本文以舒伯特當時之社會背景與其生平為開端，並概述各種類音樂作品之風格特色，再針對探討之主題－《琶音琴》奏鳴曲作全盤結構的組織分析；進一步地說明舒伯特寫作本曲之淵源，再以個人觀點出發來作詮釋解說；由於本曲具有為數可觀的中提琴樂譜版本與各樂器之改編錄音，因此亦將版本列為探討範疇。透過各方面的瞭解，對於演奏此作品將會有更深刻的詮釋。

中文專書著作

Woodford, Peggy.《舒伯特》(Schubert)。《偉大作曲家羣像》(The illustrated lives of the great composers)。黃正喬　譯。台北市：智庫文化，1995。

胡金山　編。《音樂大師》(The great composers and their music)。第五冊，《舒伯特／孟德爾頌》(Schubert / Mendelssohn)。台北市：巨英國際，1995。

許鐘榮　編。《古典音樂400年》。第三冊，《浪漫派的先驅：舒伯特、韋伯、白遼士、孟德爾頌》。台北縣：錦繡出版，1999。

楊瑞瑟。《三首經典中提琴奏鳴曲詮釋：舒伯特、布拉姆斯、克拉克》。台北市：師大書苑，2002。

中文期刊

何勤妹　譯。〈大音樂家小故事：舒伯特與許汶德外一章〉。《全音音樂文摘期刊》第六卷第七期（七月號，1977）：86-96。

伯齊　譯。＜生根於維也納鄉土的舒伯特音樂＞。《全音音樂文摘》第六卷第七期（七月號，1977）：131-134。

林道生　譯。〈舒伯特秘傳〉。《全音音樂文摘》第六卷第七期（七月號，1977）： 97-106。

張淑懿　譯。〈舒伯特的世界〉。《全音音樂文摘》第六卷第七期（七月號，1977）：125-130。

鄒成禧　譯。〈舒伯特生平〉。《全音音樂文摘》第六卷第七期（七月號，1977）：107-119。

諸葛道　譯。〈舒伯特傳記軼事：李斯特胎死腹中的計劃〉。《全音音樂文摘》第六卷第七期（七月號，1977）：120-124。

國內論文

王心怡。〈舒伯特A小調奏鳴曲「阿貝鳩尼」創作背景與改編版本之探討〉。國立中山大學碩士論文，2001。

林家瑜。〈從琶音琴到大提琴--藉由舒伯特琶音奏鳴曲詮釋探討之〉。國立交通大學碩士論文，2002。

陳盈如。〈舒伯特a小調琶音琴奏鳴曲之研究〉。東海大學碩士論文，1998。

英文專書著作

Brown, Maurice John Edwin. Essays on Schubert. New York: Da Capo Press, 1966.

Badura-Skoda, Eva and Peter Branscombe, ed. Schubert Studies: Problem of style and chronology. Cambridge: Press Syndicate of the University of Cambridge, 1982.

Clive, Peter. Schubert and his world: a biographical dictionary. New York: Oxford University Press Inc., 1997.

Deutsch, Otto Erich. Schubert: Thematic Catalogue of All His Works in Chronological Order. London: J. M. Dent, 1951.

Erickson, Raymond, ed. Schubert’s Vienna. New York: Vail-Ballon Press, 1997.

Gibbs, Christopher Howard, ed. The Cambridge companion to Schubert. Cambridge: Press Syndicate of the University of Cambridge, 1997.

Hirsch, Marjorie Wing. Schubert’s Dramatic Lieder. Cambridge: Press Syndicate of the University of Cambridge, 1993.

Kim, Seon Ju. “Challenges faced by modern violists when preparing the F. Schubert Arpeggione Sonata for performance.” Ph. D. diss., University of Washington, 2000.

Newbould, Brian. Schubert, the music and the man. California: University of California Press, 1997.

Reed, John. Schubert, 2nd ed. The Master Musicians. New York: Oxford University Press Inc., 1997.

Schubert, Franz. Franz Schubert’s letters and other writings. Edited by Deutsch Otto Erich, translated by Venetia Savile, with a foreword by Ernest Newman. London: Faber & Gwyer, 1928. Reprint, United States: Greenwood Press, 1970.

國外期刊

de Aquino, Felipe Avellar. “Six-stringed virtuoso.” The Strad 109 (May 1998): 500-507.

Black, Leo. “Schubert’s ugly duckling.” The Musical Times 138, no. 1857 (November 1997): 4-11.

Blum, David. “Schubert’s Arpeggione Sonata.” The Strad 105 (February 1994): 142-145.

Burnham, Scott. “Schubert and the Sound of Memory.” The Musical Quarterly 84 (October 2000): 655-663.

Shamgar, Beth. “Schubert’s Classic Legacy: Some Thoughts on Exposition-Recap. Form.” Journal of Musicology 18 (January 2001): 150-169.

樂譜

Schubert, Franz. Sonate in a, “Arpeggione”, bearbeitet für Viola und Klavier, 3rd ed. Arranged by Ulrich von Wrochem. Germany: Bärenreiter –Verlag Karl Vötterle GmbH & Co. KG, Kassel, 2002.

. Sonate für Arpeggione, D. 821, ausgabe für Viola und Klavier. Arranged by Kurt Platz. Wien: Doblinger, 1927.

. Sonate für Arpeggione und Klavier, op. post, D. 821. Arranged by Jürgen Weber. München: G. Henle Verlag, 1995.

. Sonate a-moll für Viola und Klavier. Arranged by Max Rostal. Mainz: B. Schott’s Söhne, 1970.

. Sonate a-moll für Arpeggione und Klavier. Arranged by Hans Drechsel. Leipzig: Edition Peters, 1968.

. Sonata for Viola and Piano, “Arpeggione”. Arranged by Paul Doktor. New York: G. Schirmer, Inc., 1968.

. Sonata for Viola and Piano, “Arpeggione”. Arranged by Milton Katims. New York: International, 1944.

有聲資料

Schubert: “Arpeggione” Sonata. Performed by Nobuko Imai (viola) and Michio
Kobayashi (piano). CD, EASTWORLD, CC30-3652, 1971.

Schubert: “Arpeggione” Sonata etc. Performed by Nobuko Imai (viola) and Roger Vignoles (piano). CD, Chandos, CHAN 8664, 1989.

Schubert, Schumann, Bruch, Enesco. Performed by Yuri Bashmet (viola) and Mikhail Muntian (piano). CD, BMG, BVCC-37227 (74321-80027-2), 1999.

Schubert, Beethoven, Reinecke. Performed by Gérard Caussé (viola) and François-René Duchable (piano). CD, EMI, 7243 5 55166 2 6, 1994.

Cello Masterpieces. Performed by Gaspar Cassado (Cello). CD, VOX LEGENDS, CDX2 5502, 1992.

Schubert: Sonata for Arpeggione and Piano / Schumann: Fantasiestücke. Performed by Mischa Maisky (violoncello) and Martha Argerich (piano). CD, PHILIPS, 412 230-2, 1985.
Schubert: “Arpeggione” Sonata. Performed by Mstislav Rostropovich (cello) and Benjamin Britten (piano). CD, DECCA, 460 974-2, 1999 (recorded in 1969).

Three Sonatas for Double Bass. Performed by Edwin Barker (double bass) with Warren Jones (piano), Deborah DeWolf Emery (piano), Mark Kroll (harpsichord) and Phoebe Carrai (baroque cello). CD, Boston Records, BR1018CD, 1997.

Schubert: Introduction et Variations, Sonate, Sonatine. Performed by Emmanuel Pahud (flute) and Eric Le Sage (piano). CD, AUVIDIS VALOIS, V 4717, 1994.

The Greatest Works Schubert Ever Wrote for The Oboe. Performed by Alex Klein (oboe) with Craig Sheppard (piano) and Carmen Pelton (soprano). CD, Boston Records, BR1039CD, 2000.

Schubert, Schumann & Weber. Performed by Gervase de Peyer (clarinet) and Gwenneth Pryor (piano). CD, Chandos, CHAN 8506, 1987.

The Criminal Trombone. Performed by Christian Lindberg (trombone) and Roland Pöntinen (piano). CD, BIS, CD-328, 1986.

網路資源

Discordia Music, Inc. “Schubert’s Arpeggione Sonata Revisited”. http://www.
discordia-music.com/Arpeggione_Project/introduction.htm. 2003；摘錄於15 November 2005。