本論文共分為五個章節。第一章為背景探討，以介紹西薩．法朗克( César Franck, 1822-1890 )之音樂成長歷程為主；第二章則藉由曲式、旋律、和聲、節奏與管風琴五個面向探討法朗克之風格特徵；第三章為探討《前奏曲、聖詠與複格》( Prélude, Choral et Fugue )之樂曲架構及其特殊創作手法；第四章為論述筆者在演奏上之詮釋觀點以及最後的結語，為本文作總結。
《前奏曲、聖詠與複格》為法朗克重要鋼琴作品之一，不僅充分展現法朗克的音樂創作，並對許多作曲家造成深遠影響，其重要性不容忽視。

This thesis is organized into five chapters. First of all, I give a briefly introduction of the César Franck’s developmental track of music. Following, I explore Franck’s style of creation by leverage musical form, melody, harmony, rhythm and organ. In the third chapter, I discuss the music structure and unique creative approach of the《Prélude, Choral et Fugue》.Then, I try to elaborate on the view point when performing the music by the author. Finally, I make a conclusion and summarize this thesis.
《Prélude, Choral et Fugue》is one of the important piano works of Frank. This work is not only full of the creativity of Frank, but also giving far-reaching importance on following composers.

狄約芙莉 著。《柯爾托鋼琴演奏解說》。林勝儀 譯。台北：全音樂譜出版社，1987。
陳銘志著。《賦格曲寫作》。上海：上海文藝出版社，1980。
Berman, Boris. 《鋼琴彈奏法》(Notes from the Pianist’s Bench)。廖皎含 譯。台北：五南圖書出版股份有限公司，2009。

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外文期刊
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