本文論述此次攝影展覽策展內容以及佛羅倫斯雙年展的經歷。此次展覽主題為「夢」，結合了超現實主義的迷幻詭譎與觀念性的新中式裡的內斂，例如，戴安•阿勃斯的作品，荒謬又真實，與杉本博司的海景，平靜而內斂。藉由兩位攝影師的拍攝題材及構圖，持續思考攝影與自我的關係。而入圍義大利三大雙年展之一「第14屆佛羅倫斯雙年展」，則將眼界更向上推了一層，不但能與眾多知名藝術家與策展人相談甚歡，也體驗了佛羅倫斯的文化風情，這些經歷，將為之後的攝影人生補足了養分。
這次展覽的作品我使用數位以及底片的方式混合拍攝，試圖使用當代影像的元素，與達達主義所衍伸的超現實主義的手法，希望作品本身不單單只是純欣賞，而是能夠與觀眾互動，引發其思考影像所傳達的意義。

This paper discusses the curatorial content of this photography exhibition and the experience of the Florence Biennale. The theme of the exhibition is "Dream", which combines the psychedelia of surrealism with the conceptualization of the inner recesses of the New Chinese Style, such as Diane Arbus's work, which is absurd and realistic, and Hiroshi Sugimoto's seascapes, which are calm and inner. Through the subjects and compositions of these two photographers, we continue to think about the relationship between photography and self. Being selected to participate in the 14th Florence Biennale, one of the three major biennials in Italy, pushed their horizons even higher, not only meeting many famous artists and curators, but also experiencing the culture of Florence, which is an experience that will enrich their photographic lives in the years to come.
The works in this exhibition are shot with a mixture of digital and negative film, attempting to use the elements of contemporary video and the surrealist approach derived from Dadaism, in the hope that the works are not only purely for appreciation, but also can interact with the viewers and provoke them to think about the meanings conveyed by the images.

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