Dictionary of Music and Musicians.” Oxford:Oxford University Press, 2003.
    Cross, Anthony. “Kodály and Folk Music” The Music Times, 1982.

    三、樂譜

    Kodály, Z. Sonata for unaccompanied violoncello Op, 8. London:Universal Edition 1921

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