普羅科菲夫 (Sergey Sergeyevich Prokofiev, 1891-1953) 為俄國極具個人色彩的一位作曲家，他遵循傳統古典曲式並融合獨特的普氏音樂語彙，使其音樂展現出強烈的原創性。1915至1917年間，普羅科菲夫因受到社會主義的影響，推崇俄國臨時政府散佈的藝術大眾化理念而產出大量淺白親民的作品；其中《瞬間幻影》(Visions Fugitives, Op. 22) 即為此時期的創作。此作品中雖各曲結構精簡，但曲中卻充分展示普氏自述的「五種風格走向」，時而專注於單一走向、時而以多元組合的面向表現，使得音樂的樣貌豐富有趣。本論文以《瞬間幻影》為研究核心，分析並歸納普氏常用的鋼琴創作技巧與風格特色，並探究「五種風格走向」於《瞬間幻影》中的體現與運用。

Sergey Sergeyevich Prokofiev (1891-1953) is a renowned Russian composer with strong personal characteristics. He inherits traditional forms but blends them into his individualized musical materials and brand new elements to create an original style. Between 1915 and 1917, Prokofiev was affected by socialism and composed a number of approachable works, which respond to the art popularization movement promoted by the Russian Provisional Government. Although the structure of each piece in Vision Fugitives is short and streamlined, Prokofiev’s“five lines”(meaning five compositional styles ) are clearly present. This thesis focuses on Vision Fugitives, investigating Prokofiev’s compositional techniques and musical styles and analyzing how Prokofiev“five lines”are treated in the present work.

一、中文專書
Gutmann, David.《偉大作曲家群像：普羅高菲夫》(The Illustrated Lives of the Great Composers: Prokofiev)。白裕承等 譯。台北市：智庫，2001。

林明慧。《力·美·浦羅柯菲夫》。桃園：原笙國際出版，2009。

音樂之友社編。《作曲家別名取解說珍藏版20－浦羅高菲夫》。林勝儀 譯。台北市：美樂，2004。

許鐘榮。《古典音樂400年－現代樂派的大師》。台北市：錦繡，2000。

二、西文專書
Berman, Boris. Prokofiev's Piano Sonatas. New Haven: Yale University Press, 2008.

Burge, David. Twentieth-Century Music. New York: Schirmer Books, 1990.

C. E. Fiess, Stephen. The Piano Works of Serge Prokofiev. Metuchen: Scarecrow Press, 1994.

Chasins, Abraham. Speaking of Pianists. New York: Alfred A. Knopf, 1957.

Donohoe, Peter. Serge Prokofieff Piano Sonatas, vol. 2, Sonatas 6-9, Authentic Edition. London: Boosey&Hawkes, 1958.

Eugene Kirby, Frank. A Short History of Keyboard Music. New York: Schirmer Books, 1966.

Minturn, Neil. The Music of Sergei Prokofiev. New Haven: Yale University Press, 1984.

Morgan, Robert. Twentieth-Century Music. New York: W. W. & North, 1991.

Nice, David. Prokofiev: From Russia to the West, 1891-1935. New Haven: Yale University Press, 2003.

Prokofiev, Sergei. Autobiography, Articles, Reminiscences. Honolulu: University Press of the Pacific, 2000.

Ronison, Harlow. Sergei Prokofiev: A Biography Boston: Northeastern University Press, 2002.

三、中文學術論文
呂佳穎。〈普羅高菲夫《瞬間幻影》作品22樂曲分析與演奏詮釋報告〉。國立台北教育大學音樂學系音樂教學碩士班論文，2008。

林盈岑。〈普羅高菲夫《瞬間幻影，作品二十二》之作品詮釋〉。台北市立教育大學碩士論文，2007。

四、西文學術論文
Moellering, Steven Edward. Visions Fugitives: Insights into Prokofiev's Compositional Vision. Student Research, Creative Activity, and Performance-School of Music, 2007.

Nestyev, Israel Vladimirovich. Prokofiev. Translated from the Russian by Florence Jones, with a foreword by Nicholas Slonimsky. Stanford: Stanford University Press, 1960.

Patricia Ruth, Ashley. Prokofiev’s Piano Music: Line, Chord, Key. Rochester University Dissertation, 1963.

五、期刊資料
Henderson, Lyn. "His Influence on Britten: The Vital Prokofiev." The Musical Times 144, No. 1882 (2003) : 16-19. doi:10.2307/1004703.

蔡松琦。〈普羅科菲夫早期鋼琴小品創作的“嘲諷”風格〉。《星海音樂學院學報》第2008卷第3期 (九月號，2008 )：50-52。2019年3月21日檢索自華藝線上圖書館。
 

六、網路影音資料
Richter, Sviatoslav.〈Prokofiev-Visions fugitives op.22〉.
https://www.youtube.com/watch?v=2qAbjdI6VbI. 1961；摘錄於17 April 2019

http://www.sprkfv.net/journal/three13/autobio2.html (2019年4月22日檢索自普羅科菲夫基金會檔案庫資料)

七、樂譜來源
Domenico, Scarlatti. Keyboard Sonata in B Minor, K. 27 Leipzig: D. Rahter, n.d., 1897. Plate 862), 63.

Prokofiev, Sergey Sergeyevich. Visions fugitives, Op. 22. Moscow: Muzgiz, 1955. Plate M. 23404.

Scarlatti, Domenico. Keyboard Sonata in D Major, K. 118 Montréal: Les Éditions Outremontaises, 2013.

Scriabin, Alexander Nikolayevich. Symphony No. 4, Op. 54 “The Poem of Ecstasy” Leipzig: M.P. Belaieff, 1922. Plate 3212.