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研究生: 黃冠龍
Huang, Kuan-Lung
論文名稱: 永續設計應用於博物館展示設計之創作研究–以國立臺灣博物館舊木料再利用為例
A Study of Sustainable Design for Musuem Exhibition–An Example of Reusing Old Wood from National Taiwan Museum
指導教授: 嚴貞
Yen, Jen
口試委員: 陳殿禮
Chen, Tien-Li
劉建成
Liu, Cjien-cheng
嚴貞
Yen, Jen
口試日期: 2022/07/11
學位類別: 碩士
Master
系所名稱: 設計學系設計創作碩士在職專班
Department of Design_Continuing Education Master's Program of Creative Practice in Design
論文出版年: 2022
畢業學年度: 110
語文別: 中文
論文頁數: 146
中文關鍵詞: 永續設計博物館展示設計舊木料再利用
英文關鍵詞: Sustainable Design, Museum, Exhibition Design, Reusing Old Wood
研究方法: 文件分析法半結構式訪談法
DOI URL: http://doi.org/10.6345/NTNU202201291
論文種類: 學術論文
相關次數: 點閱:154下載:41
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  • 人類為維護地球環境、創造美好未來,近年逐漸重視「永續發展」議題,並期許於2030年前能達成聯合國所制定之永續發展目標(SDGs)。在永續思潮成為主流前,博物館之營運及策展領域已長期致力於「永續」議題的探討與推廣,國、內外博物館對於永續議題的關注從研究調查報告、倡議與策略規劃到實際落實與執行,博物館欲實踐永續發展理念,展示設計儼然成為博物館必須投入研究並深度探討之領域。
    本研究主要目的為將永續設計「再利用」方法導入展示設計之中,並藉由國立臺灣博物館「舊木料再利用」作為展示構件資材,實踐展示設計之永續性。研究流程分為三個階段,第一階段透過文獻分析,探討國內外永續設計方法原則、博物館展示類型與設計及永續設計應用於博物館展示設計之現況與原則;第二階段透過深度訪談法,針對博物館策展人、展示設計師及木作職人共7人,歸納分析展示設計永續性原則要素與舊木料再利用於展示設計之可行性;第三階段根據第一、二階段歸納分析之結果,應用於博物館展示設計進行符合永續性之創作設計共3件。
    本創作研究結論為:(1)博物館展示設計能藉由微型展以實踐永續設計之理念;(2)展示設計可應用模組化、組合性、機動性與未來性以符合永續「再利用」之設計原則;(3)展示設計可應用「舊木料」作為「再利用」展示構件之資材;(4)展示構件的模組設計需考量後續重複使用之功能性與存放空間;(5)永續設計理念之實踐與否須受「決策者」之共識與態度。

    In recent years, more attention has been paid to the topic “sustainable development” and the society hopes to achieve the sustainable development goals (SDGs) of the United Nations by 2030 since the ultimate goal for human is to protect our only earth and create a better future. Early before the concept of sustainability became the mainstream, for a long time the museum communities have already devoted themselves to the studies and promotions on sustainability ideas regarding museum curation and management. The aspects that museums inside and outside the country focus on in order to practice sustainability include survey research, strategies and initiatives developmentand actual implementations and executions. For museums to fulfill sustainibility concepts, exhibition design would certainly be the field that needs further study and exploration.
    The main goal of this research is to introduce the concept of “reusing” to museum exhibition design by referring the case study of reutilizing old wood in exhibitions at the National Taiwan Museum and introducing how the sustainability ideas were incorporated into exhibition designs with such material. The research is conducted in three stages: the first stage is performing literature review to analyze the sustainable design principles and their applications in museum exhibitions in local and foreign examples; the second stage is conducting interviews with 7 museum curators, exhibition designers and carpentersto categorize important elements of a sustainable exhibition designand explore the feasibility of reusing old wood in curation; and based on the first two stages, the third stage is providing 3 pieces of design works demonstrating the concept of reusing old wood that aligned with the goal of sustainability.
    The conclusions of the research are (1) Museums could use short-term or small-scale exhibition design to fulfill and demonstrate sustainable concepts, (2) modularity, composability, mobility, and future potential can be considered as the application principle of sustainable “reusing” concept, (3) “old wood” can be utilized as the material while designing the “reusing” of exhibition composition, (4)It is necessary to consider the reusability in the future and the storage space while designing the exhibition composition modules, (5) Whether the sustainable design concept could be fulfilled is dependent on the consensus and viewpoints among the “decision-makers.”

    誌謝 i 摘要 ii Abstract iii 目次 iv 表目次 vi 圖目次 viii 第一章 緒論 1 1.1 研究背景與動機 1 1.2 研究目的 2 1.3 研究範圍與限制 2 1.4 研究流程 2 1.5 名詞釋義 3 第二章 文獻探討 5 2.1 永續設計 5 2.1.1 永續概念之起源與發展 5 2.1.2 永續設計之定義 8 2.1.3 永續設計之方法原則與應用 10 2.2 博物館展示目的、類型與設計 18 2.2.1 博物館展示功能與目的 18 2.2.2 博物館展示類型與構件 20 2.2.3 博物館展示設計 26 2.3 博物館展示設計之永續性 28 2.3.1 博物館之永續發展 28 2.3.2 展示設計之永續性方法與原則 31 2.3.3 博物館展示設計之永續性應用 35 2.4 臺灣博物館展示設計之永續性應用 39 2.4.1 臺灣博物館之類型 39 2.4.2 臺灣博物館展示設計之永續性應用現況 40 2.4.3 國立臺灣博物館展示設計永續性發展與應用 44 2.5 小結 51 第三章 研究方法 53 3.1 第一階段:文獻分析 53 3.2 第二階段:深度訪談 55 3.2.1 訪談對象 55 3.2.2 訪談架構 56 3.3 第三階段:展示設計創作 58 3.4 小結 58 第四章 創作研究 59 4.1 訪談分析結果 59 4.2 創作流程 60 4.3 創作結果 62 4.3.1 創作作品(一)—「未來博物角」微型展 62 4.3.2 創作作品(二)—「112 NTM LAB」微型展 76 4.3.3 創作作品(三)—「回溯.造物」微型展 91 4.4 創作作品展出 105 第五章 結論與建議 115 5.1 創作研究結論 115 5.2 後續研究建議 117 參考文獻 118 附錄一、訪談邀請函內文1 126 附錄二、訪談邀請函內文2 127 附錄三、訪談邀請函內文3 128 附錄四、受訪同意書 129 附錄五、訪談文本 130

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