本研究的目的，是以梅露龐蒂知覺現象學的理論為基礎，
探討運動中「身體主體」的時間性和空間性經驗。研究者以運
動者自身、運動者和運動者、觀眾和運動者等三個層面，加以
描述與反省，結果發現：
一、運動者自身的時間性，主要在於現在、過去、未來相互流
通且交織著。運動者和運動者之間，則相互建構快、慢、
停止、開始、結束以及剎那即永恆等時間性。觀眾與運動
者方面，經常出現快、慢、暫停、剎那即永恆、美感的時
間性等。
二、前後、左右、上下的空間性在三個層面中皆相當活絡。運
動者自身常經驗到身體的延長、遠近、高低等空間性。運
動者與運動者之間，則經常經驗到擁擠、寬敞、遠近、疏
離、交融等。至於觀眾與運動者間，常感受到壓迫、美的
空間、疏離、交融等空間性。
三、常見的運動時空交錯經驗有「 時空互換的運動經驗 」與
「互為主體的時空經驗」。「身體主體」極度地與運動世
界交融，則會達到超越時空的運動經驗。本研究發現，超
越時空的運動經驗可分為三項：（一）流暢，（二）忘我
，（三）終極圓融。
四、運動的時空經驗優先於量化時空，運動參與者置身運動世
界，直接地、具體地開顯時間性和空間性。
五、經由理論基礎的描述，以及運動時間性和空間性經驗的揭
露，運動時空經驗皆具有非測量、獨特性、相對性、整體
性及多變性等特質。

The purpose of this study was to apply the ideas stated in
Merleau-Ponty's Phenomenology of Perception to describe both
the temporal and spatial experiences of the Sporting "Body-
subject." Having undergone reductions and reflections on the
self-experience of individual sporting performer, so with the
inter-experiences among performers and the interweaving expe-
riences between audiences and performers, the researcher un-
covered the following:
1. There existed the interweaving self-temporal experience of
the performer, which had been interacting oneself's past,
presents and the future experience; experiences such as
slow and fast, begin and end, so with the timelessness
feeling were found among performers; experience such as
fast, slow, time without ending and aesthetic time were
discovered between audiences and performers.
2. There existed the activated spatial experiences interweav-
ing oneself's sporting experiences as well as among perfor-
mers and audiences, such as the back and front, right and
left, up and down, the limitlessness feeling of one's
bodily experience, the crowded and openness feeling, the
alienating and the interweaving experiences, the oppres-
sion, the distancation and the aesthetic experiences.
3. There existed some kind of interweaving and interchangable
experiences within the spatial-temporal experiences. The
researcher found that while the sporting "body-subject" had
diffused in the sporting world, some experiences that had
gone far beyond the above stated spatial-temporal experi-
ences,such experiences were flow, egolessness and ultimated
wellness.
4. The spatial-temporal experiences were prior to our notion
of objective time and objective space. Sporting performers
disclosed spatial-temporal experiences directly and con-
cretly in the sporting world.
5. The essential characteristics of the aboved stated sporting
spatial-temporal experiences were immeasurable, peculiar,
relative, holistic and fickle.
The purpose of this study was to apply the ideas stated in