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Author: 紀俊年
Chi, Chun-Nien
Thesis Title: 迷境:一個時/空錯置的偽裝之新媒體創作研究
Dazzleland: A Study of Camouflage Using Temporal/Spatial Dislocation in New Media Creation
Advisor: 林達隆
Lin, Ta-Long
Committee: 林珮淳
Lin, Pey-Chwen
劉素真
Liu, Su-Chen
邱誌勇
Chiu, Chih-Yung
梁桂嘉
Liang, Kuei-Chia
林達隆
Lin, Ta-Long
Approval Date: 2022/01/10
Degree: 博士
Doctor
Department: 美術學系
Department of Fine Arts
Thesis Publication Year: 2022
Academic Year: 110
Language: 中文
Number of pages: 187
Keywords (in Chinese): 偽裝時間/空間錯置多義新媒體藝術
Keywords (in English): camouflage, temporal/spatial dislocation, ambiguity, new media art
Research Methods: 現象學個案研究法歷史研究法創作實踐法
DOI URL: http://doi.org/10.6345/NTNU202200184
Thesis Type: Academic thesis/ dissertation
Reference times: Clicks: 203Downloads: 26
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  • 本創作研究以「偽裝」概念為核心,結合3D技術發展新媒體藝術創作,偽裝是生物的自我保護作用,使其不被看見或看不清,兩次創作個展《迷境》與《Dazzleland》利用3D虛擬空間的維度產生視覺上的「錯置」,圖與地的分野不再清晰,並與偽裝的策略結合,探討人與環境間的關係。
    本研究先梳理偽裝在藝術中的發展脈絡與文化上的轉譯,偽裝本是動物的生存策略之一,一次世界大戰轉借偽裝的概念,融合與破壞性的著色方式,用於保護軍事武器設備或人員,影像創作中的時間與空間的錯置感與偽裝模糊輪廓相仿,兩者維度相互影響而產生模糊不清的變化,從偽裝的看不見與看不清中,使其產生多義的性質,在文學與藝術創作上都有相同之處,因著每個人對於曖昧不明的影像中有多重的闡釋。
    藝術中有許多透過偽裝的概念創作,將空間扁平化、錯置是其中的特徵之一,或是利用時間的錯置展現於作品之中,透過偽裝可以使人與環境做區別或是連結,創作《迷境》與《Dazzleland》的偽裝是透過點、線、面、體不同空間為度之間的映射與轉換的錯置,來產生「偽裝」的認知效果,時間維度也是如此。創作研究發現偽裝是一種將空間維度提升或降級的動作,也就是藝術創作是在不同維度之間做轉換,包含同維度的映射、轉換,以及不同維度的增維與降維,本論文將「偽裝」視為一種時/空錯置的現象,提出以時/空維度的錯置作為「偽裝」的新程序,並提供一種新的觀看模式。

    This work takes "camouflage" for concept core, and combines with 3D technology to become one new media art. Creatures camouflage themselves for self-protection, so they cannot be seen or identified easily. Two solo exhibitions "Hide and Seek" and "Dazzleland" use 3D virtual space to make optical illusion, so it is difficult to distinguish background from figures. Furthermore, connecting with "camouflage" to discuss the relationship between people and environment.
    It will discuss development processes of camouflage in art, and changes in culture. Camouflage is one of survival skills for creatures. In World War I, one country uses the theme of camouflage to protect military weapons, equipment and soldiers. The misalignment of time and space in image creation and camouflage effect each other to make ambiguous. The invisibility and invisibility of camouflage make ambiguity. There are similarities in literary and art creation, because everyone has different explanations for ambiguous images.
    There are many concepts of camouflage in art, the flattening and misplacing of space is one of the characteristics. Or displaying time misalignment in the work. Through the camouflage to make distinguishing or connecting between people and the environment. The work of "Hide and Seek" and "Dazzleland" is by points, lines, surfaces, and bodies to make the mapping of different spaces and misalignment to produce the cognitive effect of "camouflage", and the same is for the time dimension. The research found that camouflage is one action to enhance or degrade space dimension, meanwhile, artistic creation is doing the conversion between different dimensions, including the same dimension of the mapping, conversion, and different dimensions of the increasing and decreasing. This article regards "camouflage" as a phenomenon of time and space misalignment, and proposes a new program with time and space dimension misalignment for "camouflage", and provides a new viewing mode.

    謝辭 i 摘要 iii Abstract v 目錄 vii 圖目錄 x 第一章 緒論 1 第一節 創作研究動機與目的 1 一、創作研究動機 1 二、創作研究目的 2 第二節 研究範圍限制與問題意識 4 一、研究範圍與限制 4 二、問題意識 5 第三節 研究內容與架構 5 一、研究內容 5 二、研究架構 7 第四節 研究方法 9 一、文獻分析 9 二、個案分析 9 三、創作實踐 10 第二章 藝術融合偽裝 11 第一節 偽裝的現象 12 一、造型破壞著色 14 二、空間錯置藝術 16 三、色彩融和消失 21 第二節 藝術作為隱蔽與欺騙 24 一、藝術的視覺消失 24 二、迷彩的隱蔽性 26 第三節 抽象藝術的軍事參與 29 一、線性切割的視覺破壞 31 二、色彩與幾何的著色偽裝 34 第四節 維度錯置的偽裝藝術 38 一、空間錯置的立體主義 40 二、未來與漩渦主義的時間錯置 47 第五節 小結 53 第三章 維度與影像的錯置效應 55 第一節 空間 57 一、空間維度的感知 57 二、視覺空間的錯置 63 第二節 時間 75 一、時間維度的思維 75 二、時間順序的錯置 80 第三節 影像的錯置 86 一、錯置的認知 86 二、偽裝影像 91 第四節 小結 96 第四章 當代偽裝美學 98 第一節 空間抽象再現表現形式 98 第二節 共同命運原則 104 第三節 精神訊息的曖昧 110 第四節 社會文化的偽裝 117 第五節 小結 123 第五章 《迷境》與《Dazzleland》創作研究與論述 125 第一節 《迷境》創作論述 126 一、創作理念分析 126 二、創作方法研究 128 三、創作作品分析 136 (一)、三個系列: 136 (二)、作品列表: 137 第二節 《Dazzleland》創作論述 149 一、創作理念分析 149 二、創作方法研究 151 三、創作作品分析 155 第三節 時/空錯置的維度表現 160 第四節 小結 165 第六章 結論 167 參考書目 172 附錄-個展紀錄 183

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