十九世紀中期歐洲興起以法蘭茲．李斯特（Franz Liszt, 1811-1886）及威廉．理查．華格納（Wilhelm Richard Wagner, 1813-1883）為首的「新德意志樂派」（New German School），提倡多個新興樂種的創新，而德國作曲家費利克斯．德萊賽克（Felix Draeseke, 1835-1913）亦是其中一員。

全文探討德萊賽克創作於1887年的《降B大調單簧管奏鳴曲，作品三十八》（Sonata in B-Flat major for Clarinet and Piano, Op. 38），經由筆者的研究與和聲的分析發現此曲展現大量的素材拼貼、主題動機的多重再現、單簧管與鋼琴之間的密切關係以及戲劇性的氛圍轉換，同時帶著浪漫保守派的風格。

本論文共分為四個章節：第一章為緒論，說明引發筆者的研究動機與目的及研究範圍與方法。第二章將透過資料庫統整作曲家的生平及樂曲創作背景特色。第三章為全曲的架構整理、和聲分析與筆者的演奏詮釋以及第四章將彙整以上的結果作為結論。期望透過深入的了解與統整，能貼近當時的音樂風潮與樂曲樣貌，進而提升對樂曲的敏銳度及詮釋的巧思。

Having Franz Liszt and Richard Wagner as representatives, the “New German School’ had promoted renovations of several new genres in the mid-19th century Europe, and among them is German composer Felix Draeseke (7 October 1835-26 February 1913).

This dissertation focuses on Draeseke’s Clarinet Sonata in B-Flat, Op. 35, composed in 1887. The author has discovered a huge number of combinations of different materials, multiple recapitulations of the motif, the close relationships between clarinet and piano, and dramatic phenomenon switching during analyzing its harmony and further researching into this piece, which nonetheless sticks to conservative Romanticism.

There are four chapters in this dissertation. The first one narrates purpose, range, and researching method of this dissertation. The second one is about the information and background of the composer. The third one digs deeper into the piece and focuses on structure, harmony, and the author’s interpretations. In the last chapter, there will be a conclusion wrapping all the contents above up. Expected is that via in-depth studying, there could be more possibilities and sensitivity for interpreting more similarly to how this piece should have been like in Draeseke’s era.

外文書籍
Kuhn, Laura and Nicolas Slonimsky. Music since 1900, 6th Edition. New York, NY: Schirmer Books, 2001.
Oxford University Press, Music＆Letters, Vol. 14, No. 1, pp. 74-75, January 1933

參考專書與辭典
Alan Krueck. “Draeseke.” The New Grove Dictionary of Music and Musicians, 2001.
Burkholder. Grout. Palisca, “The New German School.” A history of Western music.
(9th ed., pp. 730–732). W W NORTON. , 2014
Thomas Grey. “New German School.” The New Grove Dictionary of Music and Musicians, 2001.
Richard Taruskin. “New German School.” Oxford History of Western Music, 2010.

外文期刊
BARRY BRENESAL. “The International Draeseke Society: Alan Krueck’s Quest to Render Musical Justice.” The Symphonies of Felix Draeseke: A Study in Consideration of Developments in Symphonic Form in the Second Half of the Nineteenth Century, no. March/April (2005): 74–77.

中文期刊
劉彥玲。器樂曲的「兩個事實」：Franz Brendel的標題音樂美學。臺大文史哲學報 第七十八期（五月，2013年）：165-208

外文論文
Alan Henry Krueck. “The Symphonies of Felix Draeseke: A Study in Consideration of Developments in Symphonic Form in the Second Half of the Nineteenth Century.” , 1967.

學術論文
陳姿吟。〈浦朗克《單簧管奏鳴曲》之樂曲探討與演奏詮釋〉。國立臺灣師範大學，2015
周厚君。〈約瑟夫·霍洛維茲《為單簧管與鋼琴的小奏鳴曲》之樂曲分析與演奏詮釋〉。國立臺灣藝術大學，2016

樂譜
Felix Draeseke, Sonata in B-Flat major for Clarinet and Piano, Op. 38, Amadeus Verlag, 1985
Felix Draeseke, Sonata in B-Flat major for Clarinet and Piano, Op. 38, Leipzig, Fr. Kistner,

有聲資料
Felix Draeseke, Sonata in B-Flat major for Clarinet and Piano, Op. 38 Performed by Kilian Herold, CAvi, AVI 8553263D, 2012
Felix Draeseke, Sonata in B-Flat major for Clarinet and Piano, Op. 38 Performed by Jost Michaels, SWR Classic Archive, 2019
Felix Draeseke, Sonata in B-Flat major for Clarinet and Piano, Op. 38 Performed by Matthew Nelson, Soundset Recordings, 193483988931, 2019
 
網路資料
Felix Draeseke Web Pages, October 2019
查時凱。〈也談「什麼是德意志」—兼論華格納與布拉姆斯〉，獨立評論@天下，https://Opinion.cw.com.tw/blog/profile/52/article/8562，2019
Rozarii Lynch, https://prezi.com/zxz9q2d8cggn/the-new-german-school/, Mar. 2014
https://www.easyatm.com.tw/wiki/%E5%BE%B7%E6%84%8F%E5%BF%97%E9%9F%B3%E6%A8%82