人體運動中「氣」的超越經驗與階層之研究－以莊子氣化論思想為主
本研究主要的目的是希望透過莊子氣化論的探討，揭露人體中「
氣」的超越性來源，以闡述出人體運動中「氣」的超越經驗，以及達
到「氣」的最終超越時，將可能經驗的階層。
研究方法是採取詮釋法和描述法二種，本研究透過詮釋法的「採
行距離」和「吸納會通」詮釋後，使人體運動中「氣」的超越性來源
和階層更加明確；又透過描述法的真正描述，使人體運動中「氣」的
超越經驗有真實的顯現。經過本研究的探討後，可以得到以下幾點結
語：
一、從〞莊子氣化論〞深入且脈絡性的探討後發現，《莊子》中「氣
」的超越性來源可分為「氣」的能動性、柔和性、凝聚性和內斂
性四種。且經過本研究的探討後發現，這四種「氣」的超越性可
作為〞人體中「氣」超越性來源〞的理論依據。
二、人體中這四種「氣」的超越性來源活用在人體運動中，可以得到
四種「氣」的超越經驗：氣韻生動、柔氣致和、凝氣傳神和虛氣
化無。這四種人體運動中「氣」的超越經驗交織在一起，於是形
成了一個圓融的「氣」的運動超越經驗。
三、本研究為使運動者在運動中有「氣」的超越經驗，於是再從《莊
子》原典中探討〞人體運動中「氣」的超越階層〞，經過詳細探
討後，得到的人體運動中「氣」的超越階層有「技」、「藝」、
「道」三個階層，且每個階層「氣」所感受的主體、對象、方向
、方法、內涵和意境的層次皆不相同，足以作為人體運動中「氣
」超越上的實踐依循。

The purposes of this study were to reveal the transcendence
origin and transcendence experiences of human's "chi" in sports
through the "chi"'s idea of Cheong Tzu, and hopefully to
achieve the ultimate transcendence through possibly experienced
strata.
The describing and interpretating methods were used in this
study. By using the distanciation and appropriation of inter-
pretating method, the transcendence origin and strata of human's
"chi" in sports thus became visible. Moreover, by the mean of
the describing, the transcendence experiences of "chi" in
sports could be explicit.
This study concluded the followings:
1.Having studied the chi's idea of Cheong Tzu, this study found
liveliness, softness, cohesiveness and innerness were the
four possible transcendence origins of "chi" and hence of the
human beings.
2.With regarding to the above stated transcendence orgins of
"chi", we found that it should be easily to suceed the follow-
ing four kinds of transcendence experiences in sports, i.e.
the liveliness through mobility, the softness toward tran-
guility, the cohesiveness with the spirit, and the innerness to
the flow. These four kinds of experiences mingled and consti-
tuted to a complete sporting transcendence experiences of "
chi".
3.With refer to the original writing of Cheong-Tzu, this study
had concluded that there were three transcendence strata
existing while those transcendence experiences in sporting had
displayed, they were, the technical, the artistic and the
taoistic transcendence stratum respectively.
The purposes of this study were to reveal the transcendence