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研究生: 黃鈺茹
Huang, Yu-Ju
論文名稱: 巴爾托克《嬉遊曲》指揮詮釋
The Interpretation and Analysis of Divertimento for String Orchestra by Béla Bartók
指導教授: 許瀞心
Hsu, Ching-Hsin
學位類別: 碩士
Master
系所名稱: 音樂學系
Department of Music
論文出版年: 2017
畢業學年度: 105
語文別: 中文
論文頁數: 105
中文關鍵詞: 巴爾托克嬉遊曲軸心音系統弦樂團
英文關鍵詞: Béla Bartók, Divertimento, Axis System, String orchestra
DOI URL: https://doi.org/10.6345/NTNU202202601
論文種類: 學術論文
相關次數: 點閱:165下載:18
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  • 二十世紀作曲家的作品,經常使用所屬國家的文化特色,作為音樂上創作的素材。身為其中的重要作曲家,巴爾托克以研究匈牙利地區民族音樂為志業,將民謠風格融入自身作品,成就獨特的個人特色。而其音樂素材的多樣性、追尋古典樂派的精神,與嚴謹的音樂結構,造就巴爾托克的作品成為音樂史上的經典。巴爾托克以古典樂派的曲種─嬉遊曲作為體裁,結合民謠音樂與巴爾托克的軸心音系統,呈現嬉遊曲精緻優雅的精神。
    論文將以《嬉遊曲》為主體,先概述巴爾托克的個人生平,以及其音樂作品與特色進行探討。再聚焦於《嬉遊曲》的樂曲分析,探討指揮如何詮釋以及排練與音樂會的經驗,最後作為歸納性的結論。

    Composers of twenty century frequently use cultural characteristics of their country, as the material of their compositions. Béla Bartók, as an important composer, study Hungarian national music through his life, and merge the folk style in his music to bring out his unique features. His diversity of musical material, pursuit of classical style, and rigorous musical structure led him to be classic in the music history. Bartók used the form of divertimento, combined with the folk music and his Axis System, showing the elegant spirit of divertimento.
    The thesis will focus on Divertimento. By means of explore on his personal life, music works and features, then analysis music structure and conducting interpretation, finally as an inductive conclusion.

    前言....................................................1 第一章 背景探究.........................................3 第一節 作曲家生平...................................3 第二節 作品時期與音樂特色............................8 第二章 樂曲分析........................................22 第一節 創作背景....................................22 第二節 曲式與音階..................................24 第三節 第一樂章....................................32 第四節 第二樂章....................................45 第五節 第三樂章....................................52 第三章 指揮詮釋........................................70 第一節 速度........................................70 第二節 節奏與樂句..................................78 第三節 力度........................................84 第四節 織度........................................90 第五節 排練與音樂會................................97 第四章 結論...........................................100 參考文獻...............................................102

    中文書目
    Bartók, Béla.《巴爾托克論文書信集》。湖北藝術學院作曲系編譯。台北:世界文
    物,1993。
    Milne, Hamish.《偉大作曲家群像─巴爾托克》。林靜枝、丁佳甯譯。台北:智庫文
    化,1996。
    陳烜之。《認知心理學》。台北:五南,2007。
    焦元溥。《遊藝黑白:世紀鋼琴家訪問錄(下)》。台北:聯經,2007。
    廖年賦。《管絃樂指揮研究》。台北:全音,1996。
    中文期刊論文
    陳怡穎。〈巴爾托克《十四首鋼琴小品作品六》詮釋報告〉。國立臺灣師範大學碩士論
    文,2015。
    游卓霖。〈從巴爾托克《管弦樂協奏曲》探討創作技法之實踐與指揮詮釋〉。輔仁大學
    博士論文,2013。
    曾士珍。〈巴爾托克:民謠採集及十五首匈牙利農民歌曲〉。《美育》(第207期,
    2015)。

    外文書目
    Antokoletz, Elliott. The music of Béla Bártok. Berkeley and Los Angles: University of California Press, 1984.
    Cooper, David. Concerto for orchestra. Cambridge: University of Cambridge Press, 1996.
    ____________. Béla Bartók. New Haven: Yale University Press, 2015.
    Demény, Janos. Béla Bartók: Letters. Budapest: Corvina Press, 1971.
    Laki, Peter. Bartók and his word. Princeton: Princeton University Press, 1995.
    Lendvai, Erno. Béla Bartók: An analysis of his music. New York: Pro/Am Music Resources Inc, 1991.
    Milne, Hamish. The Illustrate Lives of the Great Composers: Bartok. London: Omnibus press, 1982.
    Schneider, David E. Bartók, Hungary and the renewal of tradition. Berkeley and Los Angles: University of California Press, 2006.
    Somfai, László. Béla Bartók: Composition, Concepts, and Autograph Sources. Berkeley and Los Angles: University of California Press, 1996.
    Stevens,Halsey. The life and Music of Béla Bartók. New York: Oxford University Press,1964.
    Suchoff, Benjamin. Béla Bartók Essays. New York: St. Martin’s Press, 1976.
    _______________. Concerto for orchestra. New York: Schirmer, 1995.
    Turabian, Kate L. A Manual for writers: of Research Papers, Theses, and Dissertations. Chicago: The University of Chicago Press, 2013.

    外文期刊
    Bónis, Ferenc.“A Composer abides by his own rules─Béla Bartók and his patron Paul Sacher.” Hungarian Review, Volume V., No. 1, January 17, 2014.

    網路資源
    Denis, Arnold and Rhys Jones, Timothy. "Concerto" In Oxford Companion to Music Online. Oxford Music Online, http://0-www.oxfordmusiconline.com.opac.lib.ntnu.edu.tw/
    subscriber/article/opr/t114/e1550#e1550.h1.3 (accessed April 26, 2017).
    Gillies, Malcolm. "Bartok" In Grove Music Online. Oxford Music Online. http://0- www. oxfordmusiconline.com.opac.lib.ntnu.edu.tw/subscriber/article/grove/music/40686?q= bartok&search=quick&pos=1&_start=1#firsthit (accessed April 26, 2017).
    Unverricht, Hubert and Eisen, Cliff. "Divertimento" In Grove Music Online. Oxford Music Online, http://0-www.oxfordmusiconline.com.opac.lib.ntnu.edu.tw/subscriber/article/grove/music/07864?q=divertimento&search=quick&pos=1&_start=1#firsthit (accessed April 26, 2017).

    樂譜
    Bartók, Béla. Concerto for Orchestra. London: Boosey & Hawkes, 1993.
    __________. Dance Suite. London: Boosey & Hawkes, 1999.
    ___________. Divertimento. London: Boosey & Hawkes, 1999.
    ___________. String Quartet No.6. London: Boosey & Hawkes, 1941.

    影音資料
    Boulez, Pierre, Chicago Symphony Orchestra. Bartók: Divertimento, Dance Suite, Two Pictures, Hungarian Sketches, CD. Deutsche Grammophon, DDD 0289 445 8252 9 GH, 1995.
    Doráti, Antal, Hungarian State Orchestra. Bartók: Concerto for Orchestra, Divertimento, CD. Hungaroton, HCD 11437, 1995.
    Sir Neville Marriner, Academy of St. Martin in the Fields. Bartók: Concerto for Orchestra, Divertimento, CD. Universal International Music B.V., B01BO8ULNW, 1991.

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