普羅科菲夫(Serge Prokofiev, 1891-1953) 非常重視鋼琴作品的創作，也是非常特別的一位二十世紀音樂家。尤其，他獨樹一格地將注意力集中於鋼琴奏鳴曲的創作，更是二十世紀作曲家中所罕見者。他的鋼琴曲種涵蓋廣泛，而他的九首鋼琴奏鳴曲更為鋼琴作品中的經典曲目，充分地呈現出他作品風格的特質及前後期風格的轉變。普羅科菲夫所自述的五種創作風格，包含古典風格(classicism)、抒情風格(lyric element)、怪異諷刺風格(an element of either grotesqueness, jesting, or mockery)、觸技風格(toccata or motor element)與新穎風格(innovation)，皆充分地運用於他的鋼琴奏鳴曲之中。

《第一號鋼琴奏鳴曲》為普氏學生時期的作品，是九首奏鳴曲中少數的單樂章的作品，音樂風格承襲後期浪漫風格，旋律抒情線條綿長，大量使用四音動機；《第七號鋼琴奏鳴曲》有三個樂章，似乎在表現出戰爭時的痛苦心境，三個樂章有著不同的性格，情緒張力及對比強大。此詮釋報告共分為六章，第一章為緒論，包含研究動機目的及研究方法與範圍；第二章為普羅科菲夫生平，概略介紹他的創作風格及九首鋼琴奏鳴曲；第三及第四章先後介紹《第一號鋼琴奏鳴曲》與《第七號鋼琴奏鳴曲》的創作背景、曲式分析、音樂特質與演奏詮釋；第五章為兩首樂曲的比較，以旋律、調性、節奏、織度方面著手進行探討；第六章為結論。期許此詮釋報告對想了解普羅科菲夫早期與晚期風格的讀者有所幫助。

Serge Prokofiev (1891-1953) was a composer in the twentieth century who gave great importance to the piano works. In particular, he uniquely focused his attention on the piano sonatas, which was very rare among the composers in the twentieth century. His piano works coverd a wide range of genre. Among them, his nine piano sonatas are highly representative in the development of Prokofiev’s musical style. According to Prokofiev’s own statement, his compositional writing was based on five principles of classicism, lyric elements, grotesqueness, toccata or motor elements and harmonic innovation.
The thesis investigates the stylistic features of the first and the seventh piano sonata of Prokofiev, and is divided into six chapters. ‘’Piano Sonata No. 1’’ is one of the few single-movement sonatas of the nine sonatas. Written when Prokofiev was a student, the music style is more related to the late Romanticism. ‘’Piano Sonata No. 7’’includes three movements, covering different stylistic characters. The first chapter is an introduction, including the motivation and reserch method of this thesis. The second chapter is a brief biography of Prokofiev, summarizing his musical styles, and a short discussion on his nine piano sonatas. The third and fourth chapters contain the background, the analysis of the compositions, the musical characteristics of the two sonatas, and the personal ways of interpreting Prokofiev’s Sonata No. 1 and No. 7. The fifth chapter is the comparison of the two pieces in terms of melody, tone color, rhythm and texture. The sixth chapter is the conclusion of this thesis.
Hope this thesis is helpful to whoever is interested in understanding Prokofiev’s sonatas as well as the composer’s early and late style.

參考文獻

一、樂譜

Prokofiev, Sergei. Serge Prokofieff Sonatas for Piano. Volume One, Sonatas 1-5, Authentic Edition introduction and performance notes by Peter Donohoe. London: Boosey&Hawkes Music Publishers, 1985.

______. Serge Prokofieff Sonatas for Piano. Volume Two, Sonatas 6-9, Authentic Edition introduction and performance notes by Peter Donohoe. London: Boosey&Hawkes Music Publishers, 1985.

二、西文專書期刊

Austin, William. Music in the 20th Century. New York: W. W. Norton, 1966.

Gillespie, John. Five Century of Keyboard Music. New York: Dover, 1965.

Kirby, Frank Eugene. A Short History of Keyboard Music. New York: Schirmer Books, 1966.

Minturn, Neil. The Music of Sergei Prokofiev. New Heaven, Conn: Yale University Press, 1997.

Robinson, Harlow. Sergei Prokofiev: A Biography. New York: Northeastern University Press, 2002.

Salzman, Eric. Twentieth- Century. New Jersey: Prentice Hall, 1988.

三、中文專書及期刊

鮑利斯．柏曼（Boris Berman），孫樹文譯。《浦羅柯菲夫　鋼琴奏鳴曲》。桃園:原笙國際股份有限公司，2018。

林明慧。《力．美．浦羅柯菲夫》。桃園:原笙國際股份有限公司，2009。

古特曼．大衛（David Gutmann）著，白裕承譯。《普羅高菲夫》。臺北:智庫1996。

許鐘榮。《古典音樂400年-現在樂派的大師》。台北市：錦繡，2000。

邵義強。《西洋音樂史》。臺北：全音，1994。

______。《現代樂派樂曲賞析─德布西／拉威爾／蓋希文／史特拉汶斯基／普羅 高菲夫／蕭士塔高維契》。臺北：錦繡，2000。

四、中文論文

梁蕙〈浦羅柯菲夫Ａ大調第六號鋼琴奏鳴曲，作品八十二之音樂分析與詮釋探討〉。國立台灣師範大學音樂學系碩士班演奏唱組詮釋報告，2018。

五、網路資訊

Grove Music Online: Prokofiev, Sergey(access: Aug 20, 2020)
https://0-www.oxfordmusiconline.com.opac.lib.ntnu.edu.tw/grovemusic/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-0000022402?rskey=lm3DO5

IMSLP Music Library.
http://imslp.org/

普羅科菲夫 Sergei Sergeyevich Prokofiev. (access: 20 Aug. 2020)
http://www.hanarts.tw/2622232645396403377822827-sergei-sergeyevich-prokofiev.html

國家教育研究院雙語詞彙、學術名詞暨詞書資訊網
http://terms.naer.edu.tw/

六、影音資料
Berman , Boris. Prokofiev: Compelete Piano Sonatas. Chandos CHAN9637-39.

Vladimir, Ashkenazy. Prokofiev, S.: Piano Sonatas Nos. 6, 7 and 8. Decca 00028944440829.

七、延伸閱讀

Burge, David. Twentieth-Century Piano Music. New York: Schirmer, 1990.

Fiess, Stephen C. E. The Piano Works of Sergei Prokofiev. London: The Scarecrow Press, 1994.

Marković, Nikola. Freedom in Interpretation and Piano Sonata No. 7 by Sergei　Prokofiev. University of Agder, 2012.

Morgan, Robert. Anthology of twentieth-century music. New York: W. W. & Norton, 1991.

Nice, David. Prokofiev: A Biography: From Russia to the West 1891-1935. New Haven: Yale University Press, 2003.

O' Shea Gary. Prokofiev’s early solo piano music: Context, Influences, Forms, Performance. Ph.D. diss. The University of Sheffield, 2013.

毛自平。〈普羅高菲夫鋼琴自鳴曲創作特徵淺析〉，星海音樂學院學報。2005年：第二期，55-57。

董晨陽。〈普羅科菲耶夫第七號鋼琴奏鳴曲演奏探微〉。中小學音樂教育雜誌，2011年：第五期。

李哲洋。《最新名曲解說全集 17》。台北：大陸，1982。

蔡佳憓著。《普羅高菲夫鋼琴奏鳴曲中奏鳴曲式的傳承與創新》。臺北：全音樂譜出版，2014。

音樂之友社編，林勝儀譯。《名曲解說珍藏版 20─普羅高菲夫》。臺北：美樂，
2004。

楊沛仁。《音樂史與欣賞》。臺北：美樂，2001。

翁怡。〈普羅科菲耶夫鋼琴奏鳴曲的抒情性解析〉。星海音樂學院學報，2011年：第三期。