布隆斯（Victor Bruns, 1904-1996）的生平大致可分成前期生長於俄國和後期定居德國，論文中除研究他對自己作品的想法外，也探討新古典主義對於他的創作及音樂風格上的影響。作為一個低音管及倍低音管演奏家和作曲家，他一生寫了99首作品，除大量的低音管奏鳴曲、協奏曲及室內樂曲，也包含六部芭雷舞劇和一些交響曲，這首《第二號低音管協奏曲，作品第15號》不僅是布隆斯大量木管創作中重要的曲目之一，也是風格開始明顯趨向新古典主義的低音管協奏曲。
本篇論文從布隆斯這位作曲家生平開始做研究，並逐步延伸到戰爭與革命對其藝術創作的影響以及作品的分析，通篇文章總共分成四章，第一章緒論分兩節說明寫作動機和研究方法，第二章論敘生平和創作風格及作品，第三章針對《第二號低音管協奏曲，作品第15號》的曲式結構及和聲做分析，第四章根據曲析研究，適切的演奏詮釋，最後總結研究後心得。

The life of Victor Bruns (1904-1996) can be broadly divided into 2 parts, early days in Russia and later settlement in Germany. In this thesis, not only we touch base on his work, we also discuss how neo-classicalism influenced his compositions style.
As a bassoon and contra-bassoon performer and composer, he wrote ninety-nine pieces mostly on bassoon Sonatas, concertos, and chamber music as well as six ballets and some symphonies. The "Bassoon Concerto No. 2, Op. 15" was not only one of the important woodwind pieces in Bruns’ work, it was also the first few pieces starting get neo-classicalism.
Before writing this thesis, research on Bruns’ chronology and how the wars and nation reformation had the effects on his works was essential. Once the background and the motive of Bruns’ works were well comprehended, it was easy to do an analysis on the structures of his music pieces. This thesis includes three parts of discussions; it starts with the introduction of Bruns’ life, following by an analysis of Bruns’ music pieces with a complete Bruns’ composing interpretation and personal opinions in the end.

中文專書：
楊沛仁。《音樂史與欣賞》。台北：美樂，2001。
陳希茹。《奧林帕絲的回響：歐洲音樂史話》。台北：三民，2003。
李韋翰。《認試西洋古典音樂》。高雄：麗文文化，2006。
徐家駒。《低音管指法研究》。台北：全音，1988。
方銘健。《西洋音樂史，理念與建構》。台北：人泉文具印刷，2005。
吳祖強。《曲式與作品分析》。台北：世界文物，1994。
朱秋華。《西方音樂史》。香港：中文大學出版社，2002。
劉岠渭。《簡明音樂辭典》。台北：世界文物，2005。
中文論文：
王怡佳。〈卡爾‧史塔米茨：F大調低音管協奏曲〉。國立台灣師範大學碩士論文， 2009。
王蕙心。〈旦齊為低音管加上小提琴、中提琴、大提琴的四重奏作品40第三首演奏探討〉。 國立台灣師範大學碩士論文，2002。
吳啟君。〈東吳大學音樂系碩士班示範講習會論文-低音管的沿革〉。私立東吳大學碩 士論文，1995。
翻譯專書：
Ulrich Michels, 《音樂圖驥》(dtv-Atlas Musik)。劉岠渭 譯。台北：小雅音樂有限公 司，2006。
Joseph Machlis, 《當代音樂介紹》(Introduction to Contemporary Music)。蘇同右 譯。彰 化：蘇同右，1990。
Edward Aldwell and Carl Schachter, 《和聲與聲部導進》(Harmony and Voice Leading)。 張己任 譯。台北：小雅音樂有限公司，2005。
外文書目：
David Hass, Leningrad’s Modernists: Studies in Composition and Musical Though, 1917-1932. (New York:Peter Lang Publishing, 1998).

Larry Sitsky, Music of the Repressed Russian Avant-Garde, 1900-1929. Westport,
(Connecticut:Greenwood Press, 1994).

John Ardagh, Germany and the Germans, After Unification: New Revised Edition. (London:Penguin Books Ltd, 1991).

Martin Gilbert, History of the Twentieth Century. (London: Harper Collins Publishers, 2002).

Antony Beevor, Berlin, The Downfall 1945. (Australia: Penguin Books, 2003).

Helge Bartholomäus, “Victor Bruns,” Translated by William Waterhouse, The Double Reed 14 No. 3, 1991.

外文訪談：

Bruns Victor, “A Conversation with Victor Bruns.” Interviewed by Reiner Kontressowitz. Inform 1. Leipzig: Breitkopf & Härtel, 1989.

Henry Skolnick, Interview by author, 20-21 May 2003, Fort Lauderdale. Transcript.
外文期刊論文：
Alison Evans, “Victor(1904-1996):The Last Three Commissioned Compositions for Bassoon,
Tenor Bassoon and Contrabassoon”., The University of Sydney School, 2005.

Bruce Edward Gbur, “The Bassoon Concertos and Contrabassoon Concerto of Victor Bruns”., The University of Georgia School, 2001.
Eric Stomberg, “The Bassoon Sonatas of Victor Bruns:
An analytical and performance perspective (with an annotated bibliography of works for bassoon)”., University of Cincinnati College-Conservatory of Music, 2004.
Helge Bartholomäus, Victor Bruns, Trans William Waterhouse. The Double Reed 14 No. 3, 1991.
Josephin Tryße, “Victor Bruns: Biographical and Composition”., University of Carl Maria Von Weber Dresden of Music, 2001.
Helge Bartholomäus, “Victor, begin with little things” The bassoonist, composer Victor Bruns turns 87., Oboe-Clarinet-Bassoon 6, no. 4(1991): 189

樂譜：
Victor Bruce, Concerto No. 2 for Bassoon and Piano, Op. 15, edited by Gustave Dhérin (New York: International Music Company, 1958).