本論文共分為五章: 第一章為介紹葛拉那多斯此部作品「哥雅畫集」的重要性,陳述研究動機與目的,並解釋分析此曲的方法。第二章則是對於影響此作品創作的背景因素作探討,包括作曲家生平與相關的作品。第三章便就樂曲本身進行詳細的架構分析。第四章更進一步歸納出葛拉那多斯所使用的特殊的鋼琴語彙。第五章是對本論文作一總結，並提出自己的看法。

The essay is arranged in five chapters. Chapter one introduces the importance of Granados’ Goyescas, states the ideas and purpose of the study, and explains the analytical way being used. Chapter two discusses the composer’s life and some important works that have influence on the work. Chapter three presents the analytical study on the music structure. Chapter four gathers further the special piano music vocabulary being used by Granados. Chapter five is the conclusion and a self-evaluation.

一、中文部份
方銘健： 古典吉他彈奏藝術。台北市：全音出版社。民國84年。
朱象泰： 史卡拉第奏鳴曲研究。台北市：大呂出版社。民國80年。
二、外文部份
Carol, A. Hess. Enrique Granados: A Bio-Bibliography.
New York: Dover Publication Inc., 1987.
Gillespie, John. Five Century of Keyboard Music. New
York: Dover Publication Inc., 1972.
Goya, Francisco. Los Caprichos. New York: Dover
Publication Inc., 1969.
Green, Douglass M.. Form in Tonal Music. Harcourt Brace
Javanovich College Publishers, 1979.
Klinger, Francis D. Goya in the Democratic Tradition.
London: Sidwick and Jackson, 1986.
LaRue, Jan. Guidelines for Style Analysis. Michigan:
Harmonie Park Press, 1995.
Linton, Powell. A History of Spanish Music. Indiana:
Indiana University Press, 1980.
Randel , Don Michael. Ed.. The New Harvard Dictionary
of Music. Cambridge:Harvard University Press,1986.
Sadie, Stanley. Ed.. The New Grove Dictionary of Music
and Musicians. London: Macmillan, 1980.
Schonberg, Harold. The Great Pianists. New York:
Simon and Schuster, 1963.
Stolba, K Marie. The Development of Western Music. I.A.: Wm.
C. Brown Publishers,1990.
Todd, R. Larry. Ed.. Nineteen-Century Piano Music.
New York: Schirmer Books, 1990.
三、樂譜
Granados, Enrique. Goyescas Los Majos Enamorados.
Madrid: Union Musical Ediciones S.L., 1981.
Granados, Enrique. Goyescas, Spanish Dances and Other Works
for Piano Solo. New York: Dover Publication Inc., 1987.
Granados, Enrique. Tonadillas 11 Songs for Voice and Piano.
New York: International, 1952.