身為一位積極展望未來的音樂家，亞歷山大•尼可拉維契•斯克里亞賓（Alexander Nikolayevich Scriabin, 1872-1915）終其一生皆孜孜矻矻、不斷地開發新的創作手法，試圖將其心中所嚮，完美地呈現於音樂之中。也因如此，斯克里亞賓的創作風格於前後期之差距甚大，並於十九世紀末的音樂發展中別開蹊徑，成為俄國樂壇中不可抹滅的一章。
　　創作於1888至1896年間的二十四首鋼琴前奏曲，作品十一（Twenty-four Preludes, Opus 11）為斯克里亞賓早期代表作之一，此作在承襲浪漫樂派風格，以傳統調性、曲式與樂種進行創作之時，亦於和聲色彩與節奏應用上展現新意，逐步奠定自身的創作風格。本文透過資料蒐集、文獻閱讀及樂曲分析，期望從作品十一中發掘斯氏勇於創新卻不躁進、看似自由隨興實則蘊涵縝密邏輯的創作風格，以進一步對此作之演奏詮釋有更透徹的感悟。
　　本論文於第一章之緒論提出研究動機、研究目的與方法；第二章概述斯克里亞賓生平、探討其創作分期與鋼琴前奏曲作品；第三章討論二十四首鋼琴前奏曲，作品十一之創作背景與寫作手法；第四章則針對作品十一之演奏技巧與詮釋進行探討；最後於第五章統整歸納，提出結論。
【關鍵字】斯克里亞賓、鋼琴前奏曲、二十四首鋼琴前奏曲，作品十一

As a musician who was aggressively looking forward to the future, Alexander Nikolayevich Scriabin (1872-1915) has been developing his composition techniques diligently, trying to reach the perfection in music all his lifetime. Precisely because of it, he became an important Russian musician at the end of nineteenth century.
The twenty-four preludes, Op. 11, composing during 1888 to 1896, is one of the great masterpieces of Scriabin’s early work. Although it was made in the form of classical style, its harmony and rhythm applications still revealed some unique ideas which belonged to composer's own characteristics. Through exploring the structure, material, harmony progress, and writing techniques of Op.11, this research hoped to build further understanding about this work and became helpful for interpretation.
The first chapter introduced the motive, topic and method of the thesis; the second chapter would talk about the biography of Scriabin, also considering his periods and piano works; the third chapter would discuss the background and analysis of Op. 11; the fourth chapter was for the interpretation of Op.11; finally in the fifth chapter came the conclusions of the thesis.
Keyword: Scriabin, Piano Prelude, twenty-four piano preludes, Op. 11

一、樂譜
Scriabin, Alexander. The Complete Preludes and Etudes for Pianoforte Solo. New York: Dover Publication Inc., 1973.

------. “Preludes, Op.11.” IMSLP/Petrucci Music Library: Free Public Domain Sheet Music. Leipzig: Edition Peters, No.9077, 1967. Accessed July 13, 2016, http://ks.imslp.info/files/imglnks/usimg/f/f8/IMSLP75864-PMLP09363 Scriabin_Ausgewaehlte_Klavierwerke_Band_2_Peters_Op_11_filter.pdf

二、中文文獻
任真慧。〈 探討史克里亞賓的音樂理念與實踐—以鋼琴作品為例〉。《 關渡音樂學刊》 No. 1(2004)：153-176。

吳雅婷。〈斯克里亞賓鋼琴音樂探索〉。《台中師院學報》No. 19-1 (2005)：213- 242。

陳敏華。〈旅行前奏曲:史克里亞賓《前奏曲，作品十一》之研究與教學應用〉。《國立臺 北教育大學 104 年鋼琴教學研討會論文集》（台北：國立台北教育大學音樂學系， 2015）： 264-307。

三、西文專書
Baker, James M. The Music of Alexander Scriabin. New York: Yale University Press, 1986.

Bowers, F. Scriabin: A Biography. New York: Dover Publication, 1996.

Gordon, Stewart. A History of Keyboard Literature: Music for the Piano and Its Forerunners. New York: Schirmer Books, 1996.

Morgan, Robert P. Twentieth-Century Music: A History of Musical Style in Modern Europe and America. New York: W. W. Norton, 1991.

Schloezer, B. Scriabin: Artist and Mystic. Translated by Nicolas Slonimsky. Oxford: Oxford University Press, 1987.

Schonberg, Harold C. The Lives of the Great Composers. 3rd ed. New York: W. W. Norton, 1997.

Taruskin, Richard. The Oxford History of Western Music, Vol. 4, The Early Twentieth Centry. New York: Oxford University Press, 2005.

四、西文期刊論文
Baker, James M. ‘‘Scriabin's Implicit Tonality.’’ Music Theory Spectrum, Vol. 2 (Spring 1980): 1-18. http://www.jstor.org/stable/746177 (accessed October 23, 2016).

Clark, John W. ‘‘Divine Mysteries: On Some Skriabin Recordings.’’ 19th-Century Music, Vol.6, No. 3(Spring 1983): 264-68. www.jstor.org.opac.lib.ntnu.edu.tw/stable/746591 (accessed October 23, 2016). Hull, A. Eaglefield. ‘‘A Survey of the Pianoforte Works of Scriabin.’’ The Musical Quarterly, Vol. 2, No. 4 (Oct. 1916): 601-614. http://www.jstor.org/stable/737943 (accessed September 8, 2016).

Sabaneeff, Leonid. ‘‘A. N. Scriabin - A Memoir.’’ The Russian Review, Vol. 25, No. 3 (July, 1966): 257-267. http://www.jstor.org/stable/126955 (accessed October 27, 2016).

五、西文碩博論文
Bell, Cully. ‘‘Scriabin's Preludes, Opus 11: A Pedagogical Guide.’’ D. M. A. diss., University of Cincinnati, 2012. Networked Digital Library of Theses & Dissertations, EBSCOhost (accessed October 30, 2016).

Lee, Hwa-Young. ‘‘Tradition and Innovation in the Twenty-Four Preludes, Opus 11 of Alexander Scriabin.’’ Ph. D. diss., University of Texas of at Austin, 2006, Networked Digital Library of Theses & Dissertations, EBSCOhost http://hdl.handle.net/2152/2563 (accessed November 5, 2016).

Kee, Soonbok. ‘‘Elements of Continuity in Alexander Scriabin's Musical Language: An Analysis of Selected Piano Preludes.’’ D. M. A. doc., University of Cincinnati, 2008. Networked Digital Library of Theses & Dissertations, EBSCOhost (accessed November 5, 2016).

六、工具書
Brown, Clive. ‘‘Articulation marks.’’ Grove Music Online. Oxford Music Online. Oxford University Press, accessed March 9, 2017, http://www.oxfordmusiconline.com/subscriber/article/grove/music/40671.

Fallows, David. ‘‘Tempo and expression marks.’’ Grove Music Online. Oxford Music Online. Oxford University Press, accessed March 14, 2017, http://0 www.oxfordmusiconline.com.opac.lib.ntnu.edu.tw/subscriber/article/grove/music/27650.

Hyer, Brian. ‘‘Homophony.’’ Grove Music Online. Oxford Music Online. Oxford University Press, accessed March 20, 2017, http://0 www.oxfordmusiconline.com.opac.lib.ntnu.edu.tw/subscriber/article/grove/music/13291.

Ledbetter, David and Ferguson, Howard. ‘‘Prelude.’’, Grove Music Online. Oxford Music Online. Oxford University Press, accessed February 1, 2017, http://0 www.oxfordmusiconline.com.opac.lib.ntnu.edu.tw/subscriber/article/grove/music/43302.

Macdonald, Hugh. ‘‘Cyclic form.’’ Grove Music Online. Oxford Music Online. Oxford University Press, accessed March 20, 2017, http://0 www.oxfordmusiconline.com.opac.lib.ntnu.edu.tw/subscriber/article/grove/music/07001.

Powell, Jonathan. ‘‘Skryabin, Aleksandr Nikolayevich.’’ Grove Music Online. Oxford Music Online. Oxford University Press, accessed October 30, 2016, http://www.oxfordmusiconline.com/subscriber/article/grove/music/25946.