研究生: |
葉靜雯 Yeh, Ching-Wen |
---|---|
論文名稱: |
浦朗克《十五首鋼琴即興曲》詮釋報告 An Interpretation of Poulenc’s “Les Quinze Improvisations” pour piano |
指導教授: |
陳玉芸
Chen, Yu-Yun 蕭慶瑜 Hsiau, Ching-Yu |
學位類別: |
碩士 Master |
系所名稱: |
音樂學系 Department of Music |
論文出版年: | 2019 |
畢業學年度: | 107 |
語文別: | 中文 |
論文頁數: | 121 |
中文關鍵詞: | 浦朗克 、法國六人組 、即興曲 |
英文關鍵詞: | Poulenc, Les Six, Improvisation |
DOI URL: | http://doi.org/10.6345/THE.NTNU.DMU.004.2019.A10 |
論文種類: | 學術論文 |
相關次數: | 點閱:307 下載:43 |
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在巴黎土生土長的浦朗克(Francis Poulenc, 1899-1963),出生於1899年,音樂的啟蒙老師為母親,早期受到蕭邦(Frederic Chopin, 1810-1849)、德布西(Claude Debussy, 1862-1918)、拉威爾(Maurice Ravel, 1875-1937)等作品的薰陶,之後追隨鋼琴家維涅斯(Ricardo Viñes, 1875-1943)學習,承襲其彈奏風格,發展獨特的鋼琴踏瓣技巧與多樣的音色變化。爾後認識了薩悌(Erik Satie, 1866-1925)、歐立克(George Auric, 1899-1983)等音樂家,開始創作具有新古典主義((Neoclassicism)色彩的音樂,並成為著名「法國六人組」(Les Six)中的一員。
《十五首鋼琴即興曲》創作於1932-1959年間,為浦朗克投注了近三十年的心血,可見其對此作品的重視。作品中呈顯獨特巧思與迷人的和聲特色,被視為浦朗克重要的代表作品之一。
本論文將分為五章十五節,以《十五首鋼琴即興曲》為研究主軸,依序探討法國音樂之發展、作曲家的創作特色與音樂風格發展,之後聚焦於《十五首鋼琴即興曲》,就樂曲作結構分析,並依照個人經驗,分別以「音色與觸鍵」、「速度與節奏」、「運音與踏瓣」、「指法與技巧」等四方向說明彈奏要領與詮釋。
Francis Poulenc (1899-1963) was born and bred in Paris in 1899. Musical enlightenment teacher is his mother. Early on, he was inspired by Frederic Chopin (1810-1849), Claude Debussy (1862-1918), and Maurice Ravel (1875-1937). After that, he followed the pianist, Ricardo Viñes, (1875-1943) to learn the style of his playing, developing unique piano pedal techniques and a variety of timbre changes. Later, he met musicians such as Erik Satie (1866-1925) and George Auric (1899-1983) and began to create music with Neoclassicism. He also became a member of the famous "Les Six".
The "Quinze Improvisations pour Piano" were created from 1932 to 1959. Poulenc spent for nearly thirty years on these works because of their importance. Due to the unique ingenuity and fascinating harmony, these works are regarded as the most important masterpieces of Poulenc.
This thesis has included five chapters with fifteenth sections to analyze "Quinze Improvisations pour Piano". The developments of French music, the composer's creative characteristic and music style have been sequentially discussed. Afterward, the thesis has focused on the "Quinze Improvisations pour Piano" to analyze the structure of the music. Finally, according to personal experience, I explain the essentials and interpretations in four directions included tone color and touch, speed and rhythm, sound and pedal, and finger and skill, respectively.
一、專書
馬清。《二十世紀歐美音樂風格》。台北: 楊智文化,2000。
馬清。《鋼琴藝術史》。台北: 楊智文化,1998。
紹義強。《鋼琴名曲的演奏詮釋》。台北: 全音樂譜出版,1984。
蕭慶瑜。《法國近代鋼琴音樂》。台北: 國立編譯館出版,2009。
Banowetz, Joseph. 《鋼琴家的指導手冊─踏板法》(The Pianist’s Guide to Pedaling)。符慧如 譯。台北市: 高粱音樂文教,2006。
Bailie, John.《音樂的歷史》(History of Classical Music)。黃躍華 譯。台北: 究竟出版社,2005。
Berman, Boris. 《鋼琴彈奏法─鋼琴大師演出備忘錄》(Notes from the pianist’s Bench)。廖皎含 譯。臺北市: 五南,2011三版。
Grout, Donald. & Palisca, Claude. A History of Western Music. New York: W.W.Norton, 2010. Ivry, Benjamin. Francis Poulenc. London: Phaidon Press, 1966.
Keith W. Daniel. Francis Poulenc: His Artistic Development and Musical Style. Michigan:UMI Research Press, 1982.
Rorem, Ned. " Francis Poulenc, " in A Ned Rorem Reader. New Haven: Yale University Press, 2001.
Slenczynska, Ruth. 《指尖下的音樂》(Music at Your Fingertips)。王潤婷 譯。臺北市: 大呂,2005十一版。
二、期刊
謝綉莉。《浦浪克鋼琴作品及彈奏技巧概述》。師大學報(人文與社會類) 第50卷第1期,2005。
Clifton, Keith E. " Beyond Childhood: Poulenc, ' La Courte Paille' , and the Aural Envelope." College Music Symposium, Vol. 49/50 (2009/ 2010) : 333-344.
Rašín, Vera. " ' Les Six' and Jean Cocteau. " Music & Letters, Vol. 38, No. 2 (Apr 1957) : 164-169.
R. B. " Pierre Bernac." The Musical Times, Vol. 121, No. 1643 (Jan 1980) : 48.
Rorem, Ned. " Poulenc: A Memoir. " Tempo, no. 64 (1963) : 28-29.
Schmidt, Carl B. " Francis Poulenc and Robert Shaw: A Remarkable Symbiotic Relationship. " The Musical Quarterly, Vol. 93, No. 2 (Summer 2010) : 329-359.
Simeone, Nigel. " Making Music in Occupied Paris." The Musical Times, Vol. 147, No.1894 (Spring 2006) : 23-50.
. " Messiaen and the Concerts De La Pléiade: ' A Kind of Clandestine Revenge against the Occupation' . " Music & Letters, Vol. 81, No. 4 (Nov 2000) : 551-584.
三、學術論文
陳怡然。〈浦朗克音樂分析與詮釋風格之研究-以《十五首鋼琴即興曲》為例〉。國立嘉義大學碩士論文,2013。
Clifton, Kevin Mark. " Poulenc's ambivalence: A study in tonality, musical style, and sexuality. " The University of Texas at Austin, 2002.
Severtson, Kirk A. " Poulenc's development as a piano composer: A comparison of the solo piano works and the ' Melodies' . " University of Cincinnati, 2005.
四、網路影音資料
彭帕•巴爾第(Antonio Pompa-Baldi)。《當普朗克遇見琵雅芙》( The Rascal and the Sparrow : Poulenc meets Piaf) 金革唱片出版,2015。CD。
Kazumasa Matsumoto. " STATIC DREAM PAVANE(2005) "https://www.youtube.com/watch?v=BfhVN4vubiE
Owen, Charles. "Poulenc: Piano Music"(Thames Ditton, Surrey: Somm Recordings, 2011)
Rogé, Pascal. " Poulenc: Piano Music / Nocturnes 1-8 / 6 Improvisations(1990) "
https://www.youtube.com/watch?v=205RwOdy_o8&index=1&list=PL0thvv4B4YN5Qe0_iRrgyKO9WoERmiJXs
Tacchino, Gabriel. " Improvisations (15) for piano, FP 63, 113, 170, 176 (1959) "https://www.youtube.com/watch?v=R6S3YHcM_8I
五、樂譜
Poulenc, Francis. Quinze Improvisations Pour Piano. Paris: Salabert, 1933.