本文以實作者角度，從社會、人文和錄音技術切入吉他單顆效果器，分析其對音樂創作的影響。筆者從自身創作上介紹效果器運用方法，章節共分為五章。第一章介紹本文架構與研究方法、研究動機和目的、和研究問題，俾使讀者能清楚理解撰寫這篇報告的想法。第二章文獻探討，是在論述效果器萌芽、專有名詞解釋和發展特色，隨著時代、科技的推進，效果器轉變成不同形式和樣貌，繼續為創作者服務。第三章討論關於效果器聲音運用契機和想法，開啟創作時使用效果器的時機。介紹當代融合樂，以近二十年討論度較高的吉他手們作品，分析他們如何運用效果器於歌曲。第四章討論筆者自身創作，內容包括寫歌的動機、和弦結構、音階和曲式安排，並從字尾部份運用韻腳，選擇歌詞用音。第五章結語：研究限制和貢獻，展望創作和建議。

From the perspective of a creative song-writer, this article addresses from the guitarist’ perspectives over the technological, social, and humanistic aspects for analyzing these influence on music creations and song-writing processes. I also introduce the method of using the effector from his own creation. The chapter is divided into six chapters. The first chapter is to introduce the research motivation and the structure of the paper, so that readers can clearly understand the idea of writing this paper. The second chapter discusses the development and the emergence of effectors. With the advancement of the times and technology, they have been transformed into different forms and appearances to serve creators. The third chapter discusses the opportunity and idea of creating music. Everyone has an entry point when creating music which initiates how to start the composition. In the fourth chapter, I introduce the definition of contemporary fusion music itself, and provide examples of guitarists who have been highly discussed in the past two decades. Based on their creations, I analyze how guitarists use effectors and their compositional forms. Chapter five discusses self-creation, including my motivation for writing songs, chord structure, scale and musical arrangement. Rhyming for the lyrics and choosing the correct pronunciation when singing has also been discussed. Chapter six concludes by giving details about research limitations and contributions, while looking forward to future creations and adding suggestions.

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