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研究生: 廖珈慧
Liao, Chia-Huei
論文名稱: 模糊的深度-數位影像的詩意沈浸與擴散
Depth of Blur- Poetic Immersion and Diffusion of Digital Images
指導教授: 林達隆
Lin, Ta-Long
口試委員: 林達隆
Lin, Ta-Long
林珮淳
Lin, Pey-Chwen
曾鈺涓
Tseng, Yu-Chuang
梁桂嘉
Liang, Kuei-Chia
劉素真
Liu, Su-Chen
口試日期: 2024/06/12
學位類別: 博士
Doctor
系所名稱: 美術學系
Department of Fine Arts
論文出版年: 2024
畢業學年度: 112
語文別: 中文
論文頁數: 200
中文關鍵詞: 模糊深度/空間光柵藝術新媒體藝術AI詩意
英文關鍵詞: depth, ambiguity/spatial, Lenticular Printing, new media art, AI, Poetic
研究方法: 現象學個案研究法主題分析
DOI URL: http://doi.org/10.6345/NTNU202400771
論文種類: 學術論文
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  • 本創作研究目的是以視覺模糊的深度為主題,探討「數位影像的詩意表現」。模糊代表著深度表現的某種可逆性,意指維度的錯亂為概念及核心,以光柵板發展新媒體藝術創作,視覺模糊的看不清,像是鏡頭一樣沒辦法聚焦,心裡的模糊、錯覺也是一種模糊,創作個展《浮光掠影》利用光柵板延伸視覺上深度的可逆性,將視覺感官和所處的真實串聯,將這樣的概念實踐在現光柵載體上,與深度之重新討論跟作品產生連結。
    看其深、識不清,以現象學角度探討模糊與深度間的關係,不是只有一個物理的空間,是知覺的一部分,錯視就會產生一種模糊,探討模糊的現象是錯視的一種可能的表現,眼睛看見我們想看到的,還是我們其實是有選擇我們想看的,單就視覺的二維平面從繪畫到三維的深度空間來探討應用於藝術視覺空間比現,突破了既有觀看角度上的習慣。
    探討AI與詩意在藝術中取的至關重要的作用,藝術創作不可缺失靈光般的存在,它是所有視覺的一個可塑性,深度也是維度,但維度不是只是單一,以對視覺深度的圖像解析,從藝術的表現重新導論,藉著我們觀看數位創作角度與光柵載體的各種可能之場域所產生的關係,探討藝術思維表現。本論文將「模糊」與「詩意」透過創作《浮光掠影》的深度,影像實境被光柵重新轉譯,產生認知效果的可逆性,是否能達到觀看不同的視覺效果或是藝術的再現後,又是否有不同的影像張力與呈現特質。

    The purpose of this creative research is to explore the "poetic expression of digital images" based on the theme of visual blur depth. Fuzzy represents the reversibility of some deep expression, that is to say, the confusion of dimensions is the concept and core. New media art creation is carried out using grating plates. Blurred vision, unable to see clearly. Like a lens that can't focus. Confusion and hallucinations occur in the mind. This is also ambiguous. The creation of the solo exhibition "Floating Light" uses grating panels to extend the reversibility of visual depth and connect vision and reality. This concept was implemented on the current grating carrier and re-explored in depth and creativity.
    Focusing on depth and ambiguity, we explore the relationship between ambiguity and depth from a phenomenological perspective. It is not just a physical space but part of the perception. Faulty vision can cause blurring. Exploring ambiguity is part of false vision. One possibility is that the eyes see what we want to see, or do we actually choose what we want to see? From a mere two-dimensional visual plane, from painting to three-dimensional depth space, we will explore the application of visual-spatial comparison in art, which is a breakthrough. Get into the habit of looking at angles.
    Discuss the critical role of artificial intelligence and poetry in art. The existence of aura is indispensable in artistic creation. This is the plasticity of all vision. Depth is also a dimension, but this dimension is not just a single one. Use visual depth image analysis to reintroduce the expression of art, and explore the expression of artistic thinking through the relationship between the perspective of digital creation and various possible fields of grating carriers. This article combines "blur" and "poeticism" throughout the creative depth of "A Glimpse". Image reality is re-translated through the grating, resulting in the reversibility of cognitive effects. Whether it can achieve different visual effects or artistic reproduction, and whether it has different image tension and presentation characteristics.

    辭謝 i 摘要 ii Abstract iii 目錄 v 圖目錄 x 第一章 緒論1 第一節 創作研究動機與目的1 一、創作研究動機1 二、創作研究目的2 第二節 研究範圍限制與問題意識3 一、研究範圍與限制3 二、問題意識4 第三節 研究內容與架構6 一、研究內容6 二、研究架構7 第四節 研究方法10 一、文獻分析10 二、個案分析10 三、創作實踐11 第二章 模糊的深度現象13 第一節 梅洛龐蒂的深度觀點14 一、繪畫藝術中的維度轉換與深度感知15 二、從唯物到唯心的深度表現19 第二節 視差與像差引起的深度與模糊現象21 第三節 光柵在深度表現與模糊效果上的應用24 一、光柵的原理24 二、影像對應場域的形式33 第四節 小結36 第三章 模糊作為藝術的表現形式41 第一節 繪畫的清晰性與模糊性41 一、暈塗法的模糊43 二、印象派的模糊46 第二節 攝影的模糊48 一、視覺的模糊48 二、景深的模糊50 三、透視的模糊51 四、意外的模糊54 第三節 數位影像的模糊57 第四節 小結59 第四章 模糊影像中湧現的詩意61 第一節 模糊的內在感受62 一、感知的模糊關係63 二、內在模糊的分佈65 三、模糊與錯覺67 四、曖昧的七種類型70 五、未來的模糊感75 第二節 模糊影像的敘事表現77 一、影像媒介的模糊77 二、影像虛實界線的模糊81 三、觀者介入的模糊83 第三節 小結85 第五章 數位詩意的沈浸與擴散87 第一節 數位詩90 第二節 複製時代的藝術95 第三節 沉浸式數位藝術97 第四節 擴散時代的藝術101 第五節 人工智慧生成內容105 一、語言模型105 二、擴散模型105 三、穩定擴散的AI影像生成107 四、文生圖提示詞130 第六節 詩意的三元認知與三元符號模型111 一、詩意的三元認知112 二、詩意的三元符號模型115 第七節 詩意的符號轉換118 一、藝格敷詞(Ekphrasis) 120 二、改寫重述(Paraphrase)121 三、詩畫合一121 第八節 三元詩意的擴散123 一、數位詩意的特徵124 二、文字與圖像詩意的功能語法124 三、思考鏈(CoT)提示詞的應用127 四、從三元詩到三元提示詞130 第六章《浮光掠影之境外之像》創作研究與論述133 第一節《浮光掠影之境外之像》創作論述135 一、創作理念分析135 二、創作方法研究136 三、創作作品分析137 (一)、創作系列137 第二節 模糊/深度錯視的可逆表現151 第三節 AI 的擴散157 第四節 小結174 第七章 結論175 參考書目 180 附錄-個展紀錄 192

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