第一章 音樂是維繫藩屬關係相互傳遞的禮物 中國與朝鮮半島兩
國透過「贈樂」及「獻樂」的方式進行兩地音樂文化的交 流，從
交流時的樂器、樂人、音樂形態，討論事件發生的意義，是純粹為
作為禮物而交流？對雙方的音樂文化是否產生影響？以宋徽宗贈「大晟樂
」 與朝鮮半島之事為界，探討大晟樂傳入朝鮮半島之前，中國與
朝鮮半島音樂 文化交流的動機，及兩國音樂文化的關係。第二章
宋大晟樂在音樂文化交流中所展現的影響 從《宋史‧樂志》及《
高麗史》對大晟樂的記載，瞭解宋大晟樂制作的背景 與傳入朝鮮
半島的經過。並討論宋大晟樂對朝鮮半島宮廷音樂文化的影響，
以及元朝以後朝鮮半島對對中國音樂文化所抱持的態度。第三章 中國禮
樂思想的東傳 除了前述音樂形式的交流外，隱含於形式背後，促
使中國與朝鮮半島音樂文化 交流的動機，尚包括傳至朝鮮半島的
中國禮樂思想。中國漢代以前（西元 一世紀）關於禮樂思想的文
字敘述，部份可在朝鮮半島的史料中出現，從 引用中國音樂論著
中的文字，到上奏給中國皇帝的表文、以及朝鮮半島音 樂學者的
研究論著中所呈現的禮樂思想，都是承襲自中國的禮樂思想。以
朝鮮半島歷代出現關於禮樂思想的文字敘述，探討中國禮樂思想在朝鮮半
島的發展及結果。第四章 與音樂文化相關的交流活動 在中國與
朝鮮半島的宮廷宴饗樂，或佛教慶典活動中，曾出現不屬於本國
傳統的音樂文化。從這些與音樂文化相關的儀式活動中，瞭解朝鮮半島音
樂文化對中國宮廷音樂的影響，也同時明瞭中國音樂文化對朝鮮半島音樂
文化影響的程度，及以後的發展。

The Study of the Music Culture between Korean Peninslua and
China–through thehistorical documents with the attitude
ofcultural exchange The purpose of this thesis is to examine
the relationship of music culture between Korean peninsula and
China by overviewing old documentsin both countries. In Korean
peni-nsula old documents, it could be find out that the most of
Korean peninsula music culture were inherited from ancient
China.If we take an open attitude tothis study,it could be
easier to clarify the facts and meanings of the relationof the
music culture between two countries. Through the survey of China
and Korean peninsula old documents,it could be divided into the
following four categories. 1.Music served as the "gift" for
retaining relationship between the countries The music
cultureal exchange activities between China and Koreanpeninsula
were proceeded with two kinds of methods "music as gift"（ 贈樂
）and "music as devotion"（獻樂）.In these music cultural
exchange activities have some kindsof influenceson the music
culture of China and Korean Peninsula.2.The influences of Sung（
宋）dynasty's Da-Cheng-Yue（大晟樂） Da-Cheng-Yue（大晟樂）
was one of ritual music in the Sung（宋）dynasty.When it was
introduced into Korean peninsula from China,it was regaredas
serious music by Korean peninsula people and was used in some
courtceremonies.After that,Korean peninsula court music was
classified intothree categories:A-ak（雅樂）,Tang-ak（唐樂）and
Hyank-ak（鄉樂）. This situation was continuted to Yi dynasty（
李氏朝鮮王朝,1392～1910A.D.）.3.The influences of the thought of
Confusion music Owing to the formal introduction of Chines
musicto Korean peninsula,the thought of Confusion music （中國禮
樂思想）was highly respected and arouse the interest of informal
cultural exchangeactivities between these two countries.In
manyKorean peninsula old documents,there were some descriptions
similarto the spirit of Confusion music.When Sejon（世宗,1410
～1432A.D.）-one of the king in Yi dynasty（李氏朝鮮王朝）,who
appointed a musicianPak-yon（朴堧）to arrange A-ak（雅樂）,in
which the thoughtof Confusion music was found.4.The cross-
activities of the related music culture The result of China
and Korean peninsula music cultural exchange wasrepresented in
court banquet and Buddhist festival.In these activities,we could
find out how the Korean peninsula music culture influenced
Chinesecourt music and vice versa.
The Study of the Music Culture between Korean Peninslua and