研究生: |
徐書璟 SHU CHIG, HSU |
---|---|
論文名稱: |
「夢魘」-動畫的黑色美學 「Nightmare」- The Black Aesthetics of Animation |
指導教授: | 呂清夫 |
學位類別: |
碩士 Master |
系所名稱: |
美術學系 Department of Fine Arts |
論文出版年: | 2009 |
畢業學年度: | 97 |
語文別: | 中文 |
論文頁數: | 116 |
中文關鍵詞: | 無意識 、動畫 |
英文關鍵詞: | unconscious, animation |
論文種類: | 學術論文 |
相關次數: | 點閱:255 下載:13 |
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快速進步的科技發展,依舊無法照顧到人們內心裡巨大且荒涼的孤獨感。本創作中,主角是創作者的化身,以夢境表達現代人內心深處巨大的孤獨感與焦慮。弗洛伊德(Sigmund Freud)在《夢的解析》中提出人類的心理活動分為意識(conscious)與無意識(unconscious)。其中,弗洛伊德認為無意識主要的特徵是「非理性、無道德性、反社會性、無時間性、不可知性」。而透過夢可以把無意識的本能與抑制的慾望顯示出來。
本論文對相關動畫做整理研究,透過語意分析與質性訪談分析相關動畫作品。創作方面以可愛的造型搭配詭異的場景氛圍,形成強烈對比,期以發展出獨特的黑色風格。創作作品完成後,針對26受測者進行質性訪談調查。質性訪談採用開放式問題,即沒有預設答案的問題。詳細統計調查之結果,綜合不同觀點以探討本創作。並透過分析結果進行三級編碼,檢視作品優缺點,真正了解作品的細節。
本創作透過夢的主題,企圖解放創作者的無意識,以夢境中動態的動作與立體的圖像來表達現代人刻意掩飾的真實情緒:因為不安的焦躁粗魯、因為憤怒的爆裂猙獰、因為慾望的坐立難安。一些隱藏在文明教養下的不雅姿態、不端思緒及被壓抑的情慾。透過創作捕捉文明巧妝下的偽善、潛入表面下窺探。
Rapid progress in science and technology development, is still unable to take care of people with great hearts and desolate loneliness. The creation, the protagonist is the incarnation of the creator, to dream the hearts of modern people to express a huge sense of loneliness and anxiety. Sigmund Freud in the "Dreams" made by human activities into the awareness of the psychological conscious and unconscious. Of these, Freud believes that the main characteristics of the unconscious is "irrational, non-moral, anti-social, non-timing-agnostic nature of." Dreams can be through unconscious instinct and the desire to suppress them.
In this paper, collate the relevant animation to do research, through the semantic analysis and qualitative analysis of interviews related to animation works. Creation of form with a lovely scene strange atmosphere, forming a strong contrast, a view to develop a unique style of black. Works after the completion of 26 subjects for a qualitative interview survey carried out. Qualitative interviews with open-ended questions, that is, there is no default answer. Details of the results of the survey, a comprehensive point of view to explore the different creative. Analysis of the results through the conduct of the three codes, view the works of the advantages and disadvantages, to truly understand the details of the work.
The theme of creation through the dream of an attempt to liberate the artist's unconscious, to dream of movement and dynamic three-dimensional images to express people deliberately conceal the true emotion: anxiety as rude disturbing, because the burst of anger ferocious, because the desire of sit and fail to achieve. Some hide under the education in a civilized indecent posture, improper thoughts and desires have been suppressed. Clever capture of civilization through the creation of hypocrisy makeup, get a glimpse into the surface.
參考資料
西文書籍
Eysenck, H. J. The appreciation of humor: An experimental and theoretical study. British Journal of Psychology, 32, 295-309. 1942
Giannetti, Louis ,《Understanding Movies》,,Prentice Hall,2007
Lampert, M. D., & Susan , M. E. Exploring paradigms: The study of genderand sense of humor near the end of the 20th century. In Willibald. Ruch( Eds. ),The Sense of Humor.(pp. 231-270). Berlin.. Druckerei Hidebrand. 1998
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Sternglanz S. N.、Gray J.L.& Murakami F. (1977) . Adult Preferences for Infantile Facial Features , Anim. Behav.
中文書籍
Anthony Stevens著,薛詢譯,《夢 私我神話》,立緒文化出版,2000
Carl G.Jung主編,余德慧譯,《榮格思想精華的總結》,立緒文化出版,1999
David Bordwell、Kristin Thompson著,《電影藝術形式與風格》,遠流出版,1992
Jacques Aumont & Michel Marie 《當代電影分析方法論》,遠流出版,1996
Michael Freeman,《攝影師之眼》,大家出版社,2009
Michael O‘Rourke《3D電腦動畫原理》,旭營,2005
大衛‧馬密(David Mamet),《導演功課》,遠流出版,1993
何平,《導演看導演功課》,遠流出版,1993
村上隆《藝術創業論》,商周出版,2007
林宜欣,《世事多變—騙中騙,非常騙》,《導演功課》,1995,遠流出版
奈良美智《小星星通信》,大塊文化
路易斯‧吉奈堤,《認識電影》,遠流出版,2005
理查.威廉斯《動畫基礎技法》,龍溪圖書,2003
佛洛伊德《超越快樂原則》,Portico Publishing Ltd
佛洛伊德,高申春譯,《夢的解析》,米納貝爾出版,2000
佛洛伊德,《詼諧與淺意識的關係》,彭舜譯(臺北市︰知書房出版,2000
曾啟雄著,《色彩的科學與文化》,思想生活屋國際文化股份有限公司,1999
葉謹睿《數位美學》,藝術家出版社,2007
葉謹睿《數位藝術概論》,藝術家出版社,2005
潘廣宜,《泡沫經濟後的日本當代藝術》藝術家雜誌NO177,2007
潘廣宜,《藝術家/商人/鬼才》藝術家雜誌NO177,2007
論文期刊
杜 芸,《具黑色幽默感產品之對比意象》碩士論文,大同大學工業設計研究所,2006
楊琇君,《可愛造形之比例研究》,國立台灣科技大學設計研究所碩士論文,2001
陳珮珊,〈Dissolve〉動畫夢境影像探討與創作,國立台灣藝術大學多媒體動畫藝術研究所碩士論文,民國九六年
賀淑瑋,《黑色幽默在中國: 毛話語創傷與當代中國"我"說主體》博士論文,輔仁大學比較文學研究所
薛孟珊,《現代人的生活與焦慮– Han Hoogerbrugge網路互動動畫藝術之研究》,台灣師範大學美術學系碩士論文
趙書珣,《資訊社會研究》,南華大學網路社會學通訊期刊第三十五期,2003
詹子輝,《黑色幽默意象之設計運用》碩士論文,大同大學工業設計研究所,2007
國外網站
Motionographer
http://motionographer.com/
Vimeo
http://vimeo.com/
School of Visual Arts
http://www.schoolofvisualarts.edu/
ACM SIGGRAPH
http://www.siggraph.org/
AWNtv – Animation World tv
http://www.awntv.com/
California Institute of the Arts
http://calarts.edu/
Annie Awards
http://www.annieawards.org/
Annecy Festival
http://www.annecy.org/home/?Page_ID=1
Supinfocom
http://www.supinfocom.org/
Filmax
http://www.filmax.com/