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研究生: 蕭伊辰
Hsiao, I-Chen
論文名稱: 冰島流行音樂錄影帶中的國族意象再現
National Identity Representation in Icelandic Popular Music Videos
指導教授: 路狄諾
Luca, Dinu
口試委員: 路狄諾
Luca, Dinu
高瑪麗
Goodwin, Mary
簡妙如
Jian, Miao-ju
口試日期: 2024/07/25
學位類別: 碩士
Master
系所名稱: 歐洲文化與觀光研究所
Graduate Institute of European Cultures and Tourism
論文出版年: 2024
畢業學年度: 112
語文別: 英文
論文頁數: 151
中文關鍵詞: 冰島音樂錄影帶國族意象流行音樂視覺文化
英文關鍵詞: Iceland, music video, nationalism, popular music, visual culture
研究方法: 內容分析法
DOI URL: http://doi.org/10.6345/NTNU202401244
論文種類: 學術論文
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  • 自1944年冰島正式獨立後,冰島流行音樂作為冰島重要的出口物之一,於世界舞台上反應及形塑冰島的國家意象中扮演關鍵角色,冰島音樂當代知名的冰島音樂人如Björk、Sigur Rós、Kaleo及Of Monster and Men,透過他們出色且獨具風格的作品及音樂錄影帶,傳播他們對於自身國家的認同與視覺意象,許多觀看者透過觀看這些視覺意見建立對「冰島」此國家的第一概念與印象。
    本文檢視冰島流行音樂錄影帶中的視覺再現並梳理這些意象與當代冰島流行文化的關係,分析來自特定、已享有世界名譽並產出視覺素材的冰島流行音樂家於主流串流平台如YouTube、Spotify上發佈的音樂錄影帶。本文將試圖揭露流行音樂錄影帶如何影響及形塑國族意象。

    Icelandic popular music, one of Iceland’s most prominent exports, has played a critical role in reflecting and shaping Icelandic identity worldwide since the country’s independence in 1944. Contemporary Icelandic artists from various genres, such as Björk, Sigur Rós, Kaleo, and Of Monsters and Men, extensively spread the image of Icelandic identity worldwide through their talented music works and dynamic music videos. Many people have developed their first impression of Iceland by watching these visual arts representations.
    This thesis examines some of the visual representations present in Icelandic popular music videos and investigates the relationship between these images and contemporary Icelandic popular culture. It analyzes music videos from selected Icelandic musicians who gained international fame and released visual material on major streaming services like YouTube and Spotify. This analysis reveals how popular music video scenes are influenced and shaped by nationalism.

    Acknowledgment i Abstract ii 中文摘要 iii Table of Contents iv Illustrations vi Chapter 1. Introduction 1 1.1 Preliminary Considerations and Literature Review 1 1.2 Statement of Problem 9 1.3 Purpose of this Study 12 1.4 Methodology and Theoretical Approach 13 1.5 Synopsis of Chapters 15 Chapter 2. The Icelandic Pop Culture: A Brief Overview 16 2.1 Introduction 16 2.2 Aspects of Icelandic History18 2.2.1 Early History 18 2.2.2 Iceland under Foreign Rule 22 2.2.3 Modern Iceland 26 2.3 Icelandic Film 32 2.3.1 Icelandic Television Series 34 2.3.2 Past and Presence of the Icelandic Film Industry 37 2.3.3 Themes in Icelandic Film 44 2.4 Icelandic Pop Music 49 2.4.1 An Overview of Icelandic Pop Music History 51 Chapter 3. The Music Video as A Cultural Medium 72 3.1 Introduction 72 3.2 The Role of the Music Video in Contemporary Media History 74 3.2.1 The MTV era (1980s-1990s) 74 3.2.2 After MTV (2000s—now) 78 3.3 Visual Culture in Music Videos 82 3.3.1 Evolutions in Visual Culture after the 1980s 84 3.3.2 The Relation between Sound and Image 89 3.3.3 Cultural Representation and Social Reflection 94 3.4 The Development of the Icelandic Popular Music Video 97 3.4.1 Historical Review of Icelandic Popular Music Videos 98 3.4.2 Cultural Representation and Social Reflection 103 Chapter 4. Case Study 110 4.1 Introduction 110 4.2 Björk 113 4.2.1 Introduction to the Musician 113 4.2.2 Analysis of Selected Music Videos 115 4.3 Of Monster and Men 123 4.3.1 Introduction to the Musician 123 4.3.2 Analysis of Selected Music Videos 125 4.4 Conclusion 134 Chapter 5. Conclusion 137 5.1 Findings and Conclusion 137 5.2 Research Limitations and Direction for Future Research 140 Bibliography 141

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