研究生: |
凌蕙蕙 Ling, Hui-Hui |
---|---|
論文名稱: |
繽紛‧四季-凌蕙蕙夢幻炫彩創作論述 Colorfulness and Four Seasons-The Discourse of Fantasy Creation in Polychrome |
指導教授: | 李振明 |
學位類別: |
碩士 Master |
系所名稱: |
美術學系 Department of Fine Arts |
論文出版年: | 2020 |
畢業學年度: | 108 |
語文別: | 中文 |
論文頁數: | 77 |
中文關鍵詞: | 繽紛 、四季 、夢幻 、炫彩 、色彩意象 |
英文關鍵詞: | colorfulness, four seasons, fantasy, colorful, color image |
DOI URL: | http://doi.org/10.6345/NTNU202000470 |
論文種類: | 學術論文 |
相關次數: | 點閱:152 下載:20 |
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大自然美景是最佳創作的靈動,隨者四季不同的氣候轉換,繽紛色彩的變化無窮,如此的美輪美奐,夢幻般的景色,在在表現於不同的季節裡。
春之繁華燦爛、夏之濃綠陰深、秋之落葉蕭瑟、冬之陰慘暗淡,此外,還有濃烈的陽光、優美宜人的月景、深邃的黑夜、朦朧浪漫的霧、雷雨交加以及靄靄白雪,四季的自然景物,乃為繪畫創作的最佳題材,亦是古今中外詩人,常以四季作為吟詩作樂的題材,無論在戲劇、舞台背景、裝置藝術、包裝設計和櫥窗設計,四季的色彩意象是不可或缺的最佳素材。
筆者愛好大自然,遊歷過許多四季分明的國家,本次創作研究以「繽紛‧四季」為論文主題,構圖上以樹木、花卉為主,並以炫麗多彩強調不同的季節色系,點綴昆蟲、動物,創作內容以夢幻般的情境表現,使畫面更為活潑、生動、浪漫,並強調樹葉、花草、大地在不同季節的變換。
筆者實際造訪許多國家,並以照相,再行寫生,因季節的轉換產生不同的色系,夢幻多彩的繽紛四季,是筆者所要論述的範圍,並閱讀、參考畫家們的相關創作,再實際外景拍照取材,並能激發創作的靈感,期待自己作品能深受觀者的青睞並能引起共鳴。
本論文共分為五章,研究內容將以探討「繽紛」與「四季」的文學意象,「色彩心理學」與「四季植物色系形象與心理學的象徵意義」,「四季景緻的意象聯想」,「中、西方四季創作相關之藝術表現」,論述『四季』創作系列「璀璨」、「繽紛」、「印象」、「繁花」、「夢幻」之創作理念與作品形式表現解析,論述筆者研究過程與創作省思及未來展望,探究「傳統與現代」、「東方與西方」藝術之間的互映及個人觀點,並研究創作出突破以往繪畫形式與風格,期望能引起共鳴的佳作。
The beauty of nature is the inspiration for the best art creation. As the four seasons shift with climate - changing, the colorful tinges change endlessly. Such beautiful and fantastic sceneries are expressed in different seasons.
Spring is prosperous , summer is green and sunny, autumn leaves are bleak, winter is gloomy and dim ; and there are also strong sunlight, beautful moonlight, dark night,romantic hazy fog, thunderstorm and white snow. The natural sceneries of four seasons are the best themes for paintings, and they are also excellent for the creations of poets of ancient and modern China and other countries. Artists use four seasons as the poetic theme,whatever in drama, stage background, installation art, package design and window design. The color-image of four seasons is an indispensable ideal material.
The author loves nature and has traveled through many countries during all kinds of four seasons. The theme of this thesis is “Colorful Four Seasons”. The composition is mainly composed of trees and flowers , and the colors are emphasized on the differences among all seasons. The creative contents are expressed in a dreamy situation with insects and animals making the pictures more lively and romantic,reiterating the change of leaves, flowers and earth in varied seasons.
The author has actually visited many countries, and taken pictures, and sketched them up. Different colors are produced due to the varied seasons. The colorful four seasons are the scope of the author's discussion. I've also read and referred to the relevant creation of the painters,and then the actual locations of creations. Taking photographs can stimulate creative inspirations , and I hope that my work will be favored and resonated with my viewers.
This thesis contains five chapters in all. It will explore the artistic imagery of colorfulness and four seasens , color psychology , seasonal plant color image and symbolic meaning of psychology,delicate image associations of four seasons, Chinese and Western Four Seasons ----- artistic expressions related to creation , so as to study the creative concepts and the form analysis of the Four Seasens. Creative series of “Splendor”, “Colorfulness” , “Impression” , “Blossoming”, and “Fantasy”, are deducing the author's research process , creative thinking and future prospects being explored.The reflections and personal perspectives of “ tradition and modernity”, Eastern and Western Arts , and research and creation of works that break through past painting forms and styles are expected to get resonations.
參考文獻
一、專書---依筆畫序
1. 宗白華著,《美學與意境》,台北:淑馨出版社,民78出版。
2. 約瑟夫‧亞伯斯Josef Albers著;劉怡伶譯,《色彩互動學》,台北:積木文化,2015年。
3. 陳瓊花,《藝術概論》,台北:三民書局,1995出版。
4. 黃仁達Wong, Yan Tat編撰書籍,《台灣顏色》,台北市:聯經出版公司,2014年。
5. 戴孟宗Dr. Mengtsung Tai編著,《現代色彩學:色彩理論、感知與應用》,台北:全華圖書公司,2015年。
6. 薛聰賢編著,《宿根草花150種》,員林鎮:薛氏園藝出版部,民78年。
7. 薛聰賢編著,《觀葉植物225種》,員林鎮:薛氏園藝出版部,民81年。
8. 薛聰賢編著,《本木花卉196種》,員林鎮:薛氏園藝出版部,民82年。
9. 薛聰賢編著,《蔓性植物‧椰子類182種》,員林鎮:薛氏園藝出版部,民82年。
10. 薛聰賢編著,《觀賞樹木185種》,員林鎮:薛氏園藝出版部,民85年。
二、參考論文
1. 吳孟珊(2018),《存在與轉化-變奏山水的現象》,國立台灣師範大學美術學系在職碩士班國畫組碩士論文
2. 王美美(2018),《花漾‧蝶舞-王美美意象彩墨創作論述》,國立台灣師範大學美術學系在職碩士班國畫組碩士論文
3. 邵曼琦(2019),《靈動虛幻與現實意境融合-邵曼琦水墨繪畫創作論述》,國立台灣師範大學美術學系在職碩士班國畫組碩士論文。
三、網路資料
1. 〈繽紛〉《百科百度》網站。取自:https://mr.baidu.com/fr7oxyi?f=cp&u=d68d4d2688d08d0c,2019/07/24。
2. 〈夢幻〉《百科百度》網站。取自:https://mr.baidu.com/5r9kic1?f=cp&u=7039eb86278db88a,2019/07/24。
3. 〈炫彩〉《百度百科》網站。取自:https://mr.baidu.com/zcz2d2f?f=cp&u=d360925ed863eb4b,2019/07/25。
4. 〈藝術網〉,《百度百科》網站。取自:https://m-news.artron.net/20160714/n851025.html,2019/09/10。
5. 〈讀古詩詞網〉。取自:https://fanti.dugushici.com/ancient_proses/5624,2019/08/20。
6. 〈讀古詩詞網〉。取自:https://fanti.dugushici.com/ancient_proses/70619,2019/08/20。
7. 〈讀古詩詞網〉。取自:https://fanti.dugushici.com/ancient_proses/47792,2019/08/20。
8. 〈古詩誦賞網〉。取自:http://rthk9.rthk.hk/chiculture/chipoem/poem22.htm,2019/08/20。
9. 〈讀古詩詞網〉。取自:https://fanti.dugushici.com/ancient_proses/70362,2019/08/20。