法蘭西斯．浦朗克(Francis Poulenc, 1899-1963)是近代著名且重要的法國藝術歌曲作曲家之一。在他為數豐厚的歌曲作品中，大多以男性詩人的作品來譜曲，相較之下，以女性詩人的作品所譜寫的歌曲只占有極少的數量。其中露意絲．薇爾慕涵(Louise de Vilmorin, 1902-1969)的詩作是浦朗克最早用來譜曲的女性詩人作品，而這些以薇爾慕涵詩作所譜寫的十三首歌曲，在他以女性詩人作品所創的歌曲中，占有超過半數以上的主要地位。筆者有鑒於此十三首歌曲在浦朗克的歌曲作品中具有相當獨特的重要性，因此希望藉由本研究議題，使讀者能對這些歌曲有更深入的認識與瞭解，並提供確切而詳盡的詮釋資訊。
本論文共分為五個章節。第一章為緒論，闡明此篇論文之研究動機、目的、方法與架構；第二章與第三章分別針對作曲家浦朗克以及詩人薇爾慕涵的生平和作品特色加以介紹論述；第四章為本論文的研究核心，又分為五節：第一節深入探究這十三首歌曲的創作背景，第二節至第五節則針對每首歌曲的詩文組織與音樂架構逐一分析和詮釋；第五章為全文的總結與統整。

拉封丹。《拉封丹寓言》。董天琪 譯。台北：小知堂文化，2002。
莫瑜。《法國二十世紀詩選》。台北：河童出版，1999。
傅尼葉。《失落的莊園》。王若璧 譯。台北：遠流出版，1994。
薇慕涵。《邂遘》。胡品清 譯。台北：黎明文化，1984。
Bernac, Pierre. Francis Poulenc: The Man and His Songs. Translated by Winifred Radford. New York: W. W. Norton & Company, 1977.
________. The Interpretation of French Song. New York: W. W. Norton & Company, 1970.
Birkett, Jennifer and James Kearns. A Guide to French Literature. New York: St. Martin’s Press, 1997.
Bothorel, Jean. Louise , ou, La vie de Louise de Vilmorin. Paris: Bernard Grasset, 1993.
Bree, Germaine. Twentieth-Century French Literature. Translated by Louise Guiney. Chicago: The University of Chicago Press, 1983.
________. Women Writers in France: Variations on a Theme. New Brunswick, New Jersey: Rutgers University Press, 1973.
Buckland, Sidney, and Myriam Chimènes, ed. Francis Poulenc: Music, Art and Literature. England: Ashgate Publishing Limited, 1999.
Clifton, Keith. “The Vilmorin Songs of Francis Poulenc.” Journal of Singing Vol.55, No.3 (January and February 1999): 7-13.
Daniel, Keith W. Francis Poulenc: His Artistic Development and Musical Style. Anna Arbor, Muchigan: U.M.I. Research Press, 1982.
Emmons, Shirlee, and Stanley Sonntag. The Art of the Song Recital. U.S.A.: Waveland Press, Inc., 2002.
Grubb, Thomas. Singing in French: a Manual of French Diction and French Vocal Repertoire. New York: Schirmer Books, 1979.
Guthrie, Ramon, and George E. Diller, eds. Prose and Poetry of Modern France. New York: Charles Scribner’s Sons, 1964.
Hall, James Husst. The Art Song. Norman: University of Oklahoma Press, 1981.
Hartog, Howard, ed. European Music in the Twentieth Century. London: Routledge & Kegan Paul, 1957.
Hell, Henri. Francis Poulenc. Translated by Edward Lockspeiser. London: John Calder, 1959.
Ivry, Benjamin. Francis Poulenc. London: Phaidon Press Limited, 1996.
Keck, George R., ed. Francis Poulenc: A Bio-Bibliography. London: Greenwood Press, 1990.
Kimball, Carol. Song: A Guide to Style and Literature. Redmond, Washington: Pst…Inc., 1996.
Koehn, Renita Jane Rosser. “A Study of the Poems and Musical Settings of the Songs of Francis Poulenc on the Texts of Louise de Vilmorin for the Female Singer: A
Performance Guild.” Ph.D. diss., University of Kentucky, 2003.
Machlis, Joseph. Introduction to Contemporary Music. New York: W. W. Norton & Company, 1979.
Mellers, Wilfrid. Francis Poulenc. New York: Oxford University Press, 1993.
Montgomery, Susan. “Fiançailles pour rire: An Analysis of Francis Poulenc’s Musical Setting of Poetry by Louise de Vilmorin.” Ph.D. diss., California State University, 1989.
Poulenc, Francis. Correspondance 1915-1963. Compiled by Hélène de Wendel. Paris: Editions du Seuil, 1967.
________. Diary of My Songs. Translated by Winifred Radford. London: Victor Gollancz Ltd., 1985.
________. Fiançailles pour rire: six mélodies sur des poèmes de Louise de Vilmorin. Paris: Editions Salabert, 1940.
________. Mazurka: from Mouvements du Coeur un hommage à la memoire de Frédéric Chopin. Paris: Heugel & Cie, 1949.
________. Mélodies. Mady Mesplé, soprano; Gabriel Tacchino, piano; Orchestre Philharmonique de Monte-Carlo, cond. Georges Prêtre. CD. EMI, 7475502, 1986.
________. Mélodies. Catherine Dubosc, soprano; Gilles Cachemaille, baritone; Pascal Rogé, piano. CD. DECCA, 436 991-2, 1994.
________. Métamorphoses. Paris: Editions Salabert, 1944.
________. My Friends and Myself: Conversations with Francis Poulenc. Translated by James Harding. London: Dobson, 1978.
________. Trois Poèmes de Louise de Vilmorin: I. Le Garçon de Liège. Paris: Durand Editions Musicales, 1938.
________. Trois Poèmes de Louise de Vilmorin: II. Au-delà. Paris: Durand Editions Musicales, 1938.
________. Trois Poèmes de Louise de Vilmorin: III. Aux officiers de la garde blanche. Paris: Durand Editions Musicales, 1938.
Ronga, Luigi. The Meeting of Poetry & Music. Translated by Elio Gianturco& Cara Rosanti. New York: Merlin Press, 1956.
Rostand, Claude. French Music Today. Translated by Henry Marx. New York: Merlin Pressm 1957.
Roy, Jean. Francis Poulenc: l’homme et son oeuvre. Paris: Editions Seghers, 1964.
Schmidt, Carl B. Entrancing Muse: A Documented Biography of Francis Poulenc. New York: Pendragon Press, 2001.
Seaton, Douglass. The Art Song: a Reference and Information Guide. New York: Garland Publishing, 1987.
Stephens, Sonya, ed. A History of Women’s Writing in France. London: Cambridge University Press, 2000.
Stevens, Denis, ed. A History of Song. New York: W. W. Norton & Company, 1960.
Vilmorin, Louise de. Fiançailles pour rire. 4th ed. Paris: Gallimard, 1939.
________. Madame de. Translated by Duff Cooper. New York: Julian Messner, Inc., 1954.
________. Poèmes. With a foreword by André Malraux. Paris: Gallimard, 1970.
Wood, Vivian Lee Poates. Poulenc’s Songs: An Analysis of Style. Mississippi: University Press of Mississippi, 1979.