本書面報告以演出實踐為主導，筆者以製作人的身份說明原創音樂劇製作的團隊組織及發展規劃，也以作曲人的角度探討音樂劇歌曲的功能性，並且以筆者自身的創作——《HOME RUNning》上半場讀劇音樂會為例來實踐之。
第一章為緒論，說明筆者創作音樂劇的初衷及期望，以及此報告的研究方法與架構。第二章之論述為文獻探討，此章將會搜集並探索相關文獻，探討音樂劇的表現形式及歸納整理音樂劇的歌曲功能，並以著名經典音樂劇作品來作為參考及範例。第三章列出健全的音樂劇製作團隊組織，以及說明理想的原創音樂劇發展期程與規劃。第四章將以筆者所製作的原創音樂劇作品《HOME RUNning》上半場讀劇音樂會為例，了解此劇的創作理念、故事背景及文本大綱。第五章則以歌曲創作的分析為主，首先介紹此劇的歌曲架構，再來針對《HOME RUNning》上半場讀劇音樂會的歌詞、歌曲及編曲進行解析，並且將第二章第二節的音樂劇歌曲功能實踐於本劇當中。
最後，第六章為本報告的結論，筆者將回頭檢視自身的作品，並列出需要改進的地方，此外，也將談論《HOME RUNning》下一個階段的目標，以及未來的展望與規劃。

This written report is dominated by performance practice. As a producer, the author explains the team organization and development plan of the original musical production. It also discusses the functionality of musical songs from the perspective of a composer, and uses the author's own creation–"HOME RUNning" Act 1–as an example to practice it.
The first chapter is an introduction explaining the author's original intention and expectation of creating musicals, as well as research method and structure of this report. The discussion of the second chapter is literature research. This chapter will collect and explore relevant information to discuss the expression forms of musicals and summarize the function of musical songs. Also, use famous classic musical works as references and examples. Then, the third chapter lists the healthy and intact musical production organization, and explains the ideal development period and planning of an original musical. Furthermore, the fourth chapter will take the musical "HOME RUNning" Act 1 which was produced by the author as an example to understand the creative concept, story background and the outline of this script. The fifth chapter focuses on the analysis of song creation. First, introduces the songs structure of this play. Next, analyze the lyrics, songs and arrangements of "HOME RUNning" Act 1, and practice the function of musical songs in the second section of chapter 2 into this play.
Finally, the sixth chapter is the conclusion of this report. The author will review the own work and list the improvement. In addition, this chapter will also talk about the goals as well as future prospects and plans of the next stage of "HOME RUNning".

中文文獻
蕭柏凡。〈音樂劇作曲與劇本之關係-原創音樂劇《捕鼠記》創作解析〉。國立臺灣師範大學音樂學院表演藝術研究所表演及創作組劇場領域專長書面報告，2021。
林意淨。〈華文原創音樂劇《默默》音樂創作理念與分析〉。國立臺灣師範大學音樂學院表演藝術研究所創作書面報告，2020。
白斐嵐。〈「音樂」與「戲劇」的對話〉。《PAR 表演藝術雜誌 》No. 346 (五月號，2022)
江家華、李秋玫。〈製作人的那些事〉。《PAR 表演藝術雜誌》No. 341 (九月號，2021):92-97

網路資料
百老匯中譯站。〈【音樂劇賞析】音樂劇歌曲分類筆記(上)〉，https://chenochannel.blogspot.com/2016/10/2016.html；摘錄於 2 October 2016
王希文、張偉明。〈台灣音樂劇產業的想像與實踐：從紐約百老匯等國外產業製作模式談起〉，https://udn.com/news/story/7040/6357087；摘錄於 2 June 2022