斯特拉溫斯基是帶領新古典主義的先驅，在《雙重協奏曲》中，可以發現無論是旋律、架構和體裁等，皆能看到古典、巴洛克甚至更早，如古希臘或文藝復興時期的元素，在本曲的第二、三樂章當中，則是直接受到文藝復興作家佩托拉克的《田園詩》的影響與啟發。本論文將會探討斯特拉溫斯基如何在古典精神之中，加入屬於二十世紀的和聲色彩，和如何用音樂描述出文學中所要表達的意念。
本論文第一章為研究動機和研究方法，第二章為斯特拉溫斯基的生平概述，第三章為《雙重協奏曲》的創作背景和文學比較，第四章與第五章分別為樂曲分析與詮釋。

Igor Stravinsky is one of the most influential composers and the pathfinder of Neo-classicism in the twentieth century. In his Duo Concertante, there are many classical, baroque, or even Renaissance elements in the melodies and the musical structure. When composing the second and the third movement of Duo Concertante, Stravinsky was inspired by Carmen Bucolicum, a pastoral by the Renaissance poet, Francesco Petrarca. Hence, in this dissertation, I will discuss about the techniques Stravinsky used of blending the twentieth-century tonal harmonies into classical structure, and the ideas of conveying the literature meaning through the music.
The first chapter is my motivation of writing this topic, and the researching methods；the second chapter is Stravinsky’s brief biography；the third chapter is the background and comparison between Carmen Bucolicum and Duo Concertante；the forth and the fifth chapter are analysis and interpretation of Duo Concertante.

中文書目

呂健忠，李奭學編譯。《新編西洋文學概論 : 上古迄文藝復興》。台北市 : 書林出版社, 1998。

林勝儀、李鴛英譯。《史塔溫斯基》。臺北 : 音樂之友社編，2010。

邵義強。《現代樂派樂曲賞析》。臺北 : 錦繡出版社，2000。

羅貝爾.西约昂(Robert Siohan)著 ; 汪纯子, 王红川译。《斯特拉文斯基画传 : 古典音乐灿烂的现代之声》。北京 : 中國人民大學出版社，2004。

胡金山編。《德布西/約翰⋅史特勞斯II/史特拉汶斯基/理查⋅史特勞斯》。臺北 : 巨英國際出版社，1997。

赫洛德⋅荀伯格(Harold C. Schonberg)著，陳琳琳譯。《現代樂派》。臺北 :萬象出版社，1992。

Ivan Galamian.《小提琴演奏與教學法》。林維中、陳謙斌 譯。台北：全音樂譜出版社，1980。

Margare Campbell.《不朽的小提琴家》，張世祥 譯。台北：世界文物出版社， 1996。

英文書目

Carr, Maureen. Multiple Masks: Neoclassicism in Stravinsky’s Works on Greek Subjects.
Lincoln, NE: University of Nebraska Press, 2002.

Eric Walter White. Stravinsky, the composer and his works . Berkeley : University of California Press, 1979.

_______________. Stravinsky : a critical survey.Westport, Conn. : Greenwood Press, 1979.

Igor Stravinsky . Igor Stravinsky : Autobiography. New York : Norton, 1962.
Jonathan Cross .The Cambridge companion to Stravinsky .Cambridge ; New York : Cambridge University Press, 2003.

Loft, Abram. Violin and keyboard : the duo repertoire. Portland, Or. : Amadeus Press, 1991.

Petrarch, Francesco. Bucolicum Carmen. Translated and annotated by Thomas G. Bergin.
New Haven: Yale University Press, 1974.

Robert Craft.Igor Stravinsky and Robert Craft,Conversations with Igor Stravinsky.N.Y.:Doubleday,1959.

中文論文

岳孟瑾。斯特拉溫斯基D大調小提琴協奏曲之分析與詮釋。國立台灣師範大學碩士論文，2005。

陳君笠。斯特拉溫斯基《管樂器交響》之樂曲與指揮研究。國立台灣師範大學碩士論文，2016。

英文論文

Hee-Sung Kang . A study of the Duo concertant and Suite italienne for violin and piano by Igor Stravinsky. Indiana: Indiana University, 2008.

Michael Jorgensen .Pastoral Poetry and Stravinsky: A Search for an Expanded Definition of Neo-Classicism Through Exploration of the Relationship Between the Eclogues of Stravinsky's Duo Concertant and Petrarch's Bucolicum Carmen.Florida: Florida State University,2008.

White,Karen A.Violin works of Igor Stravinsky.The University of Arizona,2017.

樂譜

Stravinsky, Igor. Duo Concertante violin and piano.England: Boosey and Hawkes ,1947.

網路資訊

國立編譯館─學術名詞資訊網：http://terms.nict.gov.tw

維基百科: https://zh.wikipedia.org/wiki