「類博物館」借自歐洲語彙，在台灣的博物館學中多指涉為文化資產性質的方法論與運作機能，與歐美應用多指稱以博物館為參照對象基礎有所不同。這個源自西方的複合詞，與九〇年代末期博物館定義不斷擴張的現象有關，指涉不以博物館之名，但有博物館之實的機構。本文為了理解類博物館是什麼，它與博物館的關係為何，它有什麼特色與功能，與對台灣博物館的意義為何，因此從類博物館這個詞彙的來源與應用展開研究，試圖尋找它與博物館的系譜關係後，並提出建議。ICOM等博物館相關組織在為博物館下定義的探索歷程中，不斷吸收與融合文化資產，可以發現擴張的範疇在後現代文化中以「類博物館」為一種權宜之計，使文化評論與博物館學衝突的部分成為必須關照的對象，本文試圖以博物館現實（museality）與傅柯的異托邦（heterotopia）的原則，分析類博物館的物質與非物質關係、時空流動的不確定性與並置等特色，以說明類博物館的開放性，並據此歸納類博物館三種特色：「博覽式的」、「敘事性的」與「時空性的」，以台灣民間廟會信仰為實例說明這些特色是藉由「參與」式的身體詩學經驗，與傳統博物館的「參觀」學習有所不同。最後提出類博物館趨勢的觀察、建議與展望未來，包括在資訊社會新媒體藝術應用衝擊視覺的博物館的經驗，與文化治理類博物館的趨勢中，倡議以倫理介入話語權空間的建置，避免敘事霸權主義的專斷帶來的浩劫。台灣應強化以文化生產為城市和國家發展的重點項目，在國際競爭中召喚話語權，展現實力。

“Quasi-museum” is a vocabulary borrowed from European terminology refers to the methodology and operation function of the nature of cultural heritage in Taiwan museology, which meaning is divergent from the usage in Europe and America museology to refer to a museum based rhetoric. This western compound word, associated with the expanding definition of museums in late 1990s, in relate to institutions that do not use by the name of museum, but are solid functioned as museums. In order to investigate what a quasi-museum is, its relationship with museums, its features and functions, and its significance to Taiwan museums, this dissertation probe into the origin and application of the terminology to search out its genealogical connection with museum and puts forward suggestions into use. For ICOM and museum contributed organizations have been absorbing and integrating cultural heritage in their exploration of defining museums that have emerged quasi-museum played as an expedient role while expanded museum category in post-modern culture, so that the parts in conflict between cultural criticism and museology should be addressed. By applying theories such as museality and Foucault's heterotopia as examine tool to analyze the characteristics, the relationship with tangible and intangible cultures, the uncertainty and juxtaposing of time-space flow make possible to illustrate the openness of quasi-museum that leads to summarize three characteristics accordingly: "Extensive", "Narrative" and "Spatio-temporal". Examples referring to these characteristics will be elaborate including Taiwan folk belief activities that resulted differentiation between "visiting" learning of traditional museums and the "participating" body of poetics experience. Finally, trend observations and future prospect of quasi-museum will be proposed, including the visual impact of new media art of information age and cultural governance as a solution for museum phenomenon, advocate intervened by ethics for inevitably the havoc brought by narrative hegemony. In regarding to cultural production as the key project of urban and national development summon a voice in international competition and show strength for Taiwan is in need.

參考書目

中文專書
王志弘、李秉霖等合著，《文化治理與空間政治》，導言〈文化治理、地域發展與空間政治〉，新北市：群學，2011。
林崇熙，《跨域建構．博物館學》，第二章，台北：國立臺灣博物館，2009。
黃光男，《詠物成金—文化．創意．產業分析》，台北：典藏藝術家庭，2011。
—— 《樓外青山—文化．休閒．類博物館》，台北：典藏藝術家庭，2012。
張亞中，《二二八事件讀本》，台北：孫文文創有限公司，2019。
張婉真，《論博物館學》，台北：典藏，2005。
—— 《當代博物館展覽的敘事轉向》，台北：國立臺北藝術大學，2014。
張譽騰，《蘭陽博物館整體發展規劃報告書》，宜蘭縣：宜蘭縣政府，1995。
—— 《生態博物館—一個文化運動的興起》，台北：五觀藝術，2003。
—— 《博物館大勢觀察》，台北：五觀藝術，2003。

譯著
皮耶．諾哈（Pierre Nora），《記憶所繫之處I》Les Lieux de Memorie I, 1984。戴麗娟譯，台北：行人文化實驗室，2012。
安德烈．馬侯（André Malraux），〈想像的博物館〉Le musée imaginaire，英譯本‘Museum without walls’（〈無牆博物館〉），《沈默之聲》 Les voix du silence, Pairs: La Galarie de la Pléiade, 1951。第一部分，李瑞華，袁楠譯，桂林：廣西師範大學出版社，2001。
馬賽爾．普魯斯特（Marcel Proust），《駁聖伯夫》 Contre Sainte-Beuve，王道乾譯，根據伽里瑪出版社1954年Bernard de Fallois1971年編訂版及1971年七星文庫Pierre Clarac編訂版譯出。上海：上海藝文出版社，2007。
黑吉斯．德布黑（Régis Dabray），《圖像的生與死：西方觀圖史》 Vie et mort de l’image, 1992。黃迅余、黃建華譯，上海：華東師範大學出版社，2014。
愛德華．索雅（Edward W Soja），《第三空間：去往洛杉磯和其他真實和想像地方的旅程》Third Space: Journeys to Los Angeles and Other Real-and Imagined Places。包亞明主編，陸揚等譯，上海：上海教育出版社，2005年。
肯尼斯．赫德森（Kenneth Hudson），《八十年代的博物館—世界趨勢綜覽》 Museums for the 1980s: A Survey of World Trends, 1977。北京：紫禁城出版社，1986。
道格拉斯．霍特（Douglas Holt），《從Brand到Icon文化品牌行銷學》 How Brands Become Icons, Published by Harvard Business School Press, 2004。劉麗真、王承志譯，台北：臉譜，2009。
克里斯欽．諾伯舒茲（Christian Norberg-Schulz），《場所精神：邁向建築現象學》Genius Loci: Towards a phenomenology of architecture, 1979。施植民譯，台北：田園文化，1995。
羅蘭．巴爾特（Roland Barthes）〈敘事結構分析導論〉’Introduction à l’analyse structurale des récits.’《羅蘭．巴爾特文集：符號學歷險》L’aventure Semiologique, 1966。李幼蒸譯，北京：中國人民大學出版社，2008。

中文學位論文
方芷絮，《公設文化機構功能角色之探討：以國立傳統藝術中心為例》，佛光人文社會學院碩士論文，2005。
張玫萍，《類博物館——阿里山森林鐵道車站設計》，東海大學建築研究所碩士論文，1997。
許誌權，《類博物館教育機構駐校後之特色與價值探索——以嘉義縣自然史教育館為例》，國立彰化師範大學美術系碩士論文，2013。
黃雪娥，《鹽埕區作為建築生態博物館之評析》，成功大學藝術研究所碩士論文，2007。

中文期刊
王志弘，〈文化如何治理？一個分析架構的概念性探討〉，《世新人文學報》11（2010）：1-38。
王志弘，〈傅柯Heterotopia翻譯考〉，《地理研究》65（2016）：75-106，2016。DOI: 10.6234/JGR.2016.65.04。
王學理〈“阿房宮”、“阿房前殿”與“前殿阿房”的考古解讀〉《周秦漢唐文化研究》 4-3（2003）: 37-44。
江韶瑩，〈博物館與原住民文化保存詮釋的省思（上）〉，《博物館學季刊》8-2（1994）：9-17。
邱于庭，〈從「參拜」到「參觀」：以「類博物館式」導覽之觀眾經驗探討宗教類文化資產教育推廣模式〉，國立台北藝術大學文化資源學院，《文資學報》10期（2016）：97-130。
周積明、雷平，〈清代經世思潮研究述評〉，《漢學研究通訊》25-1（2006）：1-10。
胡家瑜，〈博物館、人類學與台灣原住民展示－歷史過程中文化再現場域的轉形變化〉，國立臺灣大學，《考古人類學季刊》66（2006）：94-124。
徐一超〈“文化治理”：文化研究的“新”視域〉，《文化藝術研究》7-3（2014）：33-41。
殷寶寧，〈以博物館唯方法之古蹟活化策略探討—淡水古蹟博物館觀眾經驗研究個案〉，《博物館學季刊》28-4（2014）：23-53。
許功明，〈博物館與原住民文化的展現〉，《博物館學季刊》8-3（1994）：3-9。
張婉真〈從博物館學學科發展歷程談法國國立自然史博物館博物館學博士課程的開設意義〉，《博物館學季刊》18-3（2004）：27-39。
郭肇立 〈一個互聯網時代的建築展：夢幻博物城〉，《臺灣博物季刊》34-4（2015）：6-9。
郭義復〈新博物館學的展示觀〉，《博物館學季刊》15-3（2001）：3-11。
張譽騰，〈生態博物館的規劃理念與個案之解析〉，《博物館學季刊》10-1（1996）7-18。
黃貞燕，〈保護非物質文化遺產公約的成立與其影響〉，《2008文化專刊》，4-8（2008）：196-198。
戴麗娟，〈法國人類學的博物館時代──兼論人類學物件之特性及實證人類學之建立〉，《中央研究院歷史語言研究所集刊》77-4（2006）：627-696。
劉俊裕，〈歐洲文化治理的脈絡與網路：一種治理的文化轉向與批判〉，Intergrams 11-2（2011）：1-6。
劉婉珍，〈博物館蒐藏的意義與影響〉，《博物館學季刊》14-3（2000）：3-9。
----〈互及互入—博物館學的存有與發展〉，《博物館學季刊》27-1（2013）：81-102。
Rebecca Duclos，〈後現代／後博物館—當代博物館評論的新走向〉Postmodern/ Postmuseum:
New Directions in Contemporary Museological Critique, Museological Review, Leicester University, pp. 1-13, 1994，張譽騰譯，《博物館學季刊》10-2（1996）：3-12。
Thomas Weigend，〈公司刑事責任的德國法觀點〉柯秉志、黃琬婷譯，林志潔審閱，《科技法學評論》9-1（2012）：1-13。

學術研討會
國立臺灣藝術大學藝術與文化政策管理研究所，《幽暗記憶與觀光國際學術研討會論文集》 Proceedings of Twilight Memory and Tourism International Symposium，張婉真主編，2010。

有聲資料
竹碧華，《楊秀卿的台灣說唱（CD二張）民族音樂叢書第六輯》，台北市：行政文化建設委員會，1992，頁25-43。

外文專書
Adorno, Theodor. “Valéry Proust Museum”, Prisms. 1967, trans. from German, Samuel &Shierry Weber, Massachusetts: MIT Press 1983.
Art, David. The Politics of the Nazi Past in Germany and Austria. New York: Cambridge University Press, 2006。
Baudrillard, Jean. Simulations. Fleming, Jim. & Sylvére Lotringer, eds. Trans. Paul Foss, Paul Patton & Philip Beitchman, New York: Semiotext, 1983.
----“The System of Collecting.” in Cultures of Collecting. John Elsner and Roger Cardinal, eds. Cambridge: Harvard University Press, 1994.
Belk. Russell, Collecting in a Consumer Society. London: Routledge, 1995.
Benedict. Anderson, Imagined Communities. 1983, London, New York: Verso, 2006.
Bennett, Tony, “Putting Policy into Cultural Studies.” Cultural Studies. Grossberg, Lawrence., Cary Nelson, Paula Treichler, eds. London, New York, Routledge, 1992.
---- The Birth of the Museum. New York, NY: Routledge 1995.
---- Culture: A reformer’s science. Thousand Oaks, CA: Sage Publications, 1998.
Bloom, John. Museums for a New Century. American Association of Museums, Commission on Museums for a New Century, Washington: AAM, 1984.
Bruner, Jerome. Actual minds, possible worlds. Cambridge, MA: Harvard University Press, 1986.
Cox, Bruce Alden. & Jacques Chevalier, Blundell, Valda. A Different Drummer: Readings in Anthropology with a Canadian Perspective. McGill-Queen's Press – MQUP, 1989.
European Commission, Communication From the Commission to the European Parliament, the Council, the European Economic and Social Committee and the Committee of the Regions: on a European agenda for culture in a globalizing world. Brussels, 2007.
Graham, Fairclough. and Lesley Macinnes, Understanding historic landscape character. London/Edinburgh: The Countryside Agency/Scottish Natural Heritage, 2002.
Foucault, Michel. Security, Territory, Population: Lectures at the Collège de France, 1977–1978. Ed. Michel Senellart, trans. Graham Burchell, New York: Palgrave Macmillan, 2007.
Gates, Bill. & Nathan Myhrovld, Peter Rinearson, The Road Ahead. Viking Penguin Press, 1995.
Genoways. Hugh H. & Mary Anne Andrei, eds., Museum Origins: Readings in Early Museum History and Philosophy. 1 edition, Routledge, 2009.
Hardt, Michael. & Antonio Negri, Empire. Harvard University Press, 2001.
Hirst, John. The Shortest History of Europe. UK: Old Street Publishing Ltd, 2010.
Hudson, Kenneth. Museums for the 1980s. Paris: UNESCO, 1977.
Lukac, Rastislav, ed., Perceptual Digital Imaging: Methods and Applications. New Jersey: CRC Press, 2012.
Lumley, Robert. ed., The museum time-machine: Putting Cultures on Display. London: Routledge, 1988.
Macdonald, George F., & Ivan Karp, Christine M. Kreamer, Steven Lavine, “Chapter 6: Change and Challenge: Museums in the Information Society.” Museums and Communities: The politics of public culture. London: Smithsonian Institution Press, 1992.
Macdonald, Sharon. “Collecting Practices,” in A Companion to Museum Studies. Oxford: Blackwell, 2006.
Maroevic, Ivo. & Gary Edison, Introduction to museology: The European approach. Munich: C. Müller-Straten, 1998.
Meecham, Pam., & Julie Sheldon, Modern Art: A Critical Introduction. New York: Routledge, 2000.
Psychogiopoulou, Evangelia. ed. Cultural Governance and the European Union: Protecting and Promoting Cultural Diversity in Europe. [Palgrave Studies in European Union Politics] UK: Palgrave Macmillan, 2015.
Ragsdale, J. Donald. American Museums and the Persuasive Impulse: Architectural Form and Space as Social Influence. Cambridge Scholars Publishing, 2009.
Ritzer, George. Enchanting a disenchanted world: Revolutionizing the means of consumption. California: Pine Forge Press, Sage Publication, 1999.
Robins, Claire. Curious Lessons in the Museum: The Pedagogic Potential of Artists' Interventions. Routledge, 2013.
Russell, Roslyn. & Kylie Winkworth, Significance 2.0. A guide to assessing the significance of collections. Rundle Mall: Collections Council of Australia, 2009.
Sheehan, Duncan. The Principle of Personal Property Law. Hart Publishing, 2011.
Soja, Edward. Thirdespace: Journeys to Los Angeles and Other Real-and-imagined Places. Cambridge, Mass.: Blackwell, 1996.
Urry, John. The Tourist Gaze: Leisure and Travel in Contemporary Societies, 2nd edition. First published 1990. London: Sage Publication, 2002.
Watson, Sheila. ed. Museums and Their Communities. Routledge, 2007.
Wittlin, Alma. Museums: In Search of a Useful Future. Cambridge, Mass.: MIT Press, 1970.
Young, James. The Texture of Memory: Holocaust Memorials and Meaning. Cambridge: Yale University Press, 1993.

外文博碩論文
Chen. Hsiaojane Anna, “Disorder: Rethinking Hoarding Inside and Outside the Museum.” Diss. U of Taxes at Austin, 2011.
Van Mensch, Peter. “Towards a Methodology of Museology.” Diss. U of Zagreb, 1992.

外文期刊
Bennett, Tony. “Archaeological Autopsy Objectifying: Time and Cultural Governance.” Journal of Cultural Research [Formerly Cultural Values] (2002): 29-48.
Chang, Wan-Chen. “The contemporary significance and role of the Universal Museum.” Museology and Techniques, Ed. Hildegard K. Vieregg, Munich: ICOFOM, (2007): 102-7.
Ferri, Delia. “Cultural Diversity and State Aids to the Cultural Sector.” Cultural Governance and the European Union: Protecting and Promoting Cultural Diversity in Europe [Palgrave Studies in European Union Politics], Evangelia Psychogiopoulou, ed. UK: Macmillan (2015): 119-31.
Foucault, Michel. “Of other spaces.” Diacritics. Trans. Miskowiec, J., 16(1) (1986): 22-7.
Frost. Randy, & Tamara Hartl, “A Cognitive-Behavioral Model of Compulsive Hoarding.” Behaviour Research and Therapy 34:4 (1996): 341-50.
Guidikova, Irena. “Who is afraid of diversity? From threats to benefits: lessons from the European programme of Intercultural Cities.” Report 5: Cities, cultures and developments. A report that marks the fifth anniversary of Agenda 21 for culture, (2009): 58-61.
Janes, Robert R. “The Mindful Museum.” Curator, The Museum Journal.” V. 53: 3 (2010): 325-338.
Littoz-Monnet, Annabelle. “Encapsulating EU Cultural Policy into the EU’s Growth and Competiveness Agenda: Explaining the Success of a Paradigmatic Shift in Brussels.” Cultural Governance and the European Union: Protecting and Promoting Cultural Diversity in Europe, Evangelia Psychogiopoulou, ed. [Palgrave Studies in European Union Politics], UK: Palgrave Macmillan (2015): 25-36.
Macdonald, George F. “The future of museums in the Global Village.” Museums 155 (1987): 209-216.
Ryde, Jeni. “The Reluctant Museum: When Secret meets Secular.” The International Journal of Inclusive Museum 1(1) (2008): 43-52, doi: 10.18848/1835-2014/CGP/v01i01/44305.
Šola, Tomislav. “The Concept and Nature of Museology.” Museum 153, 39(1) (1987): 45-49.
Tardits, Manuel. “The local-community museum: an architectural challenge.” Museum International No. 196 (Vol. 49, No. 4), Paris: UNESCO, 1997.
Teather, J. L. “Museum studies: Reflecting on reflective practice.” Museum Management and Curatorship 10(4) (1991): 403-417.
Van Mensch. Peter, “Museality at breakfast.” Museological Brunsia, Autumn, 2 (2015): 14-19.
Woolf, Brandon. “Putting Policy into Performance Studies?” Performance Research (2015): 104-11.
Zald, Mayer N. “Sociology as a discipline: Quasi-science and quasi-humanities.” American Sociologist (1991): 22:165, doi: https://doi.org/10.1007/BF02691895

研討會與研究報告
Heslin, Peter. The Museum of Augustus : the Temple of Apollo in Pompeii, the Portico of Philippus in Rome, and Latin poetry. Working Paper. Durham Research Online (DRO), Durham, 2013.
Pascual, Jordi. Ed., “Cities, cultures and developments: A report that marks the fifth anniversary of Agenda 21 for culture.” Culture 21. UCLG, 2009.
Reilly, Paul. Towards a virtual archaeology, Proceedings of Computer Applications in Archaeology, Oxford, UK, (1990): 133-139.
Stránský, Zbyněk. (Ed.) Museology for tomorrow's world: proceedings of the international symposium held at Masaryk University, Brno, Oct. (1996): 9-11. Munich : Müller-Straten, 1997.

網路資源
中華語文知識庫 <http://210.71.253.73/clk/search/%E9%A1%9E/107468/200621?srchType=1&fouc=>（檢索日期：2017/11/28）
文化部，Taiwan Quasi-museum Development Association <https://english.moc.gov.tw/information_232_77124.html> （檢索日期：2019/8/6）
台北市立美術館，〈沙中房間〉 <http://lacamerainsabbiata.org/> （檢索日期：2019/4/15）
台北市政府文化局，標案編號108A153《2019臺北城市類博物館-萬華艋舺人文生活場城活動案》 <https://ronnywang.github.io/pcc-viewer/tender.html?unit_id=3.79.59&job_number=108A153> （檢索日期：2019/8/9）
朱潔樹，〈收藏是為了超越時間：這個展覽喚起我們的囤積本能〉，2016/8/5 <https://www.hkaci.org.hk/zh/2016/08/05/%E6%94%B6%E8%97%8F%E6%98%AF%E7%82%BA%E8%B6%85%E8%B6%8A%E6%99%82%E9%96%93%EF%BC%9A%E9%80%99%E5%80%8B%E5%B1%95%E8%A6%BD%E5%96%9A%E8%B5%B7%E6%88%91%E5%80%91%E7%9A%84%E5%9B%A4%E7%A9%8D%E6%9C%AC%E8%83%BD//> （檢索日期：2018/12/23）
把世界當教室，〈到世界文化遺產古鎮參加全球規模最大的藝術節！〉，2017/ 2/12 <http://travelwithmikeanna.com/%E3%80%90%E8%8B%B1%E5%9C%8B-uk_%E6%84%9B%E4%B8%81%E5%A0%A1-edinburg%E3%80%91%E4%B8%96%E7%95%8C%E6%96%87%E5%8C%96%E9%81%BA%E7%94%A2%E6%84%9B%E4%B8%81%E5%A0%A1-%E5%85%A8%E7%90%83%E8%A6%8F%E6%A8%A1/> （檢索日期：2019/4/7）
林明德〈三月「瘋」媽祖 樸實的人情風景〉，《傳藝Online》 <https://magazine.ncfta.gov.tw/onlinearticle_146_538.html> （檢索日期：2019/3/24）
英國文化協會，〈文化價值評量論壇〉 <https://www.britishcouncil.org.tw/2017culturalvalue> （檢索日期：2018/5/23）
班維蕭，〈當克林姆的畫活了過來！巴黎「光之博物館」新媒體大展《Gustav Klimt》〉，《美麗佳人》，2019/2/6 <https://www.marieclaire.com.tw/lifestyle/art/38369?atcr=b7d39e> （檢索日期: 2019/4/3）
教育部，〈台灣閩南語常用辭典〉 <https://twblg.dict.edu.tw/holodict_new/result_detail.jsp?source=5&in_idx=16iau2&n_no=6770&curpage=1&sample=%E7%97%9F&radiobutton=1&querytarget=2&limit=20&pagenum=1&rowcount=18> （檢索日期：2019/8/10）
教育百科，〈痟〉詞條 <https://pedia.cloud.edu.tw/Entry/Detail/?title=%E7%97%9F> （檢索日期：2019/8/10）
設計王，〈巴黎光之博物館開幕，120 幅巨型投影帶你走進克林姆的畫作〉，2018/2/21 <https://www.designwant.com/r2631.html> (檢索日期: 2019/3/3)
黃克先，〈能體會幾分街友漂泊：寫在流浪生活體驗營後〉，《巷子口社會學》2014/10/6 <https://twstreetcorner.org/2014/10/06/huangkehsien-2/> （檢索日期：2019/8/13）
艋舺龍山寺官網–活動快遞http://www.lungshan.org.tw/tw/04_activity2.php?p=43&page=10 （檢索日期2019/3/24）。
艋舺龍山寺-龍山寺簡介 <http://www.lungshan.org.tw/tw/04_activity2.php?p=43&page=10> （檢索日期2019/3/24）。
維基百科，〈阿里山神木群〉 <https://zh.wikipedia.org/wiki/%E9%98%BF%E9%87%8C%E5%B1%B1%E7%A5%9E%E6%9C%A8%E7%BE%A4> （檢索日期：2019/3/30）
維基百科，〈猢猻木屬〉 <https://zh.wikipedia.org/wiki/猴面包树属> （檢索日期：2019/8/13）
蕭文杰，〈空喙哺舌？談柯文哲的「台北城市博物館」計畫〉，《鳴人堂》，2018/4/20 <https://opinion.udn.com/opinion/story/11472/3098040> （檢索日期：2019/8/9）
蘋果日報，〈廢中正紀念堂條例通過〉，2007/5/10 <https://tw.appledaily.com/headline/daily/20070510/3463758/> （檢索日期：2019/3/20）
蘿莉．安德森（Laurie Anderson），〈黃心健& Laurie Anderson跨國合作VR作品《沙中房間》〉，台北市立美術館 <https://artemperor.tw/tidbits/6617> （檢索日期：2019/4/15）
Agenda 21 for culture <http://www.agenda21culture.net/> (Retrieved: 2019/2/3)
ARworks, “VR/AR and Kinect Solution for a Historical Museum by ARworks.” <https://www.youtube.com/watch?v=WATR-HRykeA> (Retrieved: 2019/4/20)
Atelier des Lumières <https://www.atelier-lumieres.com/> (Retrieved: 2019/3/3)
BBC News, “Stephen Hawking, visionary physicist dies aged 76.” 2018/3/14 <https://www.bbc.com/news/uk-43396008> (Retrieved: 2019/8/10)
Carvajal, Doreen. “New Museum (Sort of) for St. Louis; The Pulitzer Art Collection Will Welcome Visitors, Up to a Point.” The New York Times. 15/Jan/2001 <http://www.nytimes.com/2001/01/15/arts/new-museum-sort-for-st-louis-pulitzer-art-collection-will-welcome-visitors-up.html?pagewanted=all> (Retrieved: 2016/4/12)
Culture Governance Alliance, “What do we mean by governance?” Organisation Structures, 2007 <https://culturalgovernancealliance.org/practical-guide/structures/what-do-we-mean-by-governance> (Retrieved: 2019/1/10)
Felsenthal, Julia, ”’The Keeper’ at the New Museum Pays Homage to Objects and Obsessions.” 2016/7/23 <https://www.vogue.com/article/the-keeper-new-museum-exhibition> (Retrieved: 2018/10/23)
Goodman, Joyce. “Transitional Transnational Spaces/Places: Offices and Classrooms As Quasi-museums And The Creation Of Cosmopolitan Subjectivities.” in Conference Education and Transition, ECER, 2015/9/10 <http://www.eera-ecer.de/ecer-programmes/conference/20/contribution/35064/> (Retrieved: 2016/4/15)
Greer, Jim. “Pharmacy of the rich and famous: Patrons 'sign on' to quasi-museum in Tanglewood.” Huston Business Journal, 2001 <https://www.bizjournals.com/houston/stories/2001/02/19/story4.html> (Retrieved: 2018/4/23)
Hawking, Stephen. Stuart Russell, Max Tagmark, Frank Wilczek, “Transcendence looks at the implications of artificial intelligence - but are we taking AI seriously enough?” 2014/May/1 <https://www.independent.co.uk/news/science/stephen-hawking-transcendence-looks-at-the-implications-of-artificial-intelligence-but-are-we-taking-9313474.html> (Retrieved: 2019/8/10)
iCinema <http://www.icinema.unsw.edu.au/> (Retrieved: 2019/4/17)
Lee, Yuna, 〈2018 巴黎光之工坊數位化藝術中心：ATELIER DES LUMIÈRES〉 trans. Yaya Teng, Paries, O’bon, 2018/4/19 <https://www.obonparis.com/zh-TW/magazine/atelier-des-lumires> (Retrieved: 2019/3/3)
Merriam-Webster, “QUASI.” <https://www.merriam-webster.com/dictionary/quasi> (Retrieved: 2017/10/20)
Museum Association <http://www.museumsassociation.org/museum-practice/museum-pop-ups>
National Gallery of Victoria, “Andy Warhol’s Time Capsules.” 2005/5/8-16 <https://www.ngv.vic.gov.au/exhibition/andy-warhols-time-capsules/> (Retrieved: 2018/10/23)
Niantic, “Codename: Tonehenge-Real World Multiplayer AR Demo.” <https://www.youtube.com/watch?time_continue=84&v=aPWkmLJmVKA> (Retrieved: 2019/4/17)
Pasternack, Alex. “Hoarding as an Art Form: Song Dong’s ‘Waste Not’.” 2009/9/5 <https://www.treehugger.com/sustainable-product-design/hoarding-as-an-art-form-song-dongs-waste-not.html> (Retrieveed: 2018/10/24)
Pavić, Katarina. “New models of governance of culture.” Think Piece, Culture Watch Europe, p. 1-6. <https://rm.coe.int/CoERMPublicCommonSearchServices/DisplayDCTMContent?documentId=09000016806a34ca> (Retrieved: 2019/1/25)
Pop-up museum <http://popupmuseum.org/about/> (Retrieved: 2018/10/3)
Rosling, Hans, “Let my dataset change your mindset.” Ted Talk <https://www.ted.com/talks/hans_rosling_at_state?language=zh-tw> (Retrieved: 2019/4/17)
Schlehelein, Heidi. “Kinect Museum Display Prototype.” <https://vimeo.com/41213320> (Retrieved: 2019/4/15)
Sreenan, Niall. “The Museal and Museum: Two Case Studies in Death.” <https://blogs.ucl.ac.uk/researchers-in-museums/2017/03/30/the-museal-and-the-museum-two-case-studies-in-death/> (Retrieved: 2017/3/30)
Tazasproject, “Museum Night 2012-Kinect.” <https://vimeo.com/45921482> (Retrieved: 2019/4/15)
Wu, Felice, “The Mazu Pilgrimage Experience.”《天下雜誌》英文版，2018/6/14 <https://english.cw.com.tw/article/article.action?id=1985> (Retrieved: 2019/3/20)
UNESCO, “Text of the Convention for the Safeguarding of the Intangible Cultural Heritage.” Intangible Cultural Heritage <https://ich.unesco.org/en/convention> (Retrieved: 2017/10/3)
---- “The Twenty-Four Solar Terms, knowledge in China of time and practices developed through observation of the sun’s annual motion.” Intangible Cultural Heritage <https://ich.unesco.org/en/RL/the-twenty-four-solar-terms-knowledge-in-china-of-time-and-practices-developed-through-observation-of-the-suns-annual-motion-00647> (Retrieved: 2019/3/31)
Zentrum für Kunst und Medientechnologie <https://zkm.de/de> (Retrieved: 2019/4/17)