二十世紀全方位俄國作曲家謝爾蓋・瓦西里耶維奇・拉赫瑪尼諾夫 (Sergei Vasilievich Rachmaninoff, 1873-1943) 於1896年創作《樂興之時，作品十六》(Moments Musicaux, Op. 16)，在鋼琴曲目中佔有重要的地位，樂曲富含作曲家擅用的半音主義、調式音階、俄國民謠、對位手法、多變的節奏性，以及宗教題材等創作手法，這些特色在拉赫瑪尼諾夫日後的作品中，亦常常被運用或發展。因此，此套作品可說是作曲家創作生涯中的重要里程碑。
本文分為六章：首章緒論闡述筆者撰寫之動機與目的、研究範圍與內容及步驟與方法；第二至四章為深入探討拉赫瑪尼諾夫之音樂人生及其獨特的音樂特色；淺談特性作品的由來與種類、《樂興之時》的起源與發展、《樂興之時，作品十六》之創作背景、樂曲概述以及曲式分析；第五章為探討此套作品之演奏技巧與詮釋；最終章為結論。
藉由分析各首的曲式、調性、和聲架構與力度的變化等，本書面報告將歸納並比較各首樂曲的類型及特性，繼而提出個人的演奏詮釋與練習建議。

Sergei Vasilievich Rachmaninoff (1873-1943), one of the most significant composers of the 20th century, composed six Moments Musicaux, Op. 16 in 1896. This essential work contains many important composition techniques which include chromaticism, modal scales, Russian folk music, counterpoint, rhythmic diversity, and religious elements. All these composition techniques of Op.16 highly influence Rachmaninoff's later works, and thus Op. 16 is widely regarded as a milestone in his oeuvre.
This written report is divided into six chapters: the first chapter consists of introduction, research purpose, scope, and methods. The second to the fourth chapters address Rachmaninoff's musical life, compositional techniques, the development of character pieces and the background of Op. 16. The fifth chapter demonstrates the analysis and interpretation of Moments Musicaux. The last chapter is the conclusion.
By during all the research and analysis, wish the written report will provide interpretative suggestions and the main points of practice.

樂譜：
平井丈二郎。《ラフマニノフ 楽興の時》。東京：株式会社全音楽譜，2011。
Rachmaninoff, Sergei. Complete Works for Piano Vol. 2, op. 3, op. 10, op. 16. Moscow: Russian Music Publishing, 2017.
中文書目 ：
尹子。《拉赫曼尼諾夫—不朽的旋律》。台北：世界文物，2001。
李明蒨。《鋼琴演奏的理論與實際》。基隆：國立海洋大學雅太區域研究中心，2002。
阿蘭諾夫斯基。《俄羅斯作曲家與 20 世紀》。張洪模 譯。北京：中央音樂學院，2005。
東川清一。《作曲家別名曲解說珍藏版——舒伯特》。林勝儀 譯。台北：美樂出版社，2002
陳樹熙。《音樂欣賞》。台北：三民書局。2002
曾瀚霈。《安魂曲研究——綜觀一個西方樂種的面貌與發展》。台北：文史哲出版社，1997。
焦元溥。《遊藝黑白:世界鋼琴家訪問錄一》。台北：聯經出版社，2019。
＿＿＿。《遊藝黑白:世界鋼琴家訪問錄二》。台北：聯經出版社，2019。
＿＿＿。《遊藝黑白:世界鋼琴家訪問錄三》。台北：聯經出版社，2019。
楊沛仁。《音樂史與欣賞》。台北：美樂出版社，2007。
Berman, Boris。《鋼琴彈奏法》。廖皎含 譯。台北：五南出版社，2011。
Bertensson, Sergei and Jay Leyda。《拉赫瑪尼諾夫的音樂人生》。陳孟珊 譯。桃園：原笙國際，2008。
Cooke, James Francis。《大師的刻意練習》。謝汝萱 譯。台北：紅桌文化，2019。
Sandor, Gyorgy。《論鋼琴彈奏》。葉乃菁 譯。桃園：原笙國際，2009。
Slenczenska, Ruth。《指尖下的音樂》。王潤婷 譯。台北：大呂出版社，2001。
Walker, Robert。《偉大作曲家羣像—拉赫曼尼諾夫》。何貴鳳 譯。台北：智庫文化，1995。
外文書目：
Beach, David, and Ryan McClelland. Analysis of 18th- and 19th-Century Musical Works in the Classical Tradition. New York: Routledge, 2012.
Burge, David. Twentieth-Century Piano Music. New York: Schirmer Books, 1990.
Burkholder, James Peter, Claude Palisca, and Donald Jay Grout. A History of Western Music. 7th ed. New York: W. W. Norton & Company, 2006.
Campbell, Stuart, ed. Russians on Russian Music, 1880-1917: An Anthology. Cambridge: Cambridge University Press, 2003.
Culshaw, John. Sergei Rachmaninov. London: Denis Dobson, 1949.
Dahlhaus, Carl. Nineteenth-Century Music. trans. J. B. Robinson. Berkeley: University of California Press, 1989.
Dubal, David. The Art of the Piano: Its Performers, Literature, and Recordings. New York: Summit Books, 1989.
Frisch, Walter. Music in the Nineteenth Century. New York: W. W. Norton & Company, 2013.
Gillespie, John. Five Centuries of Keyboard Music. 2nd ed. New York: Dover Publications, 1972.
Glusman, Elfriede. The Early Nineteenth-Century Lyric Piano Piece. New York: Columbia University, 1969.
Gordon, Stewart. A History of Keyboard Literature: Music for the Piano and Its Forerunners. New York: Schirmer Books, 1996.
Haylock, Julian. Sergei Rachmaninov: An Essential Guide to His Life and Works. London: Pavilion Books, 1997.
Kahl, Willy. Das Charakterstück. Köln: Arno Volk Verlag, 1961.
Kirby, F.E. An Introduction to Western Music. New York: The Free Press, 1970.
________. Music for Piano: A Short History. Portland: Amadeus Press, 1995.
Lebrecht, Norman. The Companion to 20th Century Music. New York: Simon & Schuster, 1992.
Martyn, Barrie. Rachmaninoff: Composer, Pianist, Conductor. Abingdon: Ashgate, 1990.
Norris, Geoffrey. The Master Musicians: Rachmaninoff. 2nd ed. Oxford: Oxford University Press, 2001.
Ossovsky, Alexander. “S. V. Rachmaninoff”. In Russians on Russian music, 1880-1917. edited by Stuart Campbell, 175-78. Cambridge: Cambridge University, 2003.
Prokhorov, Vadim. Russian Folk Songs: Musical Genres and History. London: The Scarecrow Press, 2002.
Slonimsky, Nicolas. Baker's Biographical Dictionary of Musicians. New York: Schirmer Books, 1978.
Stolba, K Marie. The Development of Western Music: A History. 3rd ed. Boston: McGraw Hill, 1998.
Yakovlev, Vladislav. “S. V. Rachmaninoff.” In Russians on Russian music, 1880-1917. edited by Stuart Campbell, 180-85. Cambridge: Cambridge University, 2003.
外文期刊：
Soloviova, Tatiana. "Sergei Rachmaninoff and the Traditional Chants." Journal of Eastern Christian Studies 62, (2010): 27-53. http://doi. 10.2143/JECS.62.1.2056229
Yasser, Joseph. “The Opening Theme of Rachmaninoff’s Third Piano Concerto and Its Liturgical Prototype.” The Musical Quarterly 55, no. 3 (July 1969): 313-328. http://www.jstor.org/stable/741003
________. “Progressive Tendencies in Rachmaninoff's Music.” Tempo 22 (Winter 1952): 11-25. http://www.jstor.org/stable/943073
外文論文：
Glover, Angela. “An Annotated Catalogue of the Major Piano Works of Sergei Ravhmaninoff.” PhD. diss., Florida State University, Tallahassee, 2003.
Hancock, Robin James. “Rachmaninoff’s Six Moments Musicaux, Op. 16, and the Tradition of the Nineteenth-Century Miniature.” PhD. Diss., Boston University, Boston, 1992.
Johnston, B. A. “Harmony and Climax in the Late Works of Sergei Rachmaninoff.” PhD. diss., Michigan University, Ann Arbor, 2009.
Meza, Esequiel, Jr. “External Influences on Rachmaninov's Early piano Works as Exemplified in the ‘Morceaux de Salon’, Opus 10 and ‘Moments Musicaux’, Opus 16.” D. M. A. diss., Arizona University, Tucson, 1993.
有聲資料：
Rachmaninov, Sergei. Early Piano Works. Ekaterina Litvintseva. Profil-G Haenssler 0881488140422, 2015, CD.
Rachmaninov, Sergei. Rachmaninoff: Études-tableaux, Op. 39 & 6 Moments musicaux, Op. 16. Boris Giltburg. Naxos Records B01CV1DUHA, 2016, CD.