時間推移至今已經二十一世紀,換句話說,巴爾托克(Béla Bartók, 1881-1945) 已經逝世超過半個世紀。一位現代作曲家的音樂語言要被理解消化,往往需要很長的時間去研究,才能夠完整解釋出新的音樂語言。巴爾托克的音樂充滿了驚奇性,不管在素材的運用、民族性的音樂、特殊的曲式架構等等,巴爾托克作品中的獨特性值得深究。

本論文以巴爾托克的鋼琴作品《十四首小品作品六》為研究主題,主要陳述巴爾托克的生平與人格特質,並探討巴爾托克的創作風格與鋼琴作品的音樂特色, 再延伸至此曲的創作技法分析與詮釋解說,最後作整體的結論。

Bartok (Béla Bartók, 1881-1945) has died more than half a century.The musical language of a modern composer always takes a long time to research before they can fully explain. Bartok's music is full of surprise, such as the use of material, ethnic music, special musical architecture and so on.

This paper is about Bartok's life and personality, and explain the characteristics of Bartok's music composer style.

中文書目 史惟亮。《巴爾托克.BARTÓK》。台北:希望出版社,1970。
董學渝。《最新巴爾托克小宇宙分析及彈奏法》,台北:全音樂譜出版社,2003。
張美惠。《巴爾托克鋼琴作品研究》。台北:全音樂譜出版社,2004。
Miline, Hamish. 《偉大作曲家群像-巴爾托克》。林靜枝、丁佳甯 譯。台北:智庫 文化有限公司,1996。
外文書目
Antokoletz,Elliott. The music of Béla Bártok. California: Unuversity of California Press, 1984.
Burge, David. Twentieth-Century Piano Music, Michigan: schirmer books, 1990. Dubal, David. The Art of the Piano, New York: Summit Books, 1989.
Frigyesi, Judit. Béla Bartók and Turn-of-the-century Budapest. California: University of California Press, 1998.
Perle,Gerge. in Serial Composition and Atonality. Berkeley: University of California Press,1977.
Kirby, F. E.. Music for Piano. Portland: Amadeus Press, 1995.
Laki, Peter. Bartók and his word. Princeton: Princeton University Press, 1995.
Lendvai, Erno. Béla Bartók-An analysis of his music. New York: Pro/Am Music Resources Inc, 1991.
Milne, Hamish. The Illustrate Lives of the Great composers: Bartok. London: Omnibus press, 1982.
Schneider, David E.. Bartók, Hungary and the renewal of tradition. California: University of California Press, 2006.
Stevens,Halsey. The life and Music of Béla Bartók. New York: Oxford University Press,1964.
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Suchoff, Benjamin. Béla Bartók Essays. New York: St. Martin’s Press, 1976. Rowland, David. The Cambridge Companion to the Piano. New York: Cambridge
University, 1998.
Wilson, Paul. The Music of Béla Bartók. New York: Yale University Press, 1992.
工具書
Turabian, Kate L. A Manual for writers: of Research Papers, Theses, and Dissertations. Chicago: The University of Chicago Press
Oxford Music Online
中文期刊論文 洪小菁。〈巴爾托克《十四首鋼琴小品,作品六》之探究〉。國立台南大學碩士論
文,2011。 吳雅婷。〈巴爾托克的鋼琴音樂語言〉。《台中教育大學學報》(2011):19-47。
沈珍伶。〈巴爾托克鋼琴奏鳴曲研究〉。《臺北市立師範學院音樂藝術學刊》(2003) :51-86。
英文期刊論文
Antokoletz, Elliott.“The Musical Language of Bartók's 14 Bagatelles for Piano.” Tempo,New Series, No. 137: 8-16
Somfai, László. “Nineteenth-Century Ideas Developed in Bartók's Piano Notation in the Years 1907-14.” 19th-Century Music, Vol. 11, No. 1: 73-91
Fischer, Victoria. “Articulation Notation in the Piano Music of Béla Bartók: Evolution and Interpretation.” Studia Musicologica Academiae Scientiarum Hungaricae, July 3-5, 1995: 285-301
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Leong, Daphne. “Bartók's Studies of Folk Rhythm: A Window into His Own Practice.” Acta Musicologica, Vol. 76: 253-277
有聲資料
Jendo, Jeno. BARTÓK, B.: Piano Music, Vol. 7. CD. Naxos Regular, 8.573224 Zempleni, Kornel. BARTOK: Complete Edition - Piano Works (Part 1A). CD.
Hungaroton, HCD31898-99
樂譜
Bartók, Béla. 14 Bagatelles for piano, Op. 6. Budapest: Edito Musica Budapest, 1998.
網路資料
http://www.e-classical.com.tw/headline_detail.cfm?id=350
Kocsis, Zoltán. Béla Bartók -14 Bagatelles. https://www.youtube.com/watch?v=Zz0DX ACiQvA