研究生: |
賴韻妃 Lai, Yun-Fei |
---|---|
論文名稱: |
羅伯特・舒曼《蝴蝶》作品二與《維也納狂歡節》作品二十六之音樂分析與詮釋 An Analysis and Interpretation of Robert Schumann's Papillons, Op.2 and Faschingsschwank aus Wien, Op.26 |
指導教授: |
林明慧
Lin, Ming-Hui |
口試委員: |
林明慧
Lin, Ming-Hui 賈元元 Chia, Yuan-Yuan 林季穎 Lin, Chi-Yin |
口試日期: | 2022/01/09 |
學位類別: |
碩士 Master |
系所名稱: |
音樂學系碩士在職專班 Department of Music_Continuing Education Master's Program of Music |
論文出版年: | 2023 |
畢業學年度: | 111 |
語文別: | 中文 |
論文頁數: | 101 |
中文關鍵詞: | 舒曼 、特性作品 、蝴蝶 、維也納狂歡節 |
英文關鍵詞: | Schumann, character piece, Papillons, Faschingsschwank aus Wien |
DOI URL: | http://doi.org/10.6345/NTNU202301684 |
論文種類: | 代替論文:作品連同書面報告(藝術類) |
相關次數: | 點閱:102 下載:27 |
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羅伯特・舒曼(Robert Schumann, 1810-56)為德國十九世紀初浪漫主義音樂的代表性作曲家之一。舒曼富有深厚的文學涵養與獨特的音樂天賦,舒曼在音樂中展現個人獨特的風格和詩人般的情感,創作手法如,特性作品 (character piece) 、「引用」音樂 (Musical Quotation) 、音樂與文字密碼、「佛羅倫斯坦」與「優賽比斯」之對比性格等,皆為原創之音樂風格。
本書面報告將探討舒曼《蝴蝶,作品二》(Papillons, Op.2) 和《維也納狂歡節,作品二十六》(Faschingsschwank aus Wien, Op.26),此兩首特性作品為研究之主題。《蝴蝶》由序曲與十二首小曲組成之套曲,需完整演奏全曲;《維也納狂歡節》為五首具有標題性的組曲作品,可以單獨演奏其中樂曲,也可以整組演奏。
本報告共分為五章:第一章為緒論,包含研究動機與目的及研究方法與範圍;第二章為舒曼創作風格概述,包含舒曼的生平簡介及音樂特色;第三章與第四章則分別探討《蝴蝶》與《維也納狂歡節》作品的創作背景、音樂分析和詮釋探討;第五章為結語,統整書面報告之內容與筆者個人之觀點,期盼給予演奏者與相關研究者參考之資料。
Robert Schumann (1810-1856) was a prominent composer of the 19th-century Germany Romantic music in. He had a strong literary background and unique musical talent, Schumann's creative techniques, which encompass characteristic pieces, musical quotations, the fusion of music and textual codes, and the contrasting personalities of "Florestan" and "Eusebius," showcase his individualistic style and poet-like emotions in music. These elements collectively contribute to his unique original musical style.
This written report will delve into Schumann's Papillons, Op.2 and Faschingsschwank aus Wien, Op.26, two characteristic pieces that serve as the subjects of study. Papillons consists of an overture and twelve short pieces, forming a suite that requires a complete performance of all movements. Faschingsschwank aus Wien is a suite of five titled pieces, allowing for individual performance of specific pieces or a complete performance of the entire suite.
This report consists of five chapters. The first chapter is the preface, including the research motivation, objectives, research methods and scope. The second chapter is the overview of Schumann's compositional style, including a brief biography of Schumann and an exploration of his musical characteristics. The third and fourth chapters separate investigations of the creative background, analysis and interpretive discussions of the two pieces, Papillons and Faschingsschwank aus Wien. The fifth chapter is a brief conclusion of this entire written report and includes the author's personal views, and hopes to provide the reference materials for performers and related researchers.
一、 樂譜
Schumann, Clara. Romance variée, Opus 3. Leipzig: Friedrich Hofmeister, 1897.
Schumann, Robert. Abegg Variations, Opus 1. Leipzig: Breitkopf & Härtel, 1887.
________. Carnaval, Opus 9. Leipzig: Breitkopf & Härtel, 1879.
________. Faschingsschwank aus Wien, Opus 26. München: G. Henle Verlag , 2004.
________. Impromptus, Opus 5. Leipzig: Breitkopf & Härtel, 1885.
________. Papillons, Opus 2. Wiener: Wiener Urtext Edition, 1973.
________. Piano Concert, Opus 54. Leipzig: Breitkopf & Härtel, 1883.
________. Works for Piano Four Hands, WoO 20. Wiener: Urtext Edition, 2008.
二、 外文專書
Jensen, Eric Frederick. Schumann . USA: Oxford University Press, 2001.
Maxwell, Carolyn and DeVan, William Schumann solo piano Literature Boulder: Maxwell Music Evaluation, 1984.
Reiman, Erika. Schumann’s Piano Cycles and the Novels of Jean Paul. USA: University of Rochester Press, 2004.
三、 中文專書
陳玉芸。《舒曼鋼琴代表作之研究》。台北:全音出版社,1997。
四、 翻譯專書
尼采 著,《超譯尼采》。楊明綺 譯。臺北市:商周出版,2012。
蔣一民,《音樂美學》。臺北:五南出版,1993。
露絲‧史蘭倩斯卡 著,《指尖下的音樂》。王潤婷 譯 臺北市:大地出版社,2009。
Ostwald, Peter F.《魔鬼的顫音-舒曼的一生》(Schumann music and madness)。張海燕譯。台北市:高談文化事業有限公司,2006。
五、 論文
陳怡婷。〈音樂的詩意:十九世紀鋼琴個性小品中的文字與音樂-以舒曼與孟德爾頌為例〉。國立臺灣師範大學音樂學系碩士班音樂學組學位論文,2013。
陳約彤。〈舒曼鋼琴作品二十六號《維也納狂歡節》書面報告〉。國立臺灣師範大學音樂學系在職進修碩士班音樂專業師資鋼琴組碩士論文,2012。
郭鎧榕。〈舒曼《蝴蝶》中尚保羅意念之探討〉。國立中山大學音樂所碩士論文,2004。
六、 網路資源
Brown, Maurice J.E. "Characteristic [character-]piece." Grove Music Online. 2001; Accessed 31 Oct. 2021.https://www.oxfordmusiconline.com/grovemusic/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-0000005443.
Daverio, John and Sams, Eric. "Schumann, Robert." Grove Music Online. 2001; Accessed 2 Oct. 2021.https://www.oxfordmusiconline.com/grovemusic/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-0000040704.
Daverio, John. "Jean Paul." Grove Music Online. 2001; Accessed 29 Oct. 2021.https://www.oxfordmusiconline.com/grovemusic/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-0000014219.
Downes, Stephen. "Polonaise." Grove Music Online. 2001; Accessed 23 Sep. 2021.https://www.oxfordmusiconline.com/grovemusic/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-0000022035.
"La Marseillaise." Grove Music Online. ; Accessed 9 Jun. 2021.https://www.oxfordmusiconline.com/grovemusic/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-8000004318.
Poppi, Cesare. "Carnival." Grove Art Online. 2003; Accessed 19 Oct. 2021.https://www.oxfordartonline.com/groveart/view/10.1093/gao/9781884446054.001.0001/oao-9781884446054-e-7000014188.
Tilmouth, Michael. "Kehraus." Grove Music Online. 2001; Accessed 31 Oct. 2021.https://www.oxfordmusiconline.com/grovemusic/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-0000014823.
七、 影音資料
Schumann, Robert. Faschingsschwank aus Wien, Opus 26. I Allegro, UMG ; PEDL, Warner Chappell, UMPG Publishing https://www.youtube.com/watch?v=0xZqaDHOddA
________. Papillons, Opus 2. Claudio Arrau, Decca Music Group Ltd. https://www.youtube.com/watch?v=etmc-mBzYCI
________. Papillons, Opus 2. Vladimir Ashkenazy, A Christopher Nupen Film, live,1985. https://www.youtube.com/watch?v=fGeKTOXhr74
________. The complete piano works.Vol. 10, Jörg Demus, Italy: Nuova Era, p1998, p1989. CD.7320 Nuova Era.
________. The complete piano works.Vol. 13, Jörg Demus, Italy: Nuova Era, p1998, p1989. CD.7323 Nuova Era.