霍爾斯特的《降E大調第一組曲為軍樂隊》作品二十八第一號創作於二十世紀初的1909年，雖至今寫作動機仍然不明，但還是毫無疑問地被認定為管樂團曲目中的基石，每年仍在全世界數百場音樂會中被演出，也是二十世紀最具影響力的管樂合奏作品之一。

目前，文獻上對於此作品的研究，多數是歷史的脈絡、樂曲的分析，以及版本上配器的差異（僅限於1984年以前的版本），但對於指揮詮釋上並沒有太多的探討。因此，本篇論文筆者將從指揮者的角度來探討，再深入研究至今各版本間的差異性，並提出樂譜演出實踐上的問題，進而對於音樂呈現上有更多的瞭解，期望能更貼近作曲家所想表達的原始樂思，最終整合歸納提出筆者對於指揮詮釋上的看法。

Gustav Holst’s “The First Suite in E-flat for Military Band, Op. 28 No. 1” was composed in the 1909 early 20th century. Although the reason why he wrote the piece is still unknown, this work is considered one of the cornerstone masterworks in the wind band repertoire, and has been performed in hundreds of concerts around the world every year. It is also one of the most influential pieces of the 20th century.

Currently, most of the research on this work in the literature is concern about the history of the context, the analysis of the music, and the differences in the version of the orchestration (only before the 1984 version), but there are not much discussions on the conducting interpretation. Therefore, this thesis will be illustrated from the perspective of the conductor, and then the author will deeply compare the differences between the versions, and point out the problems in the performance practice, and then state more understanding of the music presentation, hopefully this thesis could be more closer to the original music which the composer wants to express. Finally to integrate and present the author's views on the conducting interpretation.

中文專書：

王沛綸。《指揮學》。臺北：全音樂譜出版社，1971。

徐頌仁。《音樂演奏的實際探討》。臺北：全音樂譜出版社，2001，三版。

_____。《歐洲樂團之形成與配器之發展》。臺北：全音樂譜出版社，2001，三版。

廖年賦。《管弦樂指揮研究》。臺北：全音樂譜出版社，2002。

劉志明。《西洋音樂史與風格》。臺北：全音樂譜出版社，2002。

楊沛仁。《音樂史與欣賞》。臺北：美樂出版，2003。

許雙亮。《管樂合奏的歷史》。台北：史文哲出版社，2009。

_____。《近代管樂團的形成與發展》。台北：史文哲出版社，2010。

_____。《管樂界巡禮》。台北：史文哲出版社，2010。

陳建華。《管樂器手冊》。上海：上海音樂，2012。

中文學術論文：

施欣宜。〈霍爾斯特《行星組曲》之指揮詮釋〉。國立臺灣師範大學碩士論文，2005。

李佳良。〈霍爾斯特《六首歌曲》，作品十六之研究〉。私立實踐大學碩士論文，2015。

陳君笠。〈斯特拉溫斯基《管樂器交響》之樂曲與指揮研究〉。國立臺灣師範大學碩士論文，2015。

陳威帆。〈詹姆斯‧邦斯《第三號交響曲》作品八十九指揮詮釋研究〉。國立臺灣師範大學碩士論文，2015。

金秉翔。〈施米特《酒神祭》作品六十二之樂曲分析及指揮詮釋研究〉。國立臺灣師範大學碩士論文，2017。

戴瑋志。〈霍爾斯特《行星組曲》選曲之研究—以帕特森改編的管樂團版本為例〉。國立高雄師範大學碩士論文，2018。

外文專書：

Battisti, Frank L. The Twentieth Century American Wind Band/Ensemble. Florida: Meredith Music Publications, 1995.

_________________. Winds of Change: The Evolution of the Contemporary American Wind Band/Ensemble and Its Conductor. Galesville: Meredith Music Publications, 2002.

Bierley, Paul E., ed. The heritage encyclopedia of band music: composers and their music. Ohio: Integrity Press, 1991.

Fennell, Frederick. Time and the Winds. Kenosha, Wisconsin: Leblanc Publications, 1954.

Goldman, Richard Franko. The Wind Band: Its Literature and Technique. Boston: Allyn and Bacon, Inc., 1961.

Holst, Imogen. The Music of Gustav Holst. Oxford: Oxford University Press, 1986.

Huismann, Mary Christison. Gustav Holst: A Research and Information Guide. New York and London: Routledge, 2011.

Hunsberger, Donald, and Roy E. Ernst. The Art of Conducting. New York: McGraw-Hill, Inc., 1992.

Miles, Richard, ed. Teaching Music Through Performance in Band. Chicago: GIA Publications, 1997.

Mitchell, Jon C. From Kneller Hall to Hammersmith: The band works of Gustav Holst. Tutzing: Verlegt Bei Hans Schneider, 1990.

_______________. “J. A. C. Sommerville and the British Band in the Era of Holst and Vaughan Williams.” In The Wind Ensemble and Its Repertoire, edited by Frank J. Cipolla and Donnald Hunsberger, 111-120. New York: University of Rochester Press, 1994.

Rapp, Willis M. The Wind Band Masterworks of Holst, Vaughan Williams and Grainger. Galesville: Meredith Music Publications, 2005.

Short, Michael. Gustav Holst: The Man and his Music. Oxford: Oxford University Press, 1990.

Smith, Norman. Program Notes for Band. Chicago: GIA Publications, 2002.

_____________, and Albert Stoutamire. Band Music Notes. LA: Program Note Press, 1986.

Thompson, Kevin. Wind Bands and Brass Bands in School and Music Centre. Cambridge: Cambridge University, 1985.

Wagner, Joseph. Band Scoring. New York: McGraw-Hill Book Company, 1960.

Whitwell, David. The Nineteenth Century Wind Band and Wind Ensemble in Western Europe. Northridge, CA: Winds Publications, 1984.

_______________. A Concise History of the Wind Band. Northridge, CA: Winds Publications, 1985.

秋山紀夫。《バンド‧ミュージック‧インデックス 522》。東京：佼成出版社，1988。

_______。《吹奏楽曲プログラム・ノート：秋山紀夫が選んだ689曲》。東京：エイト社，2003。

伊藤康英。《G.ホルスト作曲 吹奏楽のための第1組曲変ホ長調・吹奏楽のための第2組曲へ長調 ホルストの自筆譜などに基づく伊藤康英校訂版 付録冊子【校訂報告】》。東京：株式会社イトーミュージック，2013。

西文學術論文：

Khalili, Esmail. Gustav Holst’s Suite in E-flat, Op. 28a: A Comparative Analysis of the Original Manuscript and Later Editions. MM diss., Texas A&M University-Commerce, 2009.

Sharp, Chirs. A Study of Orchestration Techniques for the Wind Ensemble/Wind Band as Demonstrated in Seminal Works. PhD diss., University of Florida, 2011.

西文期刊專文：

Dyson, George. “The Composer and the Military Band.” Music & Letters 2, no. 1 (January 1921): 58-66.

Fennell, Frederick. “The Holst Suite in Eb.” The Instrumentalist 29, no. 9 (April 1975): 27-33.

McBain, David. “The Royal Military School of Music.” The Musical Times 98, No. 1372, Elgar Centenary Number (June 1957): 311-312.

Mitchell Jon C. “Early Performances of the Holst Suites for Military Band.” Journal of Band Research 17, no. 2 (Spring 1982): 44-50.

Moss, Bruce. “Holst’s First Suite: A Century of Memories.” The Instrumentalist 64, no. 5 (December 2009): 12-15, 44-45.

Udell, Budd. “Works for Band: Gustav Holst's First Suite in Eb Major for Military Band.” Music Educators Journal 69, No. 4 ((December 1982): 27-30, 58-60.

西文網路資訊：

Reynish, Tim. “British wind Music Before 1981.” Entry posted July 24, 2004. http://www.timreynish.com/pdf/british-wind-music-before-1981.pdf (accessed Feb. 18, 2019).

樂譜：

Holst, Gustav. First Suite in Eb for Military Band, Op. 28, No. 1. Condensed Score. London: Boosey & Hawkes, 1948.

_____________. First Suite in Eb for Military Band, Op. 28, No. 1. Full Score. London: Boosey & Hawkes, 1948.

_____________. First Suite in Eb for Military Band, Op. 28, No. 1. Full Score, edited by Colin Matthews. London: Boosey & Hawkes, 1984.

_____________. First Suite in Eb for Military Band, Op. 28, No. 1. Full Score, edited by Frederick Fennell. Cleveland: Ludwig Music, 2005.

_____________. First Suite in Eb for Military Band, Op. 28, No. 1. Full Score, edited by Yasuhide Ito. Tokyo: Ito Music, 2013.

_____________. First Suite in Eb for Military Band, Op. 28, No. 1, Full Score. Urtext Edition, edited by Yasuhide Ito. 東京：日本楽譜出版社，2014。

有聲資料：

Holst, Gustav. First Suite in Eb for Military Band, Op. 28, No. 1. Dallas Wind Symphony, conducted by Howard Dunn. Reference Recordings: RR-39, 1991. CD.

_____________. First Suite in Eb for Military Band, Op. 28, No. 1. Eastman Wind Ensemble, conducted by Donald Hunsberger. Sony: SK 47198, 1992. CD.

_____________. First Suite in Eb for Military Band, Op. 28, No. 1. London Wind Orchestra, conducted by Denis Wick. ASV: CD QS 6021, 1993. CD.

_____________. First Suite in Eb for Military Band, Op. 28, No. 1. Tokyo Kosei Wind Orchestra, conducted by Frederick Fennell. Kosei Publishing Company: KOCD-2302, 1996. CD.

_____________. First Suite in Eb for Military Band, Op. 28, No. 1. Eastman Wind Ensemble, conducted by Frederick Fennell. Mercury: 289 462 960-2, 1999. CD.

_____________. First Suite in Eb for Military Band, Op. 28, No. 1. Royal Northern College of Music Wind Orchestra, conducted by Timothy Reynish. Chandos: Chan 9697, 1999. CD.

_____________. First Suite in Eb for Military Band, Op. 28, No. 1. University of Michigan Symphony Band, conducted by H. Robert Reynolds. Equilibrium Records: EQ45, 2001. CD.

_____________. First Suite in Eb for Military Band, Op. 28, No. 1. North Texas Wind Symphony, conducted by Eugene Corporon. Klavier Records: K 11122, 2002. CD.

_____________. First Suite in Eb for Military Band, Op. 28, No. 1. Cleveland Symphonic Winds, conducted by Frederick Fennell. Telarc: CD-80038, 2007. CD.