沃夫岡.阿瑪迪斯.莫札特（以下簡稱莫札特）(Wolfgang Amadeus Mozart,1756-1791)，莫札特在父親全心全意地栽培之下，自幼即展現過人的音樂天分與演奏能力。其作品種類眾多且風格多變，最終成為維也納古典樂派最具代表性的作曲家之一。
《懺悔者大衛》(Devide Penitente, KV469) 受「維也納音樂藝術家會社」(Viennese Tonkünstler- Sozietät) 委託創作，莫札特移植自己於一八七二年未完成的宗教作品《Ｃ小調彌撒》(Mass in c minor, KV427) ，除第六樂章及第八樂章為新作外，其餘樂章皆複製自《Ｃ小調彌撒》，並將歌詞由原先的拉丁文改成義大利文，於一七八三年三月十三日和十五日舉行首演，由莫札特親自指揮。其編制包含人聲及樂團，人聲的編制為：女高音獨唱兩位、男高音獨唱一位、雙混聲合唱團；樂團的編制有：長笛一把、雙簧管兩把、單簧管一把、低音管兩把、圓號兩把、小號兩把、長號三把、定音鼓、小提琴兩部、中提琴兩部、大提琴，及低音提琴。
本論文共有五個章節，第一章「緒論」分三節，分述研究者之研究動機、研究範圍與內容，及研究方法與文獻；第二章「《懺悔者大衛》背景探究」分三節，第一節莫札特的生平、第二節札特的教會音樂，第三節《懺悔者大衛》創作背景及歷程；第三章「《懺悔者大衛》創作手法分析」共十節，將十個樂章依序以歌詞、曲式結構、動機旋律與音域、調性與和聲、速度及拍號，織度配器與力度六個面向做探討；第四章「《懺悔者大衛》詮釋建議」分為歌詞咬字、音準 與旋律、速度與節奏、力度、音樂表現，指揮技巧六個層面共十節討論各樂章之演奏、演唱及詮釋方法；第五章為「結論」；文末附上參考書目及附錄。

Wolfgang Amadeus Mozart (1756-1791), under the wholehearted cultivation of his father, Mozart showed extraordinary musical talent since childhood and instruments-playing ability. His works are numerous and varied in genre, and eventually became one the best known and admired composer at Classical period.
“Devide Penitente, KV469” was commissioned by the Vienna Society of Musical Artists (Viennese Tonkünstler- Sozietät), and transplantated for Mozart’s unfinished religious work “Mass in c minor, KV427’ in 1872, except for the sixth movement and the eighth movement. Except for the new movements, the others of the movements are all copied from "Mass in C Minor", and the lyrics were changed from Latin to Italian. The premiere was held on March 13th and 15th, 1783, conducted by Mozart himself. Its arrangment includes soloists, chorus, and an orchestra. The vocals are: two soprano soloists, one tenor soloist, and a double-mixed choir; the orchestra includes: one flute, two oboes, one clarinet, and two bassoons, two horns, two trumpets, three trombones, timpani, two parts of violins and violas, cellos, and double basses.
There are five chapters in this thesis. The first chapter "Introduction" is divided into three sections, which describe the researcher's research motivation, research scope and content, as well as research methods and literature; the second chapter "Background Investigation of “Devide Penitente" is divided into three sections , the first section is Mozart’s life, the second section is Mozart’s church music, the third section is the compositional background of "Devide Penitente”; the third chapter "Analysis of "Devide Penitente" has ten sections in total, the ten movements are discussed in order from the six aspects of lyrics, musical structure, motive, melody and range, tonality and harmony, tempo and rhythm, texture, orchestration and dynamics; the fourth chapter "Devide Penitente” it’s give some musical interpretation and choral rehearsal advices about lyrics articulation, intonation and melody, temp and rhythm, dynamics, musical performance, and special interpretations. The fifth chapter is "Conclusion"; at the end of the article Attached are the bibliography and appendices.

【中文書目】
王沛綸。《指揮學》。台北：全音樂譜出版社，1976。
李振邦。《教會音樂》。台北：世界文物出版社，2002。
李振邦。《拉丁文彌撒曲讀音釋意》。台北：天主教教務協進會出版社，1977。
張大勝。《合唱指揮研究》。台北：全音樂譜出版社，2004。
許斌碩。《合唱要訣》。台南：人光出版社，1995。
曾瀚霈。《音樂認知與欣賞》。台北：幼獅文化事業，1998。
楊沛仁。《音樂史與欣賞》。台北：美樂出版社，2001。
廖年賦。《管絃樂指揮研究》。台北：全音樂譜出版社，1986。
劉志明。《西洋音樂史與風格》。台北：全音樂譜出版社，1990。
劉志明。《聖樂綜論》。台北：全音樂譜出版社，2000。
Benedetto Valle 。《義華辭典》，台北：思高聖經學會，1985。
許汝紘曁音樂企畫小組。《圖解音樂大師》。臺北：佳赫文化，2009。
【翻譯專書】
《聖經》現代中文譯本修訂版。台北：財團法人台灣聖經公會，2013。
【學術論文】
林修圓。〈莫札特《Ｄ大調簡短彌撒曲ＫＶ149》之探究及演奏詮釋〉東吳大學碩士論文，2007。
陳玉美。〈莫札特《Ｃ小調彌撒曲》之研究〉。台南大學碩士論文，2006。
張凱婷。〈莫札特歌劇《後宮誘逃》與《魔笛》中之戲劇花腔女高音角色探討與詮釋〉。東華大學碩士論文，2013。
【外文書目】
Abraham, Gerald. The Mozart companion.edited by H.C. Robbins Landon & Donald Mitchell New York: Norton, 1969, c1956.
Biancolli, Louis Leopold. The Mozart handbook: a guide to the man and his music. Westport, Conn.: Greenwood Press, 1975, c1954.
Brown, Emily Freeman, A Dictionary for the Modern Conductor. Washington DC: Rowman & Littlefield Publishers, 2015.
Garretson, Robert. Choral Music: Histroy, Style, and Performance. Englewood Cliffs: Prentice-Hall, 1993.
Landon, H. C. Robbins. Mozart and Vienna. New York: Schirmer Books : Maxwell Macmillan International, 1991.
Landon, H. C. Robbins. The Mozart Essays. New York: Thames and Hudson, 1995.
Melograni, Piero. Cochrane, Lydia G..Wolfgang Amadeus Mozart : a biography; translated by Lydia G..Cochrane Chicago: University of Chicago Press, 2007.
Munchen : Deutscher Taschenbuch Verlag ; Kassel ; Basel ; London: Barenreiter, 1981.
Otto Erich Deutsch and Joseph Heinz Eibl. Mozart, Dokumente seines Lebens. Munchen : Deutscher Taschenbuch Verlag ; Kassel ; Basel ; London : Barenreiter, 1981.
Shrock, Dennis. Choral Repertoire. New York: Oxford University Press, 2009.
The New Oxford history of music: Vol: VII The Age of Englightenment 1745-1790. London; New York: Oxford University Press, 1954-1986.
Turner, Walter James. Mozart, the man & his works. Westport, Conn.: Greenwood Press, 1938.
Ulrich, Homer. A Survey of Choral Music. New York: Harcourtt Brace Jovanovich, 1973.
Vigeland, Carl A.introduction by Jane Moss and Louis Langree The Mostly Mozart guide to Mozart. New York: Lincoln Center, Hoboken, N.J. : John Wiley & Sons, c.2009.
Weinmann, Karl. History of church music. translated from the German. Westport, Conn.: Greenwood Press, 1979.
Zaslow, Neal Alexander. The Compleat Mozart : a guide to the musical works of Wolfgang Amadeus Mozart. New York: Mozart Bicentennial at Lincoln Center: Norton, c1990.
【網路資料】
Bauman. “Davide Penitente/Requiem.” American Record Guide 69, no. 1；Accessed 15, Jan., 2019. http://0-search.ebscohost.com.opac.lib.ntnu.edu.tw/login.aspx?direct=true&db=aph&AN=19261733&lang=zh-tw&site=ehost-live.
Bauman. 2008. “Davide Penitente; Regina Coeli.” American Record Guide 71 (3): 154–55；Accessed 25, Feb., 2019. http://0-search.ebscohost.com.opac.lib.ntnu.edu.tw/login.aspx?direct=true&db=aph&AN=32457426&lang=zh-tw&site=ehost-live.
Internationale Stiftung Mozarteum: The Digital Mozart Edition (DME)； Accessed 13, Sept., 2018. http://dme.mozarteum.at/DME/main/index.php
“This Month at Operanews.Com.” Opera News 80, no. 9 (March 2016): 57. Accessed 20, Mar., 2019. http://0-search.ebscohost.com.opac.lib.ntnu.edu.tw/login.aspx?direct=true&db=hlh&AN=113010415&lang=zh-tw&site=ehost-live.
【樂譜】
合唱譜：
Vocal score of Mozart Wolfgang Amadeus’s: Davide penitente, KV469. Carus publ.
Vocal score of Mozart Wolfgang Amadeus’s: Mass in C Minor, KV427. Carus publ.
樂團總譜：
The orchestra score of Mozart Wolfgang Amadeus’s: Davide penitente, KV469. Carus publ.
The orchestra score of Mozart Wolfgang Amadeus’s: Mass in C Minor, KV427. Carus publ.
【有聲資料】
Mozart Wolfgang Amadeus, Davide penitente / Regina coeli, K. 108. Schuldt-Jensen, Morten (Conductor) ,Lund, Trine Wilsberg (Soprano), Odinius, Lothar (Tenor), Wahlin, Kristina (Soprano), Leipzig Chamber Orchestra, Gewandhaus Chamber Choir, Naxos, Choral - Sacred, Classical, 8.570231, 0747313023172, 01/2008 Accessed 12, Jan., 2018.
Bartabas in Salzburg: Davide Penitente K. 469. Directed by Andy Sommer. Produced by Bernhard Fleischer. C Major Entertainment, 2015. Accessed 11, Jan., 2019. https://search.alexanderstreet.com/view/work/bibliographic_entity%7Cvideo_work%7C3261566. 
Wolfgang Amadeus Mozart: Davide Penitente K.469. Conducted by Miguel Ángel Tapia. Recorded March 5, 1996. Tempus Clásico, 1996, Streaming Audio. Accessed 12, Feb., 2019. https://search.alexanderstreet.com/view/work/be%7Crecorded_cd%7Cli_upc_7509848210266. 
Mozart: Mass in C Minor, K417a. Accessed 21, Jan., 2019. https://search.alexanderstreet.com/view/work/bibliographic_entity%7Cliner_notes%7C918355.