相較於其他木管樂器而言，單簧管可說是較晚才被改良純熟，並被譜寫於作曲家筆下。單簧管這項樂器於十七世紀末問世，發展至十八世紀末期的五鍵式形式，使得愈來愈多作曲家譜寫單簧管於其室內樂作品中。在這個單簧管室內樂作品創作風氣剛剛萌芽之際，莫札特便為單簧管譜寫了兩首相當成熟的單簧管室內樂作品。本篇論文將以莫札特的這兩首單簧管室內樂作品為主軸，作深入的探討與比較性研究。
　　第一章將以莫札特所處的十八世紀作為切入，探討此時期單簧管樂器的演變，是如何影響著此時期的單簧管作品；第二章則以莫札特為主軸，研究莫札特的生平及室內樂作品風格；第三、四章則聚焦於莫札特的兩首單簧管室內樂作品《降E大調單簧管三重奏》，以及《A大調單簧管五重奏》；最後一章再比較此兩首單簧管室內樂曲，在樂曲結構與編制、動機發展與素材運用、單簧管與其他樂器之織度與互動關係之比較。

Comparing with other woodwind instruments, clarinet is the one that completed the development at the later of the century; same as the compositions for clarinet. Clarinet was invented in the end of the 17th century. In the 18th century, there were already five-keys on the clarinet. More and more composers started composing the chamber music for clarinet at that time. As the clarinet became more popular in the chamber music, Mozart composed two chamber composition for clarinet. I will discuss and compare these two compositions in this article.
The first chapter, I will start with Mozart's 18th century as an entry point to explore how the evolution of the clarinet affect the clarinet repertoires during this period；In the second chapter, I will focus on Mozart's life and the style of his chamber music ; The third and the fourth chapter, I will discuss the two clarinet chamber music from Mozart’s “Clarinet Trio in E-flat major, K.498”, and ” Clarinet Quintet in A major, K.581”. In the last chapter, I will talk more about the structure, the development of the motivation, the materials and the texture used in the compositions, and the interaction of the clarinet with the other instruments between these two clarinet chamber music.

一、英文專書
Anderson, Emily. The Letters of Mozart and His Family, London: Macmillan and Co. Limited, 1938

Andrews, Herbert Kennedy. The Oxford Harmony, London: Oxford University Press, 1950

Baines, Anthony Cuthbert. Woodwind Instruments and Their History, NY: Dover Publication, 1991

Baron, John Herschel. Intimate Music: A History of the Idea of Chamber Music, NY: Pendragon Press, 1998

Benward, Bruce. & Saker, Marilyn. Music in Theory and Practice: Volume II , USA: McGraw-Hill, 2009

Biancolli, Louis. The Mozart Handbook, NY: The World Publishing Company, 1954

Braunbehrens, Volkmar. Mozart in Vienna, NY: Oxford University Press, 1991

Burnham, Scott. Mozart's Grace, USA: Princeton University Press, 2013

Cairns, David. Mozart and His Operas, Berkeley: University of California Press, 2006

Caplin, William E.. Classical Form: A Theory of Formal Functions for the Instrumental Music of Haydn, Mozart, and Beethoven, USA: Oxford University Press, 2000

Clive, Peter. Mozart and His Circle: A Biographical Dictionary, NY: Oxford University Press, 1993

Goetschius, Percy. Lessons in Music Form: A Manual of Analysis of All the Structural Factors and Designs Employed in Musical Composition, USA: Oliver Ditson Company, 1970

Gutman, Robert W.. Mozart: A Cultural Biography, NY: Harcourt Brace & Company, 1999

Harris, Robert. What to Listen for in Mozart, NY: Simon & Schuster, 1991

Hellyer, Roger. The Cambridge Mozart Encyclopedia, Cambridge: Cambridge University Press, 2006

Hepokoski, James.& Darcy, Warren. Elements of Sonata Theory : Norms, Types, and Deformations in the Late-Eighteenth-Century Sonata, Oxford: Oxford University Press, 2011

Hoeprich, Eric. The Clarinet, London: Yale University Press, 2008

Irving, John. Mozart: The ‘Haydn’ Quartets, NY: Cambridge University Press, 1998

Jamini, Deborah. Harmony and Composition: Basics to Intermediate, Canada: Trafford Publishing, 2005

Kennedy, Michael. The Oxford Dictionary of Music, 2006

Keys, Ivor. Mozart: His Music in His Life, NY: Holmes & Meier Publishers, 1980

Knocker, Editha. The Treatise on the Fundamental Principles of Violin Playing by Leoplod Mozart, NY: Oxford University Press, 1948

Kirgiss, Crystal. Classical Music, USA: Black Rabbit Books, 2002

Köchel, Ludwig Ritter von. Chronologisch-thematisches Verzeichniss sämmtlicher Tonwerke Wolfgang Amade Mozart's (in German). Leipzig: Breitkopf & Härtel, 1862

Kuhn, Laura Diane. Baker's Student Encyclopedia of Music, NY: Schirmer Books, 1999

Landon, H.C. Robbins. Mozart’s Last Year, NY: A Division of Macmillan, Inc., 1988

Landon, H. C. Robbins. The Mozart Compendium, NY: Schirmer Books, 1990

Lawson, Colin. Mozart’s Chamber Music with Keyboard, NY: Cambridge University Press, 2012

Lawson, Colin. Mozart Clarinet Concerto, NY: Cambridge University Press, 1996

Lawson, Colin. The Cambridge Companion to the Clarinet, NY: Cambridge University Press, 1998

Lawson, Colin. The Early Clarinet: A Practical Guide, NY: Cambridge University Press, 2000

Marshall, Adrienne Marie. The Clarinetist’s Guide to the Performance of the Clarinet, Viola, and Piano Trios by Mozart, Bruch, and Larsen, Colombia: The Ohio State University, 2013

Marty, Jean-Pierre. The Tempo Indications of Mozart, NY: Vail-Ballou Press, 1988

Mitchell, Donald. The Mozart Companion, NY: The Rockliff Publishing Corporation, 1956

Neumann, Frederick. Ornamentation and Improvisation in Mozart, USA: Princeton University Press, 1986

Novello, Vincent. A Mozart pilgrimage, being the travel diaries of Vincent & Mary Novello in the year 1829, London: Novello, 1955

Paton, John Glenn. Mozart-12 Songs, NY: Alfred Publishing Co., 1992

Randall, David Max. A Comprehensive Performance Project in Clarinet Duet from ca.1715 to ca.1825, D.M.A diss., University of Iowa, 1970

Randel, Don Michael. New Harvard Dictionary of Music, USA: Harvard University Press, 1986

Rice, Albert Richard. A history of the Clarinet to 1820, USA: Claremont Graduate University, 1987

Rice, Albert Richard. The Baroque Clarinet, NY: Oxford University Press, 1992

Rice, Albert Richard. The Clarinet in the Classical Period, NY: Oxford University Press, 2003

Rice, Albert Richard. Valentin Roeser’s Essay on the Clarinet (1764) Background and Commentary, USA: CGU Theses & Dissertations, 1977

Rosen, Charles. Sonata Forms, NY: W.W. Norton & Company, 1988

Solomon, Maynard. Mozart a Life, NY: Harper Collins Publishers, 1995

Sisman, Elaine Rochelle. Haydn and the Classical Variation, Cambridge: Harvard University Press, 1993

Stewart, Robert. An Introduction to Sixteenth Century Counterpoint and Palestrina's Musical Style, USA: Scarecrow Press, 1994

Talbot, Michael. Vivaldi, London: JM Dent&Sons, 1978

Verrall, John Weedon. Fugue and Invention in Theory and Practice. Palo Alto: Pacific Books, 1966

Wolf, Eugene K.. Harvard Dictionary of Music, Cambridge: Belknap Press for Harvard University Press, 2003

二、英文期刊
Klorman, Edward. “An Afternoon at Skittles: On Playing Mozart’s “Kegelstatt” Trio”, Journal of the American Viola Society Vol. 32 No. 1, 2016

Ward, Martha Kingdon. Music & Letters, Volume XXXV, Issue 4,1 October 1954

W.Bro. Martin I.McGregor. “Mozart and the Austrian Freemasons”, Master of the Research Lodge of Southland No.415, 2007-08

三、中文專書
王次炤。《莫札特》。臺北：世界文物，2001。

宋威德。《單簧管基本吹奏技巧之研究》。桃園：原笙國際出版，2007。

李哲洋。《名曲解說全集11 室內樂曲1》。臺北：大陸書店，1988。

林勝儀。《室內樂曲》。臺北：美樂出版社，1997。

四、翻譯專書
Elias, Nobert.《莫札特》(Mozart)。呂愛華 譯。臺北：聯經，1991。

King, Alec Hyatt.《莫札特室內樂》(Mozart Chamber Music)。吳梅 譯。臺北：世界文物出版社，1996。

King, Alec Hyatt.《莫札特：管樂與弦樂協奏曲》(Mozart Wind & String Concertos)。國明　譯。臺北：世界文物出版社，1997。

Weston, Pamela.《歷史上的單簧管名家》(Clarinet Virtuosi of the Past)。陳建銘 譯。臺北：揚智文化，2000。

四、學術論文
李旻哲。〈研究曼海姆樂派之單簧管特色：以卡爾．史塔密茲《第八號降E大調單簧管協奏曲為例〉。東吳大學碩士論文，2015

林宜靜。〈古典大師的鋼琴五重奏巡禮－莫札特鋼琴五重奏（KV. 452）與貝多芬鋼琴五重奏（op. 16）的特性探討〉。東吳大學碩士論文，2018

五、樂譜
Mozart, Wolfgang Amadeus. Clarinet Trio in E-flat major, K.498. G. Henle Verlag, 2008.

Mozart, Wolfgang Amadeus. Clarinet Quintet in A major, K.581. G. Henle Verlag, 1958.

六、網路資料
「法國圖書館」(Bibliothèque nationale de France) 線上音樂家手稿檔案庫
https://gallica.bnf.fr/ark:/12148/btv1b55006502j.r=mozart%20k%20498?rk=21459;2

「紐倫堡國家圖書館」線上樂器資料庫(Nürnberg, Germanische National Museum)Music Instruments Music Online: http://www.mimo-international.com/MIMO/accueil-ermes.aspx

「國家教育研究院」－雙語詞彙、學術名詞暨辭書資訊網
http://terms.naer.edu.tw/