研究生: |
廖珈慧 Liao, Chia-Huei |
---|---|
論文名稱: |
模糊的深度-數位影像的詩意沈浸與擴散 Depth of Blur- Poetic Immersion and Diffusion of Digital Images |
指導教授: |
林達隆
Lin, Ta-Long |
口試委員: |
林達隆
Lin, Ta-Long 林珮淳 Lin, Pey-Chwen 曾鈺涓 Tseng, Yu-Chuang 梁桂嘉 Liang, Kuei-Chia 劉素真 Liu, Su-Chen |
口試日期: | 2024/06/12 |
學位類別: |
博士 Doctor |
系所名稱: |
美術學系 Department of Fine Arts |
論文出版年: | 2024 |
畢業學年度: | 112 |
語文別: | 中文 |
論文頁數: | 200 |
中文關鍵詞: | 模糊 、深度/空間 、光柵藝術 、新媒體藝術 、AI 、詩意 |
英文關鍵詞: | depth, ambiguity/spatial, Lenticular Printing, new media art, AI, Poetic |
研究方法: | 現象學 、 個案研究法 、 主題分析 |
DOI URL: | http://doi.org/10.6345/NTNU202400771 |
論文種類: | 學術論文 |
相關次數: | 點閱:225 下載:0 |
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本創作研究目的是以視覺模糊的深度為主題,探討「數位影像的詩意表現」。模糊代表著深度表現的某種可逆性,意指維度的錯亂為概念及核心,以光柵板發展新媒體藝術創作,視覺模糊的看不清,像是鏡頭一樣沒辦法聚焦,心裡的模糊、錯覺也是一種模糊,創作個展《浮光掠影》利用光柵板延伸視覺上深度的可逆性,將視覺感官和所處的真實串聯,將這樣的概念實踐在現光柵載體上,與深度之重新討論跟作品產生連結。
看其深、識不清,以現象學角度探討模糊與深度間的關係,不是只有一個物理的空間,是知覺的一部分,錯視就會產生一種模糊,探討模糊的現象是錯視的一種可能的表現,眼睛看見我們想看到的,還是我們其實是有選擇我們想看的,單就視覺的二維平面從繪畫到三維的深度空間來探討應用於藝術視覺空間比現,突破了既有觀看角度上的習慣。
探討AI與詩意在藝術中取的至關重要的作用,藝術創作不可缺失靈光般的存在,它是所有視覺的一個可塑性,深度也是維度,但維度不是只是單一,以對視覺深度的圖像解析,從藝術的表現重新導論,藉著我們觀看數位創作角度與光柵載體的各種可能之場域所產生的關係,探討藝術思維表現。本論文將「模糊」與「詩意」透過創作《浮光掠影》的深度,影像實境被光柵重新轉譯,產生認知效果的可逆性,是否能達到觀看不同的視覺效果或是藝術的再現後,又是否有不同的影像張力與呈現特質。
The purpose of this creative research is to explore the "poetic expression of digital images" based on the theme of visual blur depth. Fuzzy represents the reversibility of some deep expression, that is to say, the confusion of dimensions is the concept and core. New media art creation is carried out using grating plates. Blurred vision, unable to see clearly. Like a lens that can't focus. Confusion and hallucinations occur in the mind. This is also ambiguous. The creation of the solo exhibition "Floating Light" uses grating panels to extend the reversibility of visual depth and connect vision and reality. This concept was implemented on the current grating carrier and re-explored in depth and creativity.
Focusing on depth and ambiguity, we explore the relationship between ambiguity and depth from a phenomenological perspective. It is not just a physical space but part of the perception. Faulty vision can cause blurring. Exploring ambiguity is part of false vision. One possibility is that the eyes see what we want to see, or do we actually choose what we want to see? From a mere two-dimensional visual plane, from painting to three-dimensional depth space, we will explore the application of visual-spatial comparison in art, which is a breakthrough. Get into the habit of looking at angles.
Discuss the critical role of artificial intelligence and poetry in art. The existence of aura is indispensable in artistic creation. This is the plasticity of all vision. Depth is also a dimension, but this dimension is not just a single one. Use visual depth image analysis to reintroduce the expression of art, and explore the expression of artistic thinking through the relationship between the perspective of digital creation and various possible fields of grating carriers. This article combines "blur" and "poeticism" throughout the creative depth of "A Glimpse". Image reality is re-translated through the grating, resulting in the reversibility of cognitive effects. Whether it can achieve different visual effects or artistic reproduction, and whether it has different image tension and presentation characteristics.
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