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研究生: 梁家瑜
Liang, Chia-Yu
論文名稱: 斯克里亞賓《二十四首前奏曲》作品11之分析與詮釋
An Analysis and Interpretation of Scriabin's Twenty-Four Preludes, Op. 11
指導教授: 徐嘉琪
Hsu, Chia-Chi
口試委員: 徐嘉琪
Hsu, Chia-Chi
鍾家瑋
Chung, Chia-Wei
陳怡婷
Chen, Yee-Ting
口試日期: 2022/06/03
學位類別: 碩士
Master
系所名稱: 音樂學系音樂教學碩士在職專班
Department of Music_Continuing Education Master's Program of Music Teaching
論文出版年: 2023
畢業學年度: 111
語文別: 中文
論文頁數: 154
中文關鍵詞: 斯克里亞賓二十四首前奏曲
英文關鍵詞: Scriabin, Twenty-Four Preludes
DOI URL: http://doi.org/10.6345/NTNU202300654
論文種類: 代替論文:作品連同書面報告(藝術類)
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  • 亞歷山大.斯克里亞賓 (Alexander Scriabin, 1872-1915) 為十九世紀至二十世紀的俄羅斯音樂家,其作品前期受浪漫樂派影響,而中後期則致力將哲學和詩融入其作品中。
    本論文所探討的《二十四首鋼琴前奏曲,作品11》 (24 Preludes for Piano, Op. 11) 為斯克里亞賓創作之早期作品,共有二十四首前奏曲,包含二十四個大小調,並以關係大小調及調性依序上升五度的順序排列。這部作品大多在斯克里亞賓歐洲巡迴演出時所作,每首前奏曲皆標示出樂曲被建議的演奏速度、作曲時間及地點。此時期他欣賞並研讀蕭邦 (Frédéric Chopin, 1810-1849) 、李斯特 (Franz Liszt, 1811-1886) 和華格納 (Richard Wagner, 1813-1883) 等音樂家的作品;在斯克里亞賓早期的作品中,更能發現他特別受到蕭邦在曲種、曲式和風格等的影響 。
    本論文希望透過斯克里亞賓《二十四首前奏曲,作品11》的研究,了解他前期的創作風格,並藉由每首樂曲的分析,剖析各首前奏曲的曲式、動機、織度、和聲等手法,並在詮釋的速度、觸鍵和踏板上統整,給予演奏者參考之建議。

    Alexander Scriabin (1872-1915) was a Russian musician, whose works were influenced by the Romanticism in his early stage. While in the middle and late periods, he devoted himself to integrating philosophy and poetry into his work.
    This essay focuses on the features of Twenty-Four Preludes Op. 11 and presents the work based on the twenty-four keys, and being arranged by the technique of relative key and circle of fifths. This work was composed mostly during Scriabin's European tour, and each prelude was marked with suggested tempo, written time and place. During this period, Scriabin admired musicians such as Frédéric Chopin (1810-1849), Franz Liszt (1811-1886) and Richard Wagner (1813-1883); he was influenced by these musicians in the genre, form and style, especially Chopin.
    This essay makes a study of Scriabin's Twenty-Four Preludes Op. 11 by analyzing of each piece, in order to understand the musical form, motive, and texture of each prelude. By research on tempi, piano touch, and pedalings, this essay hopefully can share the suggestions and perception for the performers.

    謝辭 i 摘要 ii Abstract iii 目錄 iv 表格目錄 v 譜例目錄 vii 第一章 緒論 1 第一節 研究動機與目的 1 第二節 研究方法 3 第二章 斯克里亞賓及《二十四首鋼琴前奏曲,作品 11》創作背景 4 第一節 斯克里亞賓生平概述 4 第二節 《二十四首鋼琴前奏曲,作品 11》創作背景 14 第三章 《二十四首鋼琴前奏曲,作品 11》之分析 18 第四章 《二十四首鋼琴前奏曲,作品 11》之詮釋 100 第五章 結論 150 參考資料 152

    一、中文書目
    Schonberg, Harold C. 《偉大作曲家的生活》 (The Lives of the Great Composers) 第五冊,陳琳琳 譯。台北:自華書店,1986。
    二、外文書目
    Abraham, G., Macdonald H., McAllister R., & Schwarz B., The New Grove “Russian Master 2”. London: Macmillan, 1986.
    Baker, James M., The music of Alexander Scriabin. New Haven and London: Yale University Press, 1986.
    Burge, David. Twentieth-Century Piano Music. New York: Schirmer Books, 1990.
    Kirby, Franl. E., Music for Piano: A Short History. Cambridge: Amadeus Press, 1995.
    Leikin, Anatole. The Performing Style of Alexander Scriabin. New York: Routledge, 2016
    Gerig, Reginal R., Famous pianists & their technique. Bloomington: Indiana University Press, 2007.
    Gillespie, John. Five Centuries of Keyboard Music. New York, Dover Publications, 1972.
    Rudakova, Ye. N. & Kandinsky, A. I., Scriabin: His Life and Times. New Jersey, Paganiniana Publications, 1984.
    Sabbagh, Peter. The Development of Haromny in Scriabin's Works. California: Universal-Publishers, 2003.
    三、外文論文
    Lee, Hwa-Young. ''Tradition and Innovation in the Twenty-Four Preludes, Opus 11 of Alexander Scriabin.'' Ph. D. diss., University of Texas of at Austin, 2006, Networked Digital Library of Theses & Dissertations, EBSCOhost http://hdl.handle.net/2152/2563 (accessed November 5, 2016).
    四、中文論文
    李淳淳。〈斯克里亞賓前奏曲作品11節奏、和聲、織度之探討與詮釋〉。國立臺灣師範大學碩士論文,2002。
    林瑩姿。〈斯克里亞賓二十四首前奏曲,作品十一分析與詮釋〉。國立臺灣師範大學碩士論文,2018。
    五、期刊
    吳雅婷,〈斯克里亞賓音樂探索〉,《臺中師院學報》19卷1期 (六月,2005):213-242。
    林伶美,〈古典與浪漫前期鋼琴前奏曲集之探究─歷史定位與風格演變之探討─〉,《關渡音樂學刊》12期(六月,2010):129-156。
    六、網路資料
    David Brown. (2001) “Taneyev, Sergey Ivanovich” Retrieved from https://www.oxfordmusiconline.com/grovemusic/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-0000027469 (Nov, 15, 2021)
    Jennifer Spencer.& Edward Garden. (2001) “Safonov, Vasily Il’ich” Retrived from https://www.oxfordmusiconline.com/grovemusic/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-0000024285 (Dec, 6, 2021)
    Richard Beattie Davis. (2001) “Belyayev [Belaieff], Mitrofan Petrovich” Retrieved from https://www.oxfordmusiconline.com/grovemusic/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-0000002622 (Dec, 14, 2021)
    Jonathan Powell. (2001) “Skryabin [Scriabin], Aleksandr Nikolayevich” Retrieved from https://www.oxfordmusiconline.com/grovemusic/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-0000025946?rskey=2YDI2m&result=1 (Oct, 8, 2021)
    七、有聲資料
    Pletnev, Mikhail (1997). Scriabin, A.: Piano Music (Pletnev). Erato - Parlophone. 0724354524752 , CD.
    Höricke, Friedrich (2014). Scriabin, A.: 24 Preludes, Op. 11 (Höricke). SWR Classic Archive. SWR10134, CD.
    八、樂譜
    Scriabin, Alexander, Twenty-Four Preludes Op. 11. Leipzig: M. P. Belaieff, 1897.
    Scriabin, Alexander, The Complete Preludes and Etudes for Painoforte Solo. New York: Dover Publications Inc, 1973.
    Scriabin, Alexander, 24 Preludes Op. 11. Germany: G. Henle Verlag, 2006.

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