摘 要
藉相關文獻探討與研究，分析重疊法、平面設計電腦繪圖之複合圖像表現等相關名詞，嘗試了解其中涵義及基本法則，尋找電腦繪圖中以重疊法構成表現的複合圖像案例分析與研究其基本構成型態。
本論文研究目的包含研究重疊法之構成效果及評析，及分析以重疊法複合圖像表現時畫面所追求的重點及特色。進一步分析歸納電腦繪圖之複合圖像重疊法於現今平面設計的運用與功能，並將以上研究於個人設計創作之中呈現印證。
一般而言所謂的重疊，是將前者的形或色隱蔽後者，使後者不明顯或隱而不見，我們便由圖面去察覺前後空間關係。雖然只可說是一個構成中小小的步驟或方法，不可否認的，重疊配置的例子卻常見於現代設計中，在純粹造形上，許多設計師仍懾服於它所帶給人的震撼，由單純的重疊法則，加上更有系統、特色的配置構成，所構置出來的圖形常使人們的視覺複雜化，除了增加畫面的說明性，亦使主題內容與背景之間呈現更為多采多姿的互動。
在此藉由探討重疊法之構成元素，首先就元素造型上的分類：(1)定形元素、 (2)非定形元素，再依元素構成條件分類：(1)形 、(2)色、(3)材質。與構成方式分類成：(1)合併、(2)透疊、(3)覆疊等三種元素構成重疊表現形式進行初步探討。
整理本研究重點，將構成動機與形式整理歸納有兩種基本形式：(1)精神層次的動機與形式，其中包含不定形式的抽象形、定形的概念形兩種定義。(2)具目的、說明性的動機與形式，包含不定形式的抽象形、定形的概念形兩種定義。
藉由以上各項探求，不難發現構成重疊法運用的規則及表現方法。但是，所欲呈現之美感及視覺效果則又常因設計者而異，綜合以上，將電腦繪圖構成複合圖像重疊法之美感整理歸納，及表現方式可概略幾點說明重點所在：(1)重疊之空間關係表現，(2)重疊之透明感表現，(3)積極的重疊與消極的重疊，(4)重疊的圖地關係，(5)重疊的組合與解構，(6)重疊的三次元效果、(7)重疊的四次元幻象…等七種重點。藉由以上視覺表現方式，將構成重疊方法先依一定的動機形式進行分析，再根據畫面需求決定畫面美感構成的方式，以達成溝通觀賞者、影響觀賞者的主要目的。
創作本論文試著以電腦繪圖表現方式進行研究，在電腦繪圖複合圖像表現如此多樣化的現代中，將所學的傳統造形、構成原理，以及所謂的造形文法當作依據，站在理論的根基上，對設計表現作一統合及分析，試圖整理創作者的思緒，防止自己迷失在色彩、造形的影像遊戲之中。

THE APPLICATION AND CREATION BY COMPOSITION METHODS OF PLAIN DESIGN
- a case study of compound image overlapping method by computer graphics
CHEN，SHIN-YI
Abstract
The researcher studied the archives first to determine the significance and fundamental rules regarding the overlapping method, plain design, and the computer’s compound image presentation methods in order to find out the compound images created by the overlapping method to facilitate the study of the fundamental structure of computer graphics.
This research project comprises the research of the composition effect and the study of the overlapping method to facilitate the analysis of the highlights and features of the pictures presented by the overlapping compound images; and thus summarizes the computer graphics’ compound image-overlapping method with emphasis on the applications and functions of the plain design so as to apply the findings to the researcher’s design works.
In the general sense, the term “overlapping” means that one object covers another by its shape or colors so the other object becomes invisible. People observe pictures to find out the relationship between both objects. The overlapping method may be a minor step or method, but it is very popular in the contemporary design and a number of designers are amazed overwhelmingly when they witness the shocks generated by the works created under the overlapping rule and the systematic and unique distribution of objects. That’s how the pictures complicate humans’ visions, enhance the description of picture, and upgrade the interaction between the topics and backgrounds.
This paper also relates the elements contained in the overlapping method. Categorized by shapes, the elements consist of (1) fixed-shape elements, and (2) non-fixed-shape elements. Divided by the constitution criteria, the elements comprise (1) shapes, (2) colors, and (3) materials. Categorized by the formation methods, the elements are divided into (1) combination, (2) penetrating overlapping, and (3) overturn overlapping. The researcher studied the preliminary presentation formats based on these categorization methods.
Then the researcher summarized the findings of the research project and divided the motives and formats into two basic categories as follows: (1) spiritual motives and formats, excluding the non-fixed-shape/abstract shape and the fixed-shape concept, and (2) the motives and formats with purposes and descriptions, including the non-fixed-shape, abstract, and the fixed-shape concepts.
The researcher’s findings are helpful for the readers to find out the rules and presentation methods incorporated in the overlapping method. However, the sense of beauty and the visual effects vary from designer to designer. In summary, the sense of beauty created by the compound image overlapping method and the presentation methods are summarized as follows: (1) the presentation of the relationships between the overlapping spaces, (2) the presentation of the sense of overlapping transparency, (3) the active overlapping and the passive overlapping, (4) the relationships between overlapping graphics, (5) the combination and the disassembly of overlapping, (6) the three-dimensional effects of overlapping, and (7) the quadruple illusions of overlapping. Then the researcher analyzed the overlapping methods by the fixed motives and formats based on the foregoing visual presentation methods, and then determine the methods for the creation of the sense of beauty on the pictures according to the needs of the pictures in order to facilitate the communication with the viewers, thereby influence the viewers.
The researcher conducted this research project by the computer graphics’ presentation methods. At the time that the compound image presentation methods are becoming more and more diversified, the researcher has summarized and analyzed the design and the presentation methods by the conventional shapes, theories, and the so-called shaping grammar learned at school based on the theoretical basis, thereby put the creators’ thoughts together and prevent the researcher from getting lost in the image game that contains countless colors and shapes.

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