簡易檢索 / 詳目顯示

研究生: 吳崇宇
Wu, Chung-Yu
論文名稱: 批判式記憶白色恐怖:《綠島》與《返校》對於正義與創傷的再政治化
A Critical Remembering of the White Terror: Re-politicizing Justice and Trauma in Green Island and Detention
指導教授: 李秀娟
學位類別: 碩士
Master
系所名稱: 英語學系
Department of English
論文出版年: 2021
畢業學年度: 109
語文別: 英文
論文頁數: 64
中文關鍵詞: 《綠島》《返校》米山麗莎拉卡柏再政治化正義創傷
英文關鍵詞: Green Island, Detention, Lisa Yoneyama, Dominick LaCapra, re-politicization, justice, trauma
DOI URL: http://doi.org/10.6345/NTNU202100157
論文種類: 學術論文
相關次數: 點閱:268下載:69
分享至:
查詢本校圖書館目錄 查詢臺灣博碩士論文知識加值系統 勘誤回報
  • 本論文藉由分析《綠島》及《返校》,探討作家楊小娜(Shawna Yang Ryan)與導演徐漢強(Han-chiang Hsu)如何透過小說及電影,提供讀者觀眾另類的途徑去面對創傷及建構正義的概念,並進而促成對於白色恐怖的批判式記憶。第一章首先爬梳現存對於二二八事件、白色恐怖及轉型正義的研究。而後,我援引米山麗莎(Lisa Yoneyama)提出的「九零後跨國補償文化」(post-1990s transborder redress culture)及「正義的再政治化」(re-politicization of justice)等理論架構。我主張將臺灣的二二八事件及白色恐怖置於米山麗莎的理論框架中重新檢視。第二章及第三章以前述理論概念對《綠島》與《返校》分別進行文本分析,探討兩個文本如何建構出另類的跳脫加害者/受害者二元對立結構的正義概念。此外,我援用拉卡柏(Dominick LaCapra)兩種面對創傷的策略: 行動化(acting out)及透工(working through),分析《綠島》與《返校》中角色的創傷經驗。我主張,兩個文本藉由呈現角色透工(working through)創傷的過程,向讀者觀眾強調了歷史創傷的未來指向。第四章為結論,反思現今臺灣關於轉型正義執行及民主發展的議題,希冀藉此促使讀者(尤其是年輕世代)重新檢視自身與歷史創傷的關聯,並思考當代臺灣社會的正義及民主意涵。

    This thesis studies Shawna Yang Ryan’s Green Island and Han-chiang Hsu’s Detention, with a focus on how they open up alternative ways to confront trauma, conceive justice and foster a critical remembering of the White Terror. Chapter One reviews the existing scholarship on the 228 Incident, White Terror, and transitional justice. Then, I draw on Lisa Yoneyama’s theoretical texts which investigate the post-1990s transborder redress culture and suggest a re-politicization of justice. I propose to put the 228 Incident and White Terror within Yoneyama’s framework. Chapter Two and Chapter Three proceed to investigate respectively how Green Island and Detention reconceptualize the idea of justice beyond the victim/perpetrator binary opposition. Besides, I borrow the concepts of “acting out” and “working through” from Dominick LaCapra to examine the characters’ traumatic experiences in these two primary texts. By presenting the characters’ process of working through the trauma, I argue that Green Island and Detention foreground the future-orientation of historical traumas. In Chapter Four, I conclude this thesis via a reflection on recent issues happening in Taiwan related to the administration of transitional justice and the development of Taiwan’s democracy. I intend to propel readers—especially the young generations— to reexamine their connection with historical traumas and to reconsider the meaning of justice and democracy in the present Taiwan.

    Acknowledgements i 摘要 iii Abstract iv Table of Contents v Chapter One: Introduction 1 I. Background and Motivation 1 II. Thesis Project, Literature Review and Methodology 3 III. Outline of Chapters 11 Chapter Two: Green Island 14 I. The U.S.-Chinese Nationalist Alliance/Complicity 23 II. Writing to Work through the Trauma 29 Chapter Three: Detention 35 I. Symbolic Representations of the State Apparatus 39 II. Fang as a Victim-victimizer 44 III. Working through Historical Traumas 46 Chapter Four: Rethinking Transitional Justice and Democracy in Taiwan 49 Works Cited 54 Appendix: A Conversation with Lieh Chen(陳列) 60

    Althusser, Louis.“Ideology and Ideological State Apparatuses (Notes towards an Investigation).” Lenin and Philosophy and other Essays. Translated by Ben Brewster, Monthly Review Press, 1971, pp. 127-86.
    BIOS monthly.“The Inevitability of Imperfection: An Exclusive Interview with Han-chiang Hsu.” BIOS monthly, 11 Apr. 2019, https://www.biosmonthly.com/article/10137. Accessed 19 Dec. 2020.
    Caruth, Cathy. Unclaimed Experience: Trauma, Narrative, and History. Johns Hopkins University Press, 1996.
    Chen, Yi-chen. “Trans-Generational Quests for Subjectivity: Resistance and Complicity in Shawna Yang Ryan’s Green Island.” Master Thesis, National Taiwan University, 2019.
    Cheung, Han. “Movie Review: Detention.” Taipei Times, 26 Sep. 2019,http://www.taipeitimes.com/News/feat/archives/2019/09/26/2003722923. Accessed 19 Dec. 2020.
    Everington, Keoni. “Taiwan NCC Rejects License Renewal for Pro-China CTi News.” Taiwan News, 18 Nov. 2020, https://www.taiwannews.com.tw/en/news/4056473. Accessed 22 Dec. 2020.
    Gamexpress. “The Firsthand Exclusive Interview with Detention Director Han-chiang Hsu.” YouTube, uploaded by Gamexpress, 18 Sep. 2019, https://www.youtube.com/watch?v=uB9UHqmbumU. Accessed 26 Nov. 2020.
    Hioe, Brian. “Interview: Shawna Yang Ryan.” New Bloom Magazine, 20 Jun. 2016, https://newbloommag.net/2016/06/20/interview-shawna-yang-ryan/. Accessed 19 Dec. 2020.
    ---. “Review: Detention.” New Bloom Magazine, 9 Oct. 2019, https://newbloommag.net/2019/10/09/detention-film-review/. Accessed 19 Dec. 2020.
    Hsu, Han-chiang. Detention. 1 Production Film Co., 2019.
    ---. “Hsu’s thoughts on Detention.” Facebook, 19 Jun. 2019, 6:06 p.m., https://www.facebook.com/afkjohn/posts/10162026417970327. Accessed 26 Nov. 2020.
    Hwang, Jau-yuan. “Transitional Justice in Postwar Taiwan.” Routledge Handbook of Contemporary Taiwan. Routledge, 2016, pp. 169-83.
    International Center of Transitional Justice. “What is Transitional Justice?” ICTJ, https://www.ictj.org/about/transitional-justice. Accessed 21 Dec. 2020.
    Kao, Anthony. “Review: In Taiwanese Horror Movie “Detention,” Authoritarianism Is the Real Monster.” Cinema Escapist, 2 Dec. 2019, https://www.cinemaescapist.com/2019/12/review-detention-taiwan-movie/. Accessed 19 Dec. 2020.
    LaCapra, Dominick. Writing History, Writing Trauma. vol. Parallax, Johns Hopkins
    University Press, 2001.
    Lee, Daphne K. “2019 Golden Horse Awards ‘Detention’: A Clichéd Salute to Freedom.” The News Lens, 21 Nov. 2019, https://international.thenewslens.com/feature/2019-tghff/127773. Accessed 19 Dec. 2020.
    Mihr, Anja. “An Introduction to Transitional Justice.” An Introduction to Transitional Justice, Routledge, 2017, pp. 1-27.
    Ni, Pi-hua. “Taiwanese Diaspora and Taiwanese American Identity: Julie Wu’s The Third Son as a Cornerstone of Taiwanese American Literature.” Ethnicity and Gender Debates: Cross-Readings of American Literature and Culture in the New Millennium, Peter Lang GmbH, Internationaler Verlag der Wissenschaften, 2020, pp. 159-74.
    Ryan, Shawna Yang. Green Island, Random House, 2016.
    Tatlow, Didi Kirsten. “Q. and A.: Shawna Yang Ryan on the 1947 Incident That Shaped Taiwan’s Identity.” The New York Times, 22 Jan. 2016, https://www.nytimes.com/2016/01/23/world/asia/taiwan-shawna-yang-ryan-green-island.html. Accessed 19 Dec. 2020.
    Ter, Dana. “In Search of Authenticity.” Taipei Times, 22 Nov. 2016, http://www.taipeitimes.com/News/feat/archives/2016/11/22/2003659748. Accessed 19 Dec. 2020.
    Thim, Michal. “Taiwan’s Modern Political History through the Lens of Ordinary Lives.” Orbis (Philadelphia), vol. 60, no. 4, 2016, pp. 639-44.
    Ting, Wei-chung. “Countering Historical Amnesia: Shawna Yang Ryan’s Green Island.” Master Thesis, National Taiwan Normal University, 2020.
    Wang, Yi-huei. “Writing beyond History: Literature as Form in Green Island, Shawna Yang Ryan (2016).” East Asian Journal of Popular Culture, 3:2, 2017, pp. 249-54.
    Yoneyama, Lisa. Cold War Ruins: Transpacific Critique of American Justice and Japanese War Crimes. Duke University Press, 2016.
    ---. “Traveling Memories, Contagious Justice: Americanization of Japanese War Crimes at the End of the Post-Cold War.” Journal of Asian American Studies 6, no.1, 2003, pp. 57-93.

    中央社。〈染政治味!國片《返校》遭指評論自導自演、連結大選操作。監製李烈提告網友〉。風傳媒。2019年10月15日,https://www.storm.mg/article/1831384,2020年11月26日讀取。
    台視新聞。〈尹立批返校上映高雄冷靜市府:宣傳沒少〉。YouTube。2019年9月22日,https://www.youtube.com/watch?v=qP7d2sbCgDs,2020年11月26日讀取。
    吳乃德。〈導言〉。《記憶與遺忘的鬥爭:臺灣轉型正義階段報告》。衛城出版, 2015。17-23。
    吳兆熊。〈自由開講:「返校」背後真實的血淚故事〉。自由時報。2019年10月23日,https://talk.ltn.com.tw/article/breakingnews/2955145,2020年11月30日讀取。
    李筱峰。《解讀二二八》。玉山社,1998。
    林雨蒼。〈如果「張老師」生在現代:從《返校》看民主防衛機制的是與非〉。思想坦克。2019年10月5日,https://www.voicettank.org/single-post/2019/10/05/100501,2020年11月30日讀取。
    郭松棻。〈月印〉。《奔跑的母親》。麥田出版,2002。13-112。
    唐毓麗。〈政治小說〉。《臺灣大百科全書》。2009,http://nrch.culture.tw/twpedia.aspx?id=2320,2020年12月19日讀取。
    翁煌德。〈專訪/《返校》導演徐漢強:勇敢地去面對在地歷史與電影,讓「IP 改編」不只是表面功夫〉。娛樂重擊。2019年9月19日,https://punchline.asia/archives/54536,2020年11月26日讀取。
    翁稷安。〈必要的平庸:讀楊小娜《綠島》〉。關鍵評論網。2017年,https://www.thenewslens.com/feature/228-70years/62180,2020年12月19日讀取。
    陳芳明。〈未亡人的未亡史—《綠島》讀後〉。《晚秋夜讀》。印刻出版,2017。148-51。
    陳映真。〈山路〉。《鈴鐺花》。洪範出版,2001。51-91。
    陳翠蓮。《重構二二八 :戰後美中體制、中國統治模式與臺灣》。衛城出版,2017。
    陳儀深。《天猶未光:二二八事件的真相、紀念與究責》。前衛出版,2017。
    黃奕瀠。〈一個台裔美國作家眼裏的二二八—《綠島》作者楊小娜其人其書〉。端傳媒。2016年,
    https://theinitium.com/article/20160804-taiwan-228/,2020年12月19日讀取。
    彭紹宇。〈《返校》:只有在自由的土壤,才能拍出那些不自由的故事〉。太報。2019年9月22日,https://www.taisounds.com/w/TaiSounds/society_19092214041312628,2020年12月19日讀取。
    彭瑞金。《台灣新文學運動40年》。自立晚報出版,1991。
    華視新聞。〈校園轉型正義小組台大校務會議投票否決〉。YouTube。2020年6月13日,https://www.youtube.com/watch?v=qq1xyu_8qxQ,2020年12月22日讀取。
    鄭明娳。〈當代台灣文藝政策的發展、影響與檢討〉。《當代台灣政治文學論》。時報文化出版,1994。13-40。
    蔡旻螢。〈歷史的幻片疊影:從非虛構寫作談楊小娜《綠島》〉。關鍵評論網。2018年,https://www.thenewslens.com/article/108702,2020年12月19日讀取。
    影一製作股份有限公司。〈針對近期網路造謠與毀謗事件發表聲明〉。Facebook。2019年10月15日,https://www.facebook.com/DetentionTheMovie/posts/483224548936439,2020年11月26日讀取。
    蘇碩斌。〈婆娑海洋上的綠島,平凡人的白色恐怖故事〉。閱讀誌。2017年,https://www.openbook.org.tw/article/p-210,2020年11月30日讀取。

    下載圖示
    QR CODE