研究生: |
吳盈欣 Wu, Ying-Hsin |
---|---|
論文名稱: |
若利維《為七位演奏者的狂想曲》之分析研究與自我音樂創作之運用 An Analysis in Jolivet’s Rhapsodie A Sept And Self-composition |
指導教授: |
蕭慶瑜
Hsiau, Ching-Yu |
學位類別: |
碩士 Master |
系所名稱: |
音樂學系 Department of Music |
論文出版年: | 2020 |
畢業學年度: | 108 |
語文別: | 中文 |
論文頁數: | 161 |
中文關鍵詞: | 若利維 、法國當代音樂 、《為七位演奏者的狂想曲》 |
英文關鍵詞: | André Jolivet, Contemporary music of France, Rhapsodie A Sept |
DOI URL: | http://doi.org/10.6345/NTNU202000708 |
論文種類: | 學術論文 |
相關次數: | 點閱:99 下載:18 |
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若利維(André Jolivet, 1905-1974) 是二十世紀法國當代音樂的重要作曲家之一。因緣際會下,於幼年接觸異國文化、魔法神話與傳統儀式,激發他對古老魔法的強烈愛好,並期許讓音樂回歸原始。其作品分為三個時期,分別為:魔法時期、傳統時期與綜合時期;《為七位演奏者的狂想曲》為綜合時期之作品,其創作風格結合魔法時期與傳統時期之特色,寫作手法已達成熟。
本論文探討若利維之生平背景及音樂美學觀,並輔以若利維各時期之代表作品,探究其音樂寫作語法。透過樂曲分析,深入研究若利維《為七位演奏者的狂想曲》之配器運用、音高結構、曲式架構、節奏律動與音色配置,進而將研究成果體現於自身創作之中。
André Jolivet(1905-1974) is one of the important composers of French contemporary music in the 20th century. He was exposed to foreign cultures, magic myths and traditional rituals in his childhood through serendipity, which inspiring his strong interest in ancient magic and hoping to return the music to its original. His work is divided into three periods: the magic period, the traditional period and the comprehensive period. Rhapsodie A Sept is composed in 1957, by comprehensive period, which style combines the characteristics of the magic period and the traditional period, and His writing skills have reached maturity.
In the thesis, the researcher explores Jolivet’s life background and aesthetics view of music. And explores his musical vocabularies, supplemented by his another representative works from various periods. Through the analysis of the music, the researcher work on a detailed study of the use of orchestration, pitch structure, rhythm and tone configuration of Jolivet’s Rhapsodie A Sept. Finally, the researcher embody the research results in her own composition.
一、 專書
潘皇龍。《讓我們來欣賞現代音樂》。台北:全音樂譜出版社,1999。
Jolivet, Hilda. Avec…André Jolivet. Paris: Éditions Flammarion, 1978.
Kayas, Lucie. André Jolivet, Paris: Librairie Arthéme Fayard, 2005.
二、 學位論文
林怡瑾。《「魔法復歸音樂」:若利維長笛獨奏曲五咒》。國立交通大學音樂研
究所碩士論文,2008。
Parker-Harley, Jennifer "Magic and Evocation in the Cinq Incantations pour Flûte Seule by André Jolivet." Electronic Thesis or Dissertation. University of Cincinnati, 2005.
三、 期刊
陳惠湄。《開啟法國音樂新里程碑的德布西》。MUSIK古典樂刊No.128,2018。
蕭慶瑜。《若利維晚期鋼琴作品探究—以第二號鋼琴奏鳴曲為例》。音樂研究第
15期,2011。
蕭慶瑜。《若利維早期鋼琴作品探究-以《五首儀式舞曲》為例》。台北市立教
育大學藝術學刊,2010。
駱淑嫈。《若利維的音樂語法分析以《瑪納》鋼琴曲集之〈波九來〉為中心》。
南藝學報,2011。
Cheramy, Michelle A. Dwelling in the Secret: André Jolivet’s “Asceses” in the Context of His Life and Philosophy. D.M.A. thesis, Rice University, 2006.
Rae, Caroline. Jolivet on Jolivet: an interview with the composer's daughter. In: The Musical Times, 2006.
Sprout, Leslie. The Musical Legacy of Wartime France. Univ of California Press, 2013.
四、 作品樂譜
Jolivet, André. Rhapsodie A Sept, Paris: Éditions et Productions Musicales, 1958.
Published by Gerard Billaudot Editeur
五、 有聲資料
Jolivet, André. Rhapsodie A Sept, Paris: BNF Collection, 2013.
六、 網路資源
Jolivet-Erlin, Christine. Biographie..
http://www.jolivet.asso.fr (Accessed 4, Mar, 2019).
Kelly, L. Barbara. Jolivet, André. Grove Music Online.
http://www.oxfordmusiconline.com (Accessed 4, Mar, 2019).