西班牙音樂，相較於習樂者普遍所接觸的德奧音樂，可說是陌生的「異域」音樂，一般對其印象為「熱情、神秘、粗獷、自由」的佛朗明哥風格，然而事實上，西班牙音樂的獨特性與多元性，遠超於它給人的刻板印象，其鋼琴音樂更是以華美燦爛著稱，特別是十九世紀末開始蓬勃發展，創造前所未有的黃金時代，此期間出現無數傑出的作曲家與經典名作，更是極富研究價值的領域。
本文以西班牙作曲家葛拉納多斯(Enrique Granados, 1867-1916)的鋼琴作品《哥雅畫集》(Goyescas, 1911)為研究對象，並擇其前三首〈情話〉(Los Requiebros)、〈窗口訴懷〉(Coloquio en la Reja)以及〈燭火方當果舞曲〉(El Fandango de Candil)分析，區分六個章節：第一章為緒論，簡述研究動機、目的與範圍；第二章敘述葛拉納多斯的生平與音樂風格，並從作曲家個人的角度說明其風格的影響因素；第三章從哥雅(Francisco Goya, 1746-1828)的生平與其代表的西班牙精神，探究《哥雅畫集》的創作背景；第四章為三首樂曲的分析研究；第五章為樂曲詮釋研究，並以樂譜(Madrid: Union Musical Ediciones, 1991)為主，整理術語記號並介紹特殊技巧；第六章為結論，歸納全文的重點與總結。
葛拉納多斯為西班牙最具指標性的作曲家與鋼琴家之一，《哥雅畫集》更是其最偉大的代表作，融合浪漫與西班牙風格、文學與藝術的多元價值，吸引古今中外無數音樂學者投入研究，也是探討西班牙鋼琴音樂不可或缺的一環。

Spanish music, compared to the German and Austrian music commonly encountered by music learners, can be described as an unfamiliar "foreign" music. It is generally impressed with the flamenco style of "passion, mystery, roughness, and freedom". In fact, the uniqueness and diversity of Spanish music far surpasses its stereotype. Its piano music is even more famous for its gorgeousness and splendor, especially at the end of the nineteenth century, It began to flourish, especially at the end of the nineteenth century, and created an unprecedented golden age. Countless outstanding composers and classical masterpieces are a field of great research value.
This research takes the Spanish composer Enrique Granados' s (1867-1916) piano work "Goyescas" (1911) as the study object, and selects the first three pieces "Los Requiebros", "Coloquio en la Reja", and "El Fandango de Candil " to analyze, divided into six chapters: Chapter 1 is an introduction, briefly explaining the research motive, purpose and the scope; Chapter 2 describes the life and musical style of Granados, and shows the influencing factors of his musical style from the composer' s own perspective; Chapter 3 explores the creative background of "Goyescas" from the painter Goya' s (1746-1828) life and his representation of the Spanish spirit; Chapter 4 is the analysis and research of the first three pieces of this work; Chapter 5 focuses on the interpretation of this music score (Madrid: Union Musical Ediciones, 1991), sorting out the terminology marks and introduce the special techniques; Chapter 6 is a conclusion, summarizing the main points of this full paper.
Enrique Granados is one of the most representative composer and pianist of Spanish music, and “Goyescas” is his greatest masterpiece. It combines romance and Spanish style with multiple values of literatures and arts, attracting countless music scholars from all over the world. It is also an indispensable part of exploring Spanish piano music.

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