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研究生: 王麗雯
Wang, Li-Wun
論文名稱: 舒伯特鋼琴特色小品《G大調慢板》、《B小調匈牙利旋律》與《音樂瞬間》之詮釋與分析
An Interpretation and Analysis of Schubert's piano character pieces, Adagio in G, Ungarische melodie in B minor, and Moments musicaux
指導教授: 林季穎
Lin, Chi-Yin
口試委員: 林明慧
Lin, Ming-Hui
李和莆
Lee, Wen-Pin Hope
林季穎
Lin, Chi-Yin
口試日期: 2018/01/02
學位類別: 碩士
Master
系所名稱: 音樂學系碩士在職專班
Department of Music_Continuing Education Master's Program of Music
論文出版年: 2021
畢業學年度: 109
語文別: 中文
論文頁數: 84
中文關鍵詞: 舒伯特鋼琴特色小品G大調慢板B小調匈牙利旋律音樂瞬間
英文關鍵詞: Schubert, piano character pieces, Adagio in G, Ungarische melodie in B, Moments musicaux
研究方法: 歷史研究法文獻研究法樂曲分析研究法
DOI URL: http://doi.org/10.6345/NTNU202101500
論文種類: 學術論文
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  • 法蘭茲•彼得•舒伯特(Franz Peter Schubert, 1797-1828)以優美的旋律,泉湧不絕的樂思著稱。其一生雖短暫,卻留下為數不少的藝術歌曲、交響樂、室內樂和鋼琴作品。其中,鋼琴特色小品,展現了舒伯特一貫的旋律美感,與和聲音響上的特質,例如:平行調或同音異名等轉調方式。這些作品沒有華麗的炫耀技巧,卻有著內省、感動人心的特色,透過這些鋼琴作品可以一窺舒伯特對音樂的想法以及對生命的沉思。
    本論文共分為五章,第一章為緒論,包含研究動機與目的、研究範圍與方法、主要參考文獻之簡明評述,第二章舒伯特的生平與音樂風格中,將對其時代背景、音樂學習歷程概述,並就鋼琴音樂風格與特色,以及針對舒伯特的鋼琴特色小品作探討。第三章樂曲分析,筆者以創作背景、曲式架構、調性、和聲、旋律和節奏等方面來分析。第四章演奏與詮釋,將就樂曲分析的結果,提出各曲之看法與建議,第五章則為結論。

    Franz Peter Schubert (1797-1828) is famous for his beautiful melodies and endless inspiration for music. Although his life is short, he has left a large number of art songs, symphonies, chamber music and piano works. Among these works are the piano character pieces, in which Schubert has always demonstrated the aesthetics of the melody, and the specific features of harmony, for example: parallel keys or enharmonic equivalents, etc. These works don’t require fascinating performing skills, but they are deeply touching. Through these piano works, we can have a glimpse into Schubert's thoughts on music and meditation on life.
    This thesis consists of five chapters. Chapter one introduces the research motives, scopes, methods, and summarizes the contents of the main references. Chapter two discusses Schubert’s life and his music style, and focuses on the style and features of his piano music. The third chapter analyzes several of his works, in terms of their background information, music structure, tonality, harmony, melody and rhythm. The fourth chapter is to put forth the opinions and suggestions for each work based on the result of my music analysis. The fifth chapter is the conclusion.

    第一章 緒論1 第一節 研究動機與目的1 第二節 研究範圍與方法2 第三節 主要參考文獻之概述3 第二章 舒伯特生平與音樂風6 第一節 生平6 第二節 鋼琴音樂風格與特色9 第三節 鋼琴特色小品概述16 第三章 樂曲分析 19 第一節《G大調慢板》19 第二節《B小調匈牙利旋律》21 第三節《音樂瞬間》25 第四章 演奏詮釋58 第一節《G大調慢板》58 第二節《B小調匈牙利旋律》60 第三節《音樂瞬間》62 第五章 結論81 參考文獻83

    一、樂譜

    Schubert, Franz. Impromptus Moments Musicaux. Prepared from the autographs and earliest printed sources by Walter Gieseking ed. Germany: G. Henle Verlag, 1974.

    ———. Klavierstücke Klaviervariationen. Prepared from the autographs and earliest printed sources by Gertraut Haberkamp& Klaus Schilde ed. Germany: G. Henle Verlag, 1978.  

    二、外文書目
    Badura-Skoda, Eva and Peter Branscombe. Schubert Studies:Problems ofStyle and
    Chronology. Cambridge: Cambridge University Press, 1982.

    Brown, Maurice J. E. Essays on Schubert. New York: St. Martin’s Press, 1966.

    Clive, Peter. Schubert and his World. New York: Oxford University Press, 1997.

    Deutsch, Otto Erich, ed. Franz Schubert’s Letters and other Writings. London: Faber&Gwyer, Ltd, 1928.

    ———. The Schubert Reader: A Life of Franz Schubert in Letters and Documents. New York: W. W. Norton, 1947.

    Erickson, Raymond. Schubert’s Vienna. London: Yale University Press, 1997.

    Gibbs, Christopher H, ed. The CambridgeCompanion to Schubert. New York: Cambridge University, 1997.

    ———. The Life of Schubert. United Kingdom: Cambridge University Press, 2000.

    McKay, Elizabeth Norman. Franz Schubert: A Biography. New York: Oxford University Press, 1996.

    Newbould, Brian. Schubert Studies. England: Ashgate Publishing Limited, 1998.

    ———. Schubert:The Music and the Man. Calfornia: University of California Press, 1997.

    Osborne, Charles. Schubert and his Vienna. New York: Alfred A. Knopf, Inc, 1985.

    Reed, John. Schubert. New York: Oxford University Press, 1997.

    三、西文期刊

    Beach, David W. “ Model Mixture and Schubert’s Harmonic Practice. ”Journal of Music Theory 42, no.1 ( Spring ) :73-100. Accessed June 3, 2016. http//www.jstor.org/stable/843853.

    Brown, Maurice J. E. “ Schubert and some Folksongs.” Music & letters 53, no. 2 ( April 1972 ) :173-178. Accessed June 3, 2016. http//www.jstor.org/stable/733616.

    Fisk, Charles.“ Rehearing the Moment and Hearing in the Moment: Schubert’s First Two Moments Musicaux.” College Music Symposium 30, no. 2 (Fall 1990) : 1-1.
    Accessed June 3, 2016. http//www.jstor.org/stable/

    Marston, Nicholas. “ Schubert's Homecoming.” Journal of the Royal Musical Association 125, no. 2 (2000) : 248-270. Accessed June 3, 2016. http://www.jstor.org/stable/3250671.

    Pesic, Peter. “ Schubert's Dream.” 19th-Century Music 23, no.2 (Fall 1999) :136-144.
    Accessed June 3, 2016. http://www.jstor.org/stable/746920.

    四、影音資源

    Schubert, Franz. Impromptus, Drei Klavierstücke, Moments Musicaux, Kun-Woo Paik, pianist. Recorded 2013. Universal 481061-3. CD.

    Schubert, Franz. Piano Work 1822-1828. Alfred Brendel, pianist. Recorded 2010. Universal 478 2622. CD.

    五、網路資源

    參考自《葛洛夫線上音樂辭典》(Grove Music Online)

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