簡易檢索 / 詳目顯示

研究生: 陳芳后
論文名稱: 愛德華.霍普(Edward Hopper)之「寫實」繪畫研究
指導教授: 王哲雄
學位類別: 碩士
Master
系所名稱: 美術學系
Department of Fine Arts
論文出版年: 2004
畢業學年度: 92
語文別: 中文
論文頁數: 229
中文關鍵詞: 愛德華.霍普寫實繪畫
英文關鍵詞: Edward Hopper
論文種類: 學術論文
相關次數: 點閱:320下載:71
分享至:
查詢本校圖書館目錄 查詢臺灣博碩士論文知識加值系統 勘誤回報
  • 本文將初步探討美國寫實畫家愛德華.霍普之寫實繪畫與美國寫實主義的關聯,從美國寫實繪畫的發展源起與當代寫實主義在各方面影響的蓬勃景況切入,分析霍普之寫實繪畫與美國寫實主義在意義上界定的分際,並從藝術評論的分析以及霍普個人的回應與論述等,了解霍普對繪畫的觀念,藉以澄清並界定他在美國寫實主義繪畫潮流中的角色與定位,還諸合宜的歷史評價;此外並就霍普豐富多元的繪畫特質與主題,基礎的平面構成,心理層面的溯源,兩性關係的呈現以及文學或戲劇取材的文本來源等,評估霍普使用這些元素所構築出的繪畫世界如何反映其個人內心與時代互動、思辨的軌跡;再者,由於近年來對霍普寫實繪畫中有關心理、精神分析以及與文學、電影理論相關的創新研究相繼出現,加上學者們對霍普繪畫作品與傳記的寫作之重要文獻紛紛相繼問世,使得對霍普的研究與批評開始走向一個嶄新的模式,逐漸擺脫傳統風格傳承的狹窄定義,為霍普寫實繪畫的研究領域開闢之更新、更多元的途徑,成為相當有趣且引人注目的方向。本文最後將綜合霍普在藝術觀念、表現手法上對寫實繪畫的啟迪與發展,探討霍普所表現出二十世紀初美國文化表象之下的潛在精神風貌,以突顯霍普寫實繪畫真正的價值。

    第一章 愛德華‧霍普寫實繪畫的形成背景……………………….…23 第一節 產業結構的轉移與文化恐慌……………………………….23 第二節 獨立於紐約前衛浪潮之外………………………………….31 第二章 愛德華‧霍普的繪畫在美國寫實主義中的定位……………40 第一節 二十世紀初的美國寫實主義……………………………….40 第二節 愛德華‧霍普寫實繪畫的演化…………………………….48 第三節 愛德華‧霍普與美國寫實主義的區隔……………………58 第三章 愛德華‧霍普寫實繪畫的特質……………………………….76 第一節 現代生活景觀………………………………………………..77 第二節 光影與框線…………………………………………………..87 第三節 女性模特兒的取材…………………………………………101 第四節 文學性與戲劇性……………………………………...…….110 第四章 愛德華‧霍普寫實繪畫的潛在意涵………………………...131 第一節 現實情境與抽象思維的轉換……………………………...131 第二節 時代精神的捕捉……………………………………………147 第五章 寫實主義新詮釋………………………………………………170  第一節 心理層面的觀照……………………………………………170 第二節「沉靜」的寫實主義……………………………………………186 結論………………………………………………………………………..196

    一、 專書
    Berkow, Ita G., Edward Hopper. New York: Smithmark Publishers, 1996.
    Goodrich, Lloyd, Edward Hopper. New York: H. N. Abrams, 1971.
    Grau, Julie, Edward Hopper and the American Imagination. New York: W. W. Norton & Company, 1995.
    Hobbs, Robert, Edward Hopper. New York: Harry N. Abrams, Inc., 1987.
    Kranzfelder, Ivo, Hopper. New York: Taschen America Llc, 2002.
    Levin, Gail, Edward Hopper: The Art and the Artist. New York: W. W. Norton & Company, 1980.
    , Edward Hopper: A Catalogue Raisonne. New York: W. W. Norton & Company, 1996.
    , Hopper’s Places. London: University of California Press, 1998.
    , Edward Hopper: An Intimate Biography. London: University of California Press, 1995.
    ed., The Poetry of Solitude: A Tribute to Edward Hopper. New York: Universe Publishing, 1995.
    ed., Silent Places: A Tribute to Edward Hopper. New York: Universe Publishing, 2000.
    Lyons, Deborah ed., Edward Hopper: A Journal of His Work. New York: W.
    W. Norton & Company, 1997.
    ed., Hopper Drawings: 44 Works by Edward Hopper. New York: Dover Publications, Inc., 1989.
    Marker, Sherry, Edward Hopper. New York: Knickerbocker Press, 1998.
    Renner, Rolf G., Edward Hopper: Transformation of the Real. Koln: Benedickt Taschen, 1990.
    Schmied, Wieland, Edward Hopper: Portraits of America, New York: Prestel Books, 1999.
    Strand, Mark, Hopper, New York: Alfred A. Knopf, 2001.
    Spring, Justin, Edward Hopper. New York: Harry N. Abrams, 1998.

    二、其他相關書目
    Anderson, Sherwood, Winesburg, Ohio: A Group of Tales of Ohio Small-Town Life. New York: The Viking Press, 1960.
       , 吳明實譯,《小城故事》(Winesburg, Ohio),香港:今日世界出版,1965。
    Arnason, H.H. & Marla F. Prather, History of Modern Art: Painting, Sculpture, Architecture, Photography. New York: Abrams, 1998.
    Baigall, Matthew, Artist and Identity in Twentieth-Century America. Cambridge: Cambridge University Press, 2001.
    , A Concise History of American Painting and Sculpture. New York: Happer & Row, Publishers, 1984.
    Barter, Judith A., American Drawings and Watercolors from the Wadsworth Atheneum. New York: Hudson Hills Press, 1987.
    Benjamin, Walter, A Small History of Photography: In One-Way Street and Other Writings. Trans. by Edmund Jephcott and Kingsley Shorter. London: Verso, 1979.
    Bersani, Leo, The Freudian Body: Psychoanalysis and Art. New York:
    Columbia University Press, 1986.
    Brook, Van Wyck, New England: Indian Summer, 1865-1915. Chicago: University of Chicago Press, 1984.
    Brown, Milton W., American Art. New York: Harry N. Abrams, Inc., 1988.
    , The Story of the Armory Show. New York: Abbeville Press, Inc.,
    1988.
    Burgin, Victor, Between. Oxford: Blackwell Publishers, 1986.
    Caligor, Leopold & May, Rollo, Dreams and Symbols: Man’s Unconscious Language. New York: Basic Books, Inc., 1968.
    Carter, A. E., The Idea of Decadence in French Literature. Toronto: University of Toronto Press, 1978.
    Deeds, Daphne Anderson, Of time and the city : American modernism from the Sheldon Memorial Art Gallery. New York: American Federation of Arts, 1990.
    Doezema, Marianne, American Realism and the Industrial Age. Cleveland, Ohio: Indiana University Press, 1980.
    Foster, Hal, Compulsive Beauty. Cambridge: MIT Press, 1995.
    Fried, Michael, Realism, writing, disfiguration : on Thomas Eakins and Stephen Crane. Chicago: University of Chicago Press, 1987.
    Fromme, A., 陳華夫譯,《自我影像》(Our Troubled Selves:A New and Positive Approach),台北:問學出版,1978。
    Henri, Robert. The Art Spirit. Compiled by Margery Ryerson. Philadelphia: J. B. Lippincott Co., 1960.
    Hoopes, Donelson F., American watercolor painting. New York: Watson-Guptill Publications, 1977.
    Hunter, Sam, American Art of the Twentieth Century. New York: Harry N. Abrams, Inc., 1923.
    Kuh, Katharine, The Artist's Voice: Talks with Seventeen Artists. New York: Harper & Row, 1960.
    Laing, R. D., The Divided Self: An Existential Study in Sanity and Madness. (New York: Routledge, 1960.)
    , 李永久譯,《分裂的自我》(The Divided Self: An Existential Study in Sanity and Madness),台北:新知,1976。
    Larkin, Oliver W., Art and Life in America. New York: The Comet Press,
    1949.
    Levin, Gail, Twentieth-century American painting : the Thyssen-Bornemisza collection. London: Sotheby's Publications, 1987.
    Lucie -Smith, Edward, American Realism. London: Thames and Hudson,
    1994.
    Lunbeck, Elizabeth, The Psychiatric Persuasion: Knowledge, Gender, and Power in Modern America. Princeton: Princeton University Press, 1994.
    Martin, Alvin, American Realism: Twentieth Century Drawings and Watercolors. New York: H.N. Abrams, 1986.
    May, Rollo, 彭仁郁譯,《愛與意志》(Love and Will),台北:立緒,2001。
    Mendelowitz, Daniel M., A History of American Art. New York: Holt. Rinehart and Winston, Inc., 1970.
    McCoubrey, John W., American Art: 1700-1960, Sources & Documents. Englewood Cliffs: Prentice-Hall, Inc., 1965.
    Mulvey, Laura, Visual and Other Pleasures. Bloomington: Indiana University Press, 1989.
    Musil, Robert, The Man Without Qualities. New York: Perigee Books, 1985.
    Nochlin, Linda, Realism. New York: Penguin Books, 1971.
    Novak, Barbara, American Painting of the Nineteenth Century: Realism, Idealism, and the American Experience. New York: Harper & Row, 1979
    O’Doherty, Brian, American Masters: The Voice and the Myth. London: Thames & Hudson, 1988.
    Pierrot, Jean, The Decadent Imagination, 1880–1900. Trans. by Derek Coltman. Chicago: University of Chicago Press, 1981.
    Pohl, Frances K., Framing America: A Social History of American Art. London: Thames & Hudson, 2002.
    Reed, Sue W. & Troyen, Carol, Awash in Color: Homer, Sargent, and the Great American Watercolor. Boston: Museum of Fine Arts, 1993.
    Rose, Barbara ed., Readings in American Art: 1900-1975. New York: Holt, Rinehart and Winston, 1975.
    Rubin, Louis D. Jr. & Dillard, R. H. W., The Experience of America: A Book of Readings. London: The Macmillan Company, 1969.
    Ruitenbeek, Hendrick M. ed., Psychoanalysis and Contemporary American Culture. New York: Macmillan, 1964.
    Schneiderman, Stuart ed., Returing to Freud: Psychoanalysis in the School of Lacan. New Haven: Yale University Press, 1980.
    Sellers, Charles & May, Henry, A Synopsis of American History. Berkeley:
    University of California Press, 1963.
    Shi, David E., Facing Facts: Realism in American Thoughts and Culture, 1850-1920. New York: Oxford University Press, 1995
    Sims, Patterson ed., Whitney Museum of American Art: Selected Works from the Permanent Collection. New York: W. W. Norton & Company, Inc., 1985.
    Stearns, Harold E. ed., Civilization in the United States: An Inquiry by Thirty Americans. New York: Greenwood Press, 1922.
    , America and the Young Intellectual. New York: Greenwood
    Press,1921.
    Sypher, Wylie, Loss of the Self: In Modern Literature and Art. New York: Greenwood Publishing Group, 1979.
    Taggart, John, Remaining in Light: Ant Meditation on a Painting by Edward Hopper. New York: State University of New York Press, 1993.
    Taylor, Joshua C., The Fine Arts in America. London: The University of Chicago Press, 1979.
    , To See Is To Think:Looking at American Art. Washington DC: Smithsonian Institution Press, 1975.
    Valéry, Paul, Masters and Friends. Princeton: Princeton University Press, 1972.
    Venn, Beth & Weinberg, Adam D., Frames of Reference: Looking at American Art, 1900-1950. New York: Whitney Museum of American Art, 1999.
    Ward, J. A., American Silences: The Realism of James Agee, Walker Evans, and Edward Hopper. Baton Rouge: Louisiana State University Press, 1985.

    三、期刊論文
    Anfam, David, “Edward Hopper-Recent Studies,” Art History, vol. 4, no. 4, (December 1981), pp. 457-461
    Adams, Brooks, “Edward Hopper: Shades of Summer,” Harper’s Bazaar, vol. 122, (July 1989), pp. 90-94.
    Baigall, Matthew, “The Silent Witness of Edward Hopper,” Arts Magazine, vol. 49 (September 1974), pp. 29-33.
    , “American Art and National Identity:The 1920s,” Arts Magazine, vol. 61, (February 1987), pp. 48-55.
    Bal, Mieke & Bryson, Norman, “Semiotics and Art History,” The Art Bulletin, vol. 123, (June 1991), pp.174-208.
    Campbell, Lawrence, “Hopper: Painter of ‘thou shalt not,’” Art News, vol. 63 (October 1964), pp. 44-45.
    Carson, Anne, “Hopper Confessions,” Raritan, vol.17, (March 1998), pp.72-84.
    Cooledge, Dean R., “Beneath the Urban Landscape: Some Versions of American Pastoralism in Urban Literature, Art, and Film,” Ph.D. diss., University of Arizona, 2002.
    Danto, Arthur C., “Lovers and Enemies,” Nation, vol. 261, (October 1995), pp. 355-358.
    Dickstein, Morris, “Looking at Hopper: An Art of Subtraction.” Dissent, vol. 44, (Winter 1997), pp.93-97.
    Duff Hooton, Bruce, “America’s Creative Realist,” Horizon, vol. 23, (September 1980), pp. 44-55.
    Freud, Sigmund, “The ‘Uncanny’,” Pelican Freud Library, Art and Literature, vol. 14 (1919) pp. 363-364.
    Fryd, Vivien G., “Edward Hopper’s Girlie Show: Who Is the Silent Partner?” American Art, vol. 14, (Summer 2000), pp.52-75.
    Fuller, Peter, “The Failure of American Painting,” Village Voice, Part Ⅱ (September 3, 1979), pp. 45-47.
    Gedzelman, Stanley D., “Sky Paintings: Mirrors of the American Mind,” Weatherwise, vol. 45, (October 1992), pp.8-14.
    Goldstein, Malcolm, “Living for Art,” Sewanee Review, vol.104, (Summer 1996), pp. 492-496.
    Goode, Stephen, “Another Side of Hopper,” Insight, (November 22, 1999) , p.26.
    Hankins, Evelyn, “Edward Hopper: The Paris Years,” American Art Review, vol. 15, (January/February 2003), pp.168-173.
    Hanson, Anne C., “Edward Hopper, American Meaning and French Craft,” Art Journal, vol.41, (Summer 1981), pp. 142-149.
    Hollander, John, “Hopper and the figure of Room,” Art Journal, vol. 41, (June 1981), p. 155-160.
    Hoy, Anne H., “Art Circles: Portrait Photographs from Art News, 1905-1986,” Art News, vol. 86 (February, 1987), p. 93-100.
    Hubbard, Guy, “Sails, Wind & Water,” Arts & Activities, (April 1999),
    pp.33-36.
    Hughes, Robert, “Under the Crack of Reality,” Time, vol. 146, (July 17, 1995), pp. 54-56.
    Iversen, Margaret, “In the Blind Field: Hopper and the Uncanny,” Art History, vol. 21, (September 1998), p. 409-429.
    Johnson, Mark M., “Edward Hopper: The Watercolors,” Arts & Activities, vol. 126, (January 2000), pp. 29-32.
    Jones Jr., Malcolm, “Loneliness and Light,” Newsweek, vol. 126, (August 1995), pp. 58-60.
    Lacan, Jacques作,李家沂譯,〈精神分析經驗所揭示形塑「我」之功能的鏡像階段〉,中外文學,第27卷,第2期,1998年7月,頁34-42。
    Landi, Ann, “Who Hails from Hopper ?”, Art News, vol. 97, (April 1998), pp.166-168.
    Leider, Phillip, “Vermeer & Hopper,” Art in America, vol. 89, (March 2001), pp. 96-103.
    Levin, Gail, “Edward Hopper’s Evening,” Connoisseur, vol. 205, (September 1980), pp. 56-63.
    , “Editor’s Statement,” Art Journal, vol.41, (Summer 1981), pp. 115-117.
    , “Edward Hopper: Plates,” Art Journal, vol.41, (Summer 1981), pp. 118-124.
    , “Six Who Knew Edward Hopper: Lloyd Goodrich, John Clancy, Helen Hays, Raphael Soyer, Brian O’Doherty, James Thomas Flexner,” Art Journal, vol.41, (Summer 1981), pp. 125-135.
    , “Edward Hopper,” The New England Quarterly, vol. (September 1988), pp. 475-479.
    , “Edward Hopper’s Nighthawks, Surrealism and the War,” Museum Studies, vol. 22, (Summer 1996), pp. 181-192.
    , “The Importance of Railroad Images in the Art of Edward Hopper,” The Chronicle of Higher Education, vol. 34, (June 22, 1998), p. 48.
    , “Wandering in the American Landscape,” Sunday, (March 2, 2003), p.22.
    ed., “Artists’ Panel,” Art Journal, vol.41, (Summer 1981), pp. 150-154.
    Lewis, Michael J., “Homer, Hopper & the Critics,” New Criterion, vol. 15, (September 1996), pp. 74-80.
    Lyons, Deborah, “By Necessity or Invention: The Record-Book Sketches of Edward Hopper,” Drawing, vol. 18, (Spring 1997), pp. 101-106.
    Marshall, Brenda J., “The Lacanian Body: Studies of the Unconscious in Painting and Aesthetics,” Ph.D. diss. University of Melbourne, 1990.
    Mecklenburg, Virginia M., “Edward Hopper’s Houses.” The Magazine Antiques, vol. 152, (November, 1999), pp. 718-725.
    Miller, Nolan, “Edward Hopper,” The Antioch Review, vol. 54, (Spring 1996), pp. 245-261.
    Mitchell, Dolores, “Edward Hopper’s Gas: Two Road Diverge,” Revue d’Art Canadienne, vol. 17, (1990), pp.71-76.
    Morse, John, “Edward Hopper: An Interview,” Art in America, vol. 48, (January, 1960), pp.60-63.
    Nochlin, Linda, “Edward Hopper and the Imagery of Alienation,” Art Journal, vol.41, (Summer 1981), pp. 136-141.
    Novak, Barbara, “The Posthumous Revenge of Josephine Hopper.” Art in America, vol. 84, (June 1996), pp.27-29.
    O’Doherty, Brian, “Portrait: Edward Hopper,” Art in America, vol. 52, (December 1964), pp. 42-72.
    Parker, Tyler, “Edward Hopper: Alienation by Light.” Magazine of Art, vol. 41 (December 1948), pp. 290-295.
    Roberts, Mary F., “The Younger American Painters: Are they Creating a National Art? ” Craftsman, vol. 13 (February 1908), pp. 523-531.
    Robertson, Bryan, “Edward Hopper: Reality and Artifice,” Modern Painters, vol.9, (Spring 1996), pp.40-45.
    Rubin, Kate, “Edward Hopper and the American Imagination,” The Magazine Antiques, vol. 148, (August 1995). pp.166-175.
    Rutenberg, Alan, “School of one,” The American Scholar, vol. 65, (Autumn 1996), pp. 628-631.
    Sartorius, Tara C, “Beacon Beware,” Arts & Activities, vol. 126 (December
    1999), pp. 22-24.
    Schjeldahl, Peter, “The Lonely Trap: Edward Hopper and Jack Pierson’s American Dreaming,” Voice, vol. 39, (August 9, 1994), p.83.
    Silberman, Rob, “Edward Hopper and the Implied Observer,” Art in America, vol. 69, (September 1981), pp.148-154.
    Slater, Tom, “Fear of the City: Edward Hopper and the Discourse of Anti-Urbanism,” Social & Cultural Geography, vol. 3, (June 2002), pp. 135-154.
    Solomon, Deborah, “Edward Hopper on Cape Cod: The Artist’s House and Studio in Truro,” Architectural Digest, vol. 54, (August 1997), pp. 44-48.
    Squirru, Rafael, “Edward Hopper,” Americas, vol. 17, (April 1965), pp. 11-17.
    Strand, Mark, “The Visible and the Invisible,” New Republic, vol. 213, (December 1995), pp. 29-34.
    Sullivan, Terry, “The Indelible Influence of Edward Hopper,” American Artist, vol. 59, (November 1995), pp. 60-61.
    Theroux, Alexander, “Edward Hopper’s Cape Cod: A Tour of The Melancholy Master’s Seaside Retreats,” Art & Antiques, vol. 7, (January 1990), pp.57-67.
    Updike, John, “Hopper’s Polluted Silence,” New York Review of Books, vol. 10 (August 1995), pp. 19-21.
    Williams, Adelia V., “Poésie Critique As ‘Poetics of Space’: Edward Hopper and Claude Esteban,” Mosaic, vol. 31, (December 1998), pp.123-134.
    王儀君,〈波特萊爾的頹廢女性與都市空間書寫〉,聯合文學,第16卷,第5期,2000年3月,頁63-65。
    吳錫德,〈詩人當困頓?〉,《聯合文學》,第16卷,第5期,2000年3月,頁69-71。
    許綺玲,〈「事後靜下來,不由自主悟得一引向盲域的局部細節?」—談《明室》中「刺點」的幾個定義矛盾〉,《中外文學》,第27卷,第4期,1998年9月,頁94-112。

    QR CODE