研究生: |
鄭文良 CHENG WEN LIANG |
---|---|
論文名稱: |
應用模糊理論探討雙色色彩調和之研究 Study on the Application of Fuzzy Theory to Explore the Color Harmony on Twin Colors |
指導教授: |
李基常
Lee, Ji-Charng |
學位類別: |
碩士 Master |
系所名稱: |
工業教育學系 Department of Industrial Education |
論文出版年: | 2001 |
畢業學年度: | 89 |
語文別: | 中文 |
論文頁數: | 70 |
中文關鍵詞: | 色彩調和 |
英文關鍵詞: | color harmony |
論文種類: | 學術論文 |
相關次數: | 點閱:230 下載:7 |
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色彩調和原則的探求工作不外乎是一種追求色彩美感的原則,是將優秀的配色感覺予以客觀化的活動,是一種配色的美感效果(Aesthetic Effects of Color)的法則(色彩的科學與文化,曾啟雄,1999)。過去,雖然有許多色彩學學者提出各種有關「色彩調和」的理論法則,但就「色彩調和」的定義就令人產生疑惑。而從色彩發展史中,也可以發覺要絕對地定義色彩調和是蠻難的問題,都可能產生疏漏之處。
鑑於其他的領域應用「模糊理論」來解決這類複雜概念和科學數值之間的轉換問題,已有相當成效。所以本研究旨就色彩調和是「令人愉快」及色彩調和是「有秩序的」定義來探討色彩調和這項模糊概念,利用模糊理論中逐級估量法則及「貼近度」的運算法則,解析受測者對「色彩感知」與「調和意象語彙認知」傳達的模糊性,期將模糊的色彩調和感覺予以體系化,最後並透過問卷驗證本研究模式與色彩調和的可能對應關係。
本研究主要以有彩色為實驗主體,在色相方面共選取五色相,分別是紅(R)、黃(Y)、綠(G)、藍(B)、紫(P)。色調方面,計有四個色調,分別是鮮豔的(V)、明亮的(B)、淡的(P)、淺灰的(LGr),合計共二十個顏色。
實驗結果,在色彩調和意象驗證實驗中所選出貼近度值最大的三十組色彩配色對中,有二十三組與問卷所得結果相同,預測度為76.7%。此外,在色彩調和意象比較實驗中,由受測者所評判隸屬程度屬於調和感覺的色彩配色對與藉貼近度推得的結果相較,精確度為60%。而若檢測受測者評判隸屬程度較小的色彩配色對,則精確度達80%。由貼近度所推得色彩調和意象程度值,對於色彩配色對具色彩調和意象有相當程度的預測性與準確性。
The principle of color harmony is to explore the pursuit of aesthetics of color and to give an objective activity on the superior color matching as well as a principle on the aesthetic effects of color (Color Science & Culture, Tseng, Chih-Hsiung, 1999). In the past, even many scholars on chromatics had presented the theoretical principle related to “Color Harmony”, but the definition made on “Color Harmony” that is still confusing. It is also very difficult to define absolutely on color harmony, and also could cause omission.
In view of the application of ‘Fuzzy Theory” in other field to solve the conversion problem between such complicated concept and scientific value that has substantive achievement, and therefore, the purpose on this study is aiming at the definition of color harmony “ that can cause us pleasant” and the color harmony is “ in order” to explore the Fuzzy concept on color harmony, and further make use of gradual estimation rule of Fuzzy theory and the arithmetic rule of approximation to analyze the person being tests in connection with the ambiguity transmitted by “Cognition on Vocabulary of Harmony Imagination” and then to systemize the felling on ambiguous color harmony. Finally, by having through the questionnaire to certify the possible responding relation between the study mode and color harmony.
The study was mainly aiming at color as object of experiment. On the aspect of color phase, we have selected 5color phases, of which was divided into Red, Yellow, Green, Blue, and Purple. On the aspect of color tone, we have selected 4 color tones, individually as Vivid, Bright, Pale, and Light Gray , totaling at 20 color.
The experiment result on 30 sets of color match of the maximum approximation selected from color harmony and imagination experiment, where the result of 23 sets is the same with questionnaire, the forecasting extent is 76.7%. In addition, under the comparison experiment between color harmony and imagination, the result compared between color match and approximation, the accuracy is 60%. If compares with the color match and its subordinate extent on the person being tested, then the accuracy has reached 80%. The value of color harmony and imagination extent assumed from approximation, which has substantial extent of forecasting and accuracy on color harmony and imagination.
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