本文旨在研究丹托「藝術終結論」所觸及跨哲學、科學、文化及藝術學科的議題出發，探討藝術進步歷史的問題、藝術分析工具的使用、去中心化及跨文化等問題性。並試圖回答「丹托文體的特殊性」、「丹托在藝術認識論方法學的突破」、以及「藝術終結論的影響性」等問題。第二章是「藝術進步歷史的終結理由」，以大敘述的藝術史內部的問題性導出藝術史學科本身方法上的限制，歸納進步史觀趨向終結的原因。第三章以「丹托藝術史哲學研究法與分析工具」為命題，藉以理解丹托形成藝術哲學的過程所使用的邏輯分析工具，驗證本文提出「分析美學工具的使用」為丹托發展新的藝術史方法學的實驗推論為真。第四章，以歐美為論述中心的藝術終結論是否存在「去中心、反現代與包容它者」等重要的文化思潮，從此探討理論背後的外部動機，是否也構成一種反藝術史藩籬的實踐。最後一章，以筆者自身的華人文化背景，並以中國藝術為例，重新審視及反思藝術終結論的「全球化」及「本質論」議題。

The purpose of this paper is to study the issues of interdisciplinary philosophy, science, culture and art, which Danto's "End of Art" touches on. These issues include: the history of artistic progress, the use of art analysis tools, decentralization and cross-cultural issues. The paper also attempts to address "the special characteristics of Danto's literary style, Danto's breakthrough in artistic epistemology methodology, and the influence of the "End of Art," as well as other issues. In the second chapter, "The Reason for the End of the History of Artistic Progress," the author analyzes the problematic nature of art history itself and the limitations of the methodology of art history. Reasons for the end of this progressive history are also summarized. Chapter 3 is titled, "Danto's Philosophy of Art History, Research Methodology and Analytical Tools." For the sake of understanding Danto's formation of art philosophy, this section looks at the logical analysis and analytical tools of his process. This section suggests that "the use of analytical aesthetic tools" is the experimental deduction which allowed Danto to develop a new art history methodology and that this deduction has been verified. In the fourth chapter, it is necessary to discuss the existence of notions in American and European art philosophy regarding "De-centered, Anti-Modern and Inclusiveness," as well as other important cultural thoughts. This section also discusses whether there are external motives which constitute barriers or forms of anti-art practices. The last chapter takes into account the author's own Chinese cultural background, and uses Chinese art as an example to re-examine and reflect upon the globalization of the "End of Art" philosophy and "Essentialism" issues.

一、 丹托的著作
(一) 中文譯本
亞瑟．丹托（Arthur C. Danto）著，《藝術的終結(After the End of Art)》(歐陽英譯)，南京：江蘇人民出版社，2001。
亞瑟．丹托（Arthur C. Danto）著，《在藝術終結之後：當代藝術與歷史藩籬(After the End of Art: Contemporary Art and the Pale of History )》(林雅琪、鄭慧雯譯)，台北：麥田出版，2004。
亞瑟．丹托（Arthur C. Danto）著，《美的濫用：美學與藝術的概念(The Abuse of Beauty: Aesthetics and the Concept of Art)》(王春辰譯)，南京：江蘇人民出版社，2007。
亞瑟．丹托（Arthur C. Danto）著，《敘述與認識(Narration and Knowledge)》(周建漳譯)，上海：上海譯文出版社，2007。
亞瑟．丹托（Arthur C. Danto）著，《美的濫用(The Abuse of Beauty)》(鄧伯宸譯)，新北：立緒出版，2008。

(二) 外文著作
Danto, A.C., G. Horowitz, and T. Huhn. The Wake of Art: Criticism, Philosophy, and the Ends of Taste. Berlin: G+B Arts International, 1998.
Danto, Arthur C. The Abuse of Beauty: Aesthetics and the Concept of Art. Chicago: Open Court, 2003.
---. After the End of Art: Contemporary Art and the Pale of History. New Jersey: Princeton University Press, 1997.
---. Andy Warhol. New Haven: Yale University Press, 2009.
---. Beyond the Brillo Box: The Visual Arts in Post-Historical Perspective. Los Angeles: University of California Press, 1992.
---. The Body/Body Problem: Selected Essays. Los Angeles: University of California Press, 1999.
---. Connections to the World: The Basic Concepts of Philosophy. New York: HARPER AND ROW, 1989.
---. Embodied Meanings: Critical Essays & Aesthetic Meditations. New York: Farrar Straus Giroux, 1994.
---. Encounters & Reflections: Art in the Historical Present. Los Angeles: University of California Press, 1997.
---. Jean-Paul Sartre. New York: Viking Press, 1975.
---. The Madonna of the Future: Essays in a Pluralistic Art World. Los Angeles: Farrar, Straus and Giroux, 2000.
---. Mysticism and Morality: Oriental Thought and Moral Philosophy. New York: Columbia University Press, 1987.
---. Mysticism and Morality: Oriental Thought and Moral Philosophy. New York: Basic Books, 1972.
---. Narration and Knowledge: Including the Integral Text of Analytical Philosophy of History. New York: Columbia University Press, 1985.
---. Nietzsche as Philosopher. New York: Macmillan, 1965.
---. Nietzsche as Philosopher: Expanded Edition. New York: Columbia University Press, 2005.
---. The Philosophical Disenfranchisement of Art. New York: Columbia University Press, 1986.
---. Philosophizing Art: Selected Essays. Los Angeles: University of California Press, 1999.
---. Playing with the Edge: The Photographic Achievement of Robert Mapplethorpe. Los Angeles: University of California Press, 1996.
---. The State of the Art. New York: Prentice Hall Press, 1987.
---. The Transfiguration of the Commonplace: A Philosophy of Art. Mass: Harvard University Press, 1981.
---. Unnatural Wonders: Essays from the Gap between Art and Life. New York: Farrar, Straus and Giroux, 2005.
---. What Art Is. New Haven: Yale University Press, 2013.

二、 丹托的文章
Danto, Arthur C. "The Abuse of Beauty." Daedalus 131.4 (2002): 35-56.
---. "Analytical Philosophy." Social Research 47.4 (1980): 612-34.
---. "An Answer or Two for Sparshott." The Journal of Aesthetics and Art Criticism 35.1 (1976): 80-82.
---. "Art and the Text." RES: Anthropology and Aesthetics.5 (1983): 5-13.
---. "Art, Essence, History, and Beauty: A Reply to Carrier, a Response to Higgins." The Journal of Aesthetics and Art Criticism 54.3 (1996): 284-87.
---. "Art, Evolution, and the Consciousness of History." The Journal of Aesthetics and Art Criticism 44.3 (1986): 223-33.
---. "The Artworld." The Journal of Philosophy 61.19 (1964): 571-84.
---. "Basic Actions." American Philosophical Quarterly 2.2 (1965): 141-48.
---. "Basic Actions and Basic Concepts." The Review of Metaphysics 32.3 (1979): 471-85.
---. "Censorship and Subsidy in the Arts." Bulletin of the American Academy of Arts and Sciences 47.1 (1993): 25-41.
---. "Comment by Arthur C. Danto." Leonardo 19.2 (1986): 157-58.
---. "Commentary." New Literary History 17.2 (1986): 275-79.
---. "Complex Events." Philosophy and Phenomenological Research 30.1 (1969): 66-77.
---. "Concerning Mental Pictures." The Journal of Philosophy 55.1 (1958): 12-20.
---. "Deep Interpretation." The Journal of Philosophy 78.11 (1981): 691-706.
---. "Depiction and Description." Philosophy and Phenomenological Research 43.1 (1982): 1-19.
---. "A Dozen Years of Solitude: Hilton Kramer." Grand Street 5.3 (1986): 219-27.
---. "E. H. Gombrich." Grand Street 2.2 (1983): 120-32.
---. "Embodied Meanings, Isotypes, and Aesthetical Ideas." The Journal of Aesthetics and Art Criticism 65.1 (2007): 121-29.
---. "The End of Art: A Philosophical Defense." History and Theory 37.4 (1998): 127-43.
---. "Ethical Theory and Mystical Experience: A Response to Professors Proudfoot and Wainwright." The Journal of Religious Ethics 4.1 (1976): 37-46.
---. "From Aesthetics to Art Criticism and Back." The Journal of Aesthetics and Art Criticism 54.2 (1996): 105-15.
---. "From Philosophy to Art Criticism." American Art 16.1 (2002): 14-17.
---. "A Future for Aesthetics." The Journal of Aesthetics and Art Criticism 51.2 (1993): 271-77.
---. "Gettysburg." Grand Street 6.3 (1987): 98-116.
---. "Historical Language and Historical Reality." The Review of Metaphysics 27.2 (1973): 219-59.
---. "In Memoriam: Robert Denoon Cumming." The Journal of Philosophy 101.11 (2004): 607-08.
---. "Kalliphobia in Contemporary Art." Art Journal 63.2 (2004): 25-35.
---. "A Logical Portrait of the Assassin." Social Research 41.3 (1974): 426-38.
---. "Masterpieces and the Museum." Grand Street 9.2 (1990): 108-27.
---. "Metonymy and Transition in Carrier's Writing." Journal of Aesthetic Education 32.4 (1998): 35-43.
---. "Mind as Feeling; Form as Presence; Langer as Philosopher." The Journal of Philosophy 81.11 (1984): 641-47.
---. "Narrative and Style." The Journal of Aesthetics and Art Criticism 49.3 (1991): 201-09.
---. "Narrative Sentences." History and Theory 2.2 (1962): 146-79.
---. "Narratives of the End of Art." Grand Street 8.3 (1989): 166-81.
---. "Nausea and Noesis: Some Philosophical Problems for Sartre." October 18 (1981): 3-19.
---. "A Note on Expressions of the Referring Sort." Mind 67.267 (1958): 404-07.
---. "On Explanations in History." Philosophy of Science 23.1 (1956): 15-30.
---. "On Historical Questioning." The Journal of Philosophy 51.3 (1954): 89-99.
---. "On Moral Codes and Modern War." Social Research 45.1 (1978): 176-90.
---. "Outline of a Theory, of Sentential States." Social Research 51.4 (1984): 1001-17.
---. "The Paradigm Case Argument and the Free-Will Problem." Ethics 69.2 (1959): 120-24.
---. "The Philosophical Disenfranchisement of Art." Grand Street 4.3 (1985): 171-89.
---. "Philosophy and/as Film and/as If Philosophy." October 23 (1982): 5-14.
---. "Philosophy as/and/of Literature." Proceedings and Addresses of the American Philosophical Association 58.1 (1984): 5-20.
---. "Philosophy as/and/of Literature." Grand Street 3.3 (1984): 151-76.
---. "The Pigeon within Us All: A Reply to Three Critics." The Journal of Aesthetics and Art Criticism 59.1 (2001): 39-44.
---. "The Problem of Other Periods." The Journal of Philosophy 63.19 (1966): 566-77.
---. "Remembering Andre Racz." American Art 12.2 (1998): 58-65.
---. "Representational Properties and Mind-Body Identity." The Review of Metaphysics 26.3 (1973): 401-11.
---. "Role and Rule in Oriental Thought: Some Metareflections on Dharma and Li." Philosophy East and West 22.2 (1972): 213-20.
---. "The Seat of the Soul: Three Chairs." Grand Street 6.4 (1987): 157-76.
---. "Seeing and Showing." The Journal of Aesthetics and Art Criticism 59.1 (2001): 1-9.
---. "Session I: Lecture & Panel Discussion: The Museum as Will-to-Power." Salmagundi.139/140 (2003): 99-111.
---. "Theology as a Hermeneutical Salvaging of History: Commentary." New Literary History 17.2 (1986): 195-98.
---. "The Transfiguration of the Commonplace." The Journal of Aesthetics and Art Criticism 33.2 (1974): 139-48.
---. "Translation and Betrayal." RES: Anthropology and Aesthetics.32 (1997): 61-63.
Danto, Arthur C., et al. "In Memoriam: James J. Walsh." The Journal of Philosophy 100.5 (2003): 272.
Danto, Arthur C., and Sidney Morgenbesser. "Character and Free Will." The Journal of Philosophy 54.16 (1957): 493-505.
Danto, Arthur C., and Shrin Neshat. "Shrin Neshat." BOMB.73 (2000): 60-67.
Danto, Arthur C., and Florence Perronin. "Grand Article: Le Corps Dans La Philosophie Et L'art." Cités.26 (2006): 129-44.
Danto, Arthur Coleman. "Ming and Qing Paintings." 1989: 469.

三、 研究丹托的相關文獻
(一) 外文著作
Carrier, D. Danto and His Critics: Art History, Historiography and after the End of Art. Conn.: Wesleyan University, 1998.
Haapala, A., J. Levinson, and V. Rantala, eds. The End of Art and Beyond: Essays after Danto. New Jersey: Humanities Press, 1997.
Herwitz, D.A., and M. Kelly, eds. Action, Art, History: Engagements with Arthur C. Danto. New York: Columbia University Press, 2007.
Rollins, M, eds. Danto and His Critics. Mass.: Wiley, 2012.

(二) 外文期刊論文
Ammerman, Robert. "Mr. Danto on Expressions of the Referring Sort." Mind 68.271 (1959): 401-03.
Ankersmit, F. R. "Danto on Representation, Identity, and Indiscernibles." History and Theory 37.4 (1998): 44-70.
---. "Danto, History, and the Tragedy of Human Existence." History and Theory 42.3 (2003): 291-304.
Bacharach, Sondra. "Can Art Really End?" The Journal of Aesthetics and Art Criticism 60.1 (2002): 57-66.
Brand, Myles. "Danto on Basic Actions." Noûs 2.2 (1968): 187-90.
Carrier, David. "Danto and His Critics: After the End of Art and Art History." History and Theory 37.4 (1998): 1-16.
---. "The Era of Post-Historical Art." Leonardo 20.3 (1987): 269-72.
---. "Gombrich and Danto on Defining Art." The Journal of Aesthetics and Art Criticism 54.3 (1996): 279-81.
---. "a Thought Experiment, for a Book to Be Called "Failure in Twentieth-Century Art"]: Reply to Arthur C. Danto, Richard Kuhns, and James Elkins." Journal of Aesthetic Education 32.4 (1998): 51-59.
---. "Why Art History Has a History." The Journal of Aesthetics and Art Criticism 51.3 (1993): 299-312.
Carroll, Noël. "Danto, Style, and Intention." The Journal of Aesthetics and Art Criticism 53.3 (1995): 251-57.
---. "The End of Art?" History and Theory 37.4 (1998): 17-29.
Davis, Whitney. "When Pictures Are Present: Arthur Danto and the Historicity of the Eye." The Journal of Aesthetics and Art Criticism 59.1 (2001): 29-38.
Doig, James Conroy. "Danto on Knowledge." The Review of Metaphysics 29.2 (1975): 307-21.
Forsey, Jane. "Philosophical Disenfranchisement in Danto's "the End of Art"." The Journal of Aesthetics and Art Criticism 59.4 (2001): 403-09.
Goehr, Lydia. "Afterwords: An Introduction to Arthur Danto's Philosophies of History and Art." History and Theory 46.1 (2007): 1-28.
Gur, Golan. "The Spectre of the End: Musical Avant-Gardism and the Philosophical Turn." International Review of the Aesthetics and Sociology of Music 42.2 (2011): 267-84.
Hartt, Julian N. "Reflections on Arthur Danto's Commentary." New Literary History 17.2 (1986): 199-201.
Herwitz, Daniel. "The Journal of Aesthetics and Danto's Philosophical Criticism." The Journal of Aesthetics and Art Criticism 51.2 (1993): 261-70.
Higgins, Kathleen Marie. "Whatever Happened to Beauty? A Response to Danto." The Journal of Aesthetics and Art Criticism 54.3 (1996): 281-84.
Hilmer, Brigitte. "Being Hegelian after Danto." History and Theory 37.4 (1998): 71-86.
Kelly, Michael. "Essentialism and Historicism in Danto's Philosophy of Art." History and Theory 37.4 (1998): 30-43.
Kelly, Michael, and Arthur C. Danto. "Arthur C. Danto." BOMB.72 (2000): 84-89.
Kennick, W. E. "Theories of Art and the Artworld: Comments." The Journal of Philosophy 61.19 (1964): 585-87.
Kudielka, Robert. "According to What: Art and the Philosophy of the "End of Art"." History and Theory 37.4 (1998): 87-101.
Lesher, James H. "Danto on Knowledge as a Relation." Analysis 30.4 (1970): 132-34.
McCullagh, C. B. "Narrative and Explanation in History." Mind 78.310 (1969): 256-61.
Mitchell, Jeff. "Danto, Dewey and the Historical End of Art." Transactions of the Charles S. Peirce Society 25.4 (1989): 469-501.
Sartwell, Crispin. "Aesthetic Dualism and the Transfiguration of the Commonplace." The Journal of Aesthetics and Art Criticism 46.4 (1988): 461-67.
Seel, Martin. "Art as Appearance: Two Comments on Arthur C. Danto's after the End of Art." History and Theory 37.4 (1998): 102-14.
Shapiro, Gary. "Deaths of Art: David Carrier's Metahistory of "Artwriting"." Leonardo 25.2 (1992): 189-95.
Shirley, Edward S. "Why the Problem of the External World Is a Pseudo-Problem: Santayana and Danto." The Journal of Speculative Philosophy 4.4 (1990): 298-309.
Sparshott, F. E. "Some Questions for Danto." The Journal of Aesthetics and Art Criticism 35.1 (1976): 79-80.
Taylor, Paul C. "Malcolm's Conk and Danto's Colors; or, Four Logical Petitions Concerning Race, Beauty, and Aesthetics." The Journal of Aesthetics and Art Criticism 57.1 (1999): 16-20.
Tilghman, B. R. "Danto and the Ontology of Literature." The Journal of Aesthetics and Art Criticism 40.3 (1982): 293-99.
Tormey, Alan. "Transfiguring the Commonplace." The Journal of Aesthetics and Art Criticism 33.2 (1974): 213-15.
Varet, Gilbert. "Complexity and Ambiguity: Some Observations on Professor Danto's "Complex Events"." Philosophy and Phenomenological Research 30.1 (1969): 78-83.
Weberman, David. "The Nonfixity of the Historical Past." The Review of Metaphysics 50.4 (1997): 749-68.
Weingartner, Rudolph H. "Danto on History." Philosophy and Phenomenological Research 28.1 (1967): 100-13.
Wertz, S. K. "The End of Art Revisited." Journal of Aesthetic Education 46.4 (2012): 13-19.
---. "The National Endowment for the Arts and Its Opposition: Danto's Argument for Art for Our Sake." Journal of Aesthetic Education 41.3 (2007): 111-17.
Wilkins, Burleigh T. "The Limits of Historical Knowledge." Analysis 31.2 (1970): 58-62.
(三) 中文著作
張　冰，《丹托的藝術終結觀研究》，北京：中國社會科學出版社，2012。
梁光耀，《藝術終結者：論丹托的藝術哲學》，臺北：五南，2013。
(四) 中文期刊論文
陳瑞文，〈分析哲學的藝術理論--以但托(Arthur Danto)的藝術詮釋為例〉，《藝術觀點》，15期，2002年，頁80-85。
梁光耀，〈丹托的藝術終結論〉，《哲學與文化》，37卷5期總號432，2010年，頁173-189。
梁光耀，〈丹托的藝術定義〉，《哲學與文化》，40卷6期總號469，2013年，頁143-162。
廖怡琪，〈藝術終結的寓言--丹托《在藝術終結之後：當代藝術與歷史藩籬》與黑格爾《美學》的關聯性〉，《藝術觀點》，45期，2011年，頁119-121。
蕭振邦，〈解讀《藝術終結之後》--評論Danto的〝美學〞論述〉，《美術學報》，1期，2006年，頁111-135。
(五) 中文碩博論文
何建良，《“藝術終結論”批判—以黑格爾到丹托》。浙江：浙江大學人文學院博士論文，2008。
周計武，《“藝術終結”的研究》。南京：南京大學，2005。
黃瀞瑩，《哲學預設的問題性-丹托藝術終結論研究》，高雄：高雄師範大學美術學系碩士班碩士論文，2008。
四、 其他相關索引文獻
(一) 外文著作
Cohen, Morris Raphael, and Ernest Nagel. An Introduction to Logic and Scientific Method. New York: Harcourt, Brace and Company, 1934.
Crimp, Douglas, and Louise Lawler. On the Museum's Ruins. Cambridge, Mass.: MIT Press, 1993.
Greenberg, Clement. A New Installation at the Metropolitan Museum of Art, and a Review of the Exhibition Art in Progress. The Collected Essays and Criticism. Vol. 1. Chicago: University of Chicago Press, 1988.
Greenberg, Clement, and John O'Brian. The Collected Essays and Criticism. Vol. 4, Vol. 4. Chicago; London: University of Chicago Press, 1993.
Haapala, Arto, Jerrold Levinson, and Veikko Rantala. The End of Art and Beyond : Essays after Danto. Atlantic Highlands, N.J.: Humanities Press, 1997.
Hegel, Georg Wilhelm Friedrich. Aesthetics: Lectures on Fine Art Trans. Knox, T. M. Oxford: Clarendon Press, 1975.
Hegel, Georg Wilhelm Friedrich, and J. Sibree. The Philosophy of History. New York: Willey Book Co., 1944.
Jimenez, Marc. La Critique : Crise De L'art Ou Consensus Culturel? Collection D'esthéTique. Paris: Klincksieck, 1995.
Kant, Immanuel. Critique of Judgment. Trans. J. H. Bernard, New York: Hafner Pub. Co., 1951.
Kuhn, Thomas S., et al. The Structure of Scientific Revolutions. Taipei: Yuan-Liou Publishing Co., Ltd., 1997.
Margolis, Joseph. "The Eclipse and Recovery of Analytic Aesthetics." Analytic Aesthetics. Ed. Shusterman, Richard.Oxford: B. Blackwell, 1989. 161--89.
Podro, Michael. The Critical Historians of Art. New Haven: Yale University Press, 1984.
Riegl, Alois. Problems of Styles: Foundations for a History of Ornament. Trans. Kain, Evelyn. New Jersey: Princeton University Press, 1992.
Rollins, Mark. Danto and His Critics. Chichester; Oxford; Malden: Wiley-Blackwell : J. Wiley & Sons, 2012.
Stokes, Adrian. Art and Science : A Study of Alberti, Piero Della Francesca and Giorgione. New York: Book Collectors Society, 1949.
Taylor, Charles. Philosophical Arguments. Cambridge, Mass.: Harvard University Press, 1995.
Winckelmann, Johann Joachim. "Thoughts on the Imitation of Greek Works in Painting and the Art of Sculpture " Johann Joachim Winckelmann on Art, Architecture, and Archaeology. Trans. Carter, David. New York: Boydell and Brewer, 2013. 31-56.
Wölfflin, Heinrich. Principles of Art History; the Problem of the Development of Style in Later Art. New York: Dover Publications.
Wölfflin, Heinrich, and Marie Donald Mackie Hottinger. Principles of Art History : The Problem of the Development of Style in Later Art. New York: Dover, 1950.

(二) 中文著作
朱光潛，《西方美學史》，北京：人民文學出版社，2002。
朱　剛，《二十世紀西方文藝文化批評理論》，台北：揚智文化，2002。
吳　風，《藝術符號美學：蘇珊朗格符號美學研究》，北京：北京廣播學院出版社，2002。
洪漢鼎，《當代分析哲學導論》，台北：五南，2008。
陳瑞文，《美學革命與當代徵候評述》，台北：北市美術館，2002。
陳瑞文，《阿多諾美學論：雙重的作品政治》，台北市：五南，2010。
劉悅笛，《分析美學史》，北京：北京大學出版社，2009。
鄭勝華，《製造藝術：論古德曼的藝術哲學》，台北：政大出版社，2013。
(三) 外文期刊論文
Carroll, Noël, and David Carr. "Time, Narrative, and History." History and Theory 27.3 (1988): 297.
Hilmer, Brigitte. "Being Hegelian after Danto." History and Theory 37.4 (1998): 71-86.
Roger, Fry. "The French Post-Impressionists." Vision and Design. London: Chatto & Windus, 1937. 156-59.
Sparshott, Francis. "Review: Danto and His Critics by Mark Rollins." The Journal of Aesthetics and Art Criticism 52.4 (1994): 482-83.

(四) 中文期刊論文
王　峰，〈美學語法：後期維特根斯坦的美學旨趣〉，《中國人民大學學報》，6期，2013，頁115-122。