研究生: |
林昕璇 Lin, Sin-Syuan |
---|---|
論文名稱: |
卡洛斯‧瓜斯塔比諾《給單簧管和鋼琴的奏鳴曲》之分析與演奏詮釋 The Analysis and the Interpretation of Carlos Guastavino's Sonata for Clarinet and Piano |
指導教授: |
林娟儀
Lin, Chuan-Yi |
口試委員: | 林淑真 宋威德 |
口試日期: | 2021/01/19 |
學位類別: |
碩士 Master |
系所名稱: |
表演藝術研究所 Graduate Institute of Performing Arts |
論文出版年: | 2021 |
畢業學年度: | 109 |
語文別: | 中文 |
論文頁數: | 81 |
中文關鍵詞: | 給單簧管和鋼琴的奏鳴曲 、瓜斯塔比諾 、阿根廷作曲家 、鋼琴合作 |
英文關鍵詞: | Sonata for Clarinet and Piano, Guastavino, Argentina composer, Collaborative piano |
DOI URL: | http://doi.org/10.6345/NTNU202101589 |
論文種類: | 代替論文:作品連同書面報告(藝術類) |
相關次數: | 點閱:90 下載:6 |
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卡洛斯‧瓜斯塔比諾(Carlos Guastavino, 1912-2000)為二十世紀阿根廷的鋼琴家及民族主義作曲家。在其有生之年,他曾經歷了第二次世界大戰與國家政權動亂,使得他的音樂作品展現出個人獨特情感與當地民俗風情。
1970年一月,在布宜諾斯艾利斯(Buenos Aires)國立音樂學院(National Conservatory)教授作曲的瓜斯塔比諾,以三年的時間完成《給單簧管和鋼琴的奏鳴曲》並題獻給單簧管演奏家路易斯.羅西(Luis Rossi, b.1947)。樂曲中除了使用保守的和聲聲響、優美浪漫的旋律線條,還注入了阿根廷當地的民族音樂與舞蹈元素;並在同年由羅西的單簧管老師馬丁.道(Martin Tow)和鋼琴家芮妮.德克斯(Renee Derks),於布宜諾斯艾利斯的市政廣播電臺(Municipal Radio of Buenos Aires)首演轉播。
本篇詮釋論文將涵蓋五個章節:分別為第一章緒論,簡要闡述研究動機、目的、方法及架構;第二章文獻探討,首先介紹阿根廷從十六世紀至二十世紀的音樂發展,再深入探討瓜斯塔比諾之生平、創作特色、作品創作背景與其首演資料;第三章樂曲分析與詮釋探討,以Lagos出版的樂譜作為依據,再藉由鋼琴合作者的觀點進行探討及分享;第四章有聲資料比較,將針對速度、音量以及音色等合作平衡上論述筆者個人想法;第五章結語,綜合上述分析重點,並提出筆者的觀點整理。
Carlos Guastavino (1912-2000) was an Argentine pianist and a Nationalist composer of the 20th century. During his lifetime, he experienced the World War II and the turmoil of the national regime, which made his music show distinctive emotions and full of local cultural elements.
In January 1970, Guastavino, who taught composition at the National Conservatory of Music in Buenos Aires, completed the Sonata for Clarinet and Piano in three years and delicated it to the clarinetist Luis Rossi (b. 1947). Within the music, he not only used traditional harmonies and beautiful romantic melodies, but added Argentine folk songs and dance elements to it as well; moreover, in the same year, he also premiered this music with Rossi’ s teacher Martin Tow and pianist Renee Derks on Municipal Radio of Buenos Aires.
This written report has five chapters. The first chapter is lntroduction, which briefly describes the research motivations, purposes, methods and the framework. Following is chapter two Literature Review, in which I will concisely introduce the musical development of Argentina from the 16th century to the 20th century, and then discuss Guastavino’s life, composing characteristics, the background of Sonata for Clarinet and Piano and its premiere information. In chapter three Music Analysis and Music Interpretation, I will use the score published by Largos, and discuss about the form, harmonies and composing techniques. Ideas and points will be discussed and shared with collaborative pianist’s views. Chapter four is Comparison of Audio Materials, where I will present my own thoughts on the balance of speed, dynamics, timbre and so on. The final chapter will conclude important analysis points above and give my own ideas towards the thesis.
【中文書籍】
李燕宜。《鋼琴‧合作:理論與實例》。台北市:五南出版社,2014。
楊沛仁。《音樂史與欣賞》。台北市:美樂出版社,2001。
【外文書籍】
Burkholder, J. Peter; Grout, Donald Jay; Palisca, Claude V. A History of Western Music. New York: W. W. Norton & Company, Inc., 2014.
Katz, Martin. The Complete Collaborator: the pianist as partner. England: Oxford University Press, 2009.
【中文論文】
何郁欣。〈希拿斯特拉的鋼琴作品研究:阿根廷民族音樂素材與其創作手法之關聯〉。國立中山大學音樂學系碩士論文,2001。
胡郁涵。〈瓜斯塔維諾《為單簧管與鋼琴的奏鳴曲》之樂曲分析與詮釋〉。國立臺北藝術大學碩士論文,2016。
鍾鈺涵。〈瓜斯塔維諾《給單簧管及鋼琴的奏鳴曲》之研究與分析〉。國立中山大學音樂學系碩士論文,2019。
【外文論文】
Alzate, Alejandro Lopez. Sonata for Clarinet and Piano by Carlos Guastavino: Style analysis and folk music influence. University of Houston, 2012.
Calvo, Francisco Javier. Argentine nationalism in the choral arrangements of selected art songs of Carlos Guastavino. California State University at Long Beach, 2007.
Kulp, Jonathan. Carlos Guastavino: A Study of his Songs and Musical Aesthetics. University of Texas at Austin, 2011.
【中文期刊】
張海玲。〈阿根廷民間舞蹈元素在希納斯特拉早期鋼琴作品中的體現〉。《音樂探索》。(成都:四川音樂學院音樂教育學院,2016):138-141。
【外文期刊】
Kulp, Jonathan. “Carlos Guastavino: A Re-Evaluation of His Harmonic Language, ” Latin American Review 77 (Fall, 2006).
Kulp, Jonathan. “Carlos Guastavino: The Intersection of Musica Culta and Musica Popular in Argentine Song,”Latin American Review 24 (Spring, 2003).
【樂譜】
Guastavino, Carlos. Sonata para Clarinete y Piano. Buenos Aires: Editorial Lagos, 1971.
【有聲資料】
López, Marina and Waisbein, Eduardo. Otro Cantar. PAI, 2003.
Rossi, Luis and Diana Schneider. Fantasia sul America. Georgina Records, 1992.
Salguero, Antonio and Gavilán, Pedro. Clarinet Sonatas 20th Century. IBS Classical, 2018.
【網路資料】
Behague, Gerard and Ruiz, Irma. “Argentina.” Grove Music Online. Oxford Music Online, https://www.oxfordmusiconline.com/grovemusic/abstract/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-0000043506 (accessed on 25 Oct. 2019).
Kulp, Jonathan. “Guastavino, Carlos.” Grove Music Online. Oxford Music Online, https://www.oxfordmusiconline.com/grovemusic/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-0000045219?rskey=tejH45&result=1(accessed on 25 Oct. 2019).