武滿徹(Tour Takemitsu, 1930-1996) 為日本當代少數自學出身的作曲家。創作初期受德布西(Claude Debussy, 1862-1918) 及梅湘(Olivier Messiaen, 1908-1992) 等法國音樂與二十世紀西方音樂啟發；爾後，直至1960年代，受美國作曲家約翰．凱基(John Cage, 1912-1992) 之音樂美學觀影響，致使武滿徹重拾自身日本傳統文化，進而融合東西方文化思維，創造出獨樹一幟的音樂語彙。

本文係以武滿徹之室內樂作品，為雙簧管與弦樂四重奏《時間之間》(Entre-temps, 1986) 作為研究主題。就創作背景、曲式結構、音高組織、音樂美學觀、慣用創作技法等面向切入剖析，並輔以武滿徹各時期重要代表作品，探究其音樂語彙，進而將研究所得，體現於自我創作中。

Toru Takemitsu (1930-1996), a self-taught contemporary Japanese composer, was influenced by French music and 20th western music such as Claude Debussy (1862-1918) and Olivier Messiaen (1908-1992). Until the 1960s, he was enlightened by the aesthetic view of music from an American composer, John Cage (1912-1992), thus gaining back the traditional Japanese aesthetics, and furthermore linking the thoughts from West and East, creating his unique musical vocabularies.

In this thesis, the researcher selects a piece from Toru Takemitsu: Entre-temps: For oboe and string quartet (1986) as the topic, and analyzes the background of the creation, forms of the pieces, structure of pitches, techniques of the composition, aesthetic view of music and explores his musical vocabularies and conventional skills with his significant works in different eras, to practice in the future composition from the researcher.

中文專書
楊沛仁。《音樂史與欣賞》。臺北：美樂出版社，2001。

潘皇龍。《讓我們來欣賞現代音樂》。臺北：全音樂譜，1987。

羅基敏。《走一個世紀的音樂路：廖年賦傳》。台北：華茲文化，2014。

Messiaen, Olivier.《我的音樂語言的技巧》(Technique of my musical language)。連憲升譯。臺北：中國音樂書房，1992。

外文專書
Burt, Peter. The music of Toru Takemitsu, Cambridge: Cambridge University Press, 2001

Straus, Joseph. Introduction to Post- Tonal Theory. 2nd ed. New Jersey : Prentice Hall,2000.

Noriko, Ohtake. Creative Sources for the Music of Toru Takemitsu, USA: Ashgate Publishing Company, 1993

Siddons, James. Toru Takemitsu: A Bio-Bibliography. Westport, Ct.: Greenwood Press, 2001.

Sitsky, Larry. Music of the Twentieth-century Avant-garde: A Biocritical Sourcebook, Greenwood Publishing Group, 2002

Takemitsu, Toru. Confronting Silence: Selected Writings. Translated and edited by Yoshiko Kakudo and Glenn Glasow. Berkeley: Fallen Leaf Press, 1995.

學術論文
陳惠湄。〈日本作曲家武滿徹兩首長笛獨奏曲﹣Voice（1971）與 Air（1995）﹣之比較研究〉。《關渡音樂學刊》(第十二期，2010) : 87-107。

連憲升。〈「五聲回歸」與「五聲遍在」- 武滿徹與陳其鋼作品中的古韻與新腔〉。《關渡音樂學刊》(第五期，2006) : 51-76。

楊小華。〈「無聲」（Silence）的音樂詮釋：以武滿徹《十一月的腳步》為例〉，《藝術學研究》(第十四期，2014) : 1-44。

學位論文
劉彥玲。〈Allen Forte音類集理論的發展〉。國立台灣大學碩士論文，2001。

楊舒婷。〈武滿徹的自然觀與其無常的音樂形式--以《ARC》第一部為例〉。國立交通大學碩士論文，2008。

鄭聿恬。〈武滿徹《十一月的腳步》暨自我創作分析〉。國立臺灣師範大學碩士論文，2015。

蕭永陞。〈「夢諭」-從武滿徹晚期管絃樂作品探討「夢」的詩意形象及其音樂語言〉。國立臺灣師範大學碩士論文，2008。

電子期刊
Takemitsu, Toru. ”Contemporary Music in Japan,” Perspectives of New Music, Vol. 27, No. 2 (Summer, 1989) : 198-204

Takemitsu, Toru. "One Sound", Contemporary Music Review, vol. 8, part 2, Issue 2: Flute and Shakuhachi, Translated by Hugh de Ferranti, (Harwood, 1994) : 3-4

網路資源
大英百科全書線上版(Encyclopaedia Britannica Online)
https://global.britannica.com/science/sleep#toc38760 (April 21, 2017)

台灣博碩士論文加值系統
http://ndltd.ncl.edu.tw/cgi-bin/gs32/gsweb.cgi/ccd=Ey8Jh_/result#result (April 25, 2017)

非池中藝術網。〈新銳直擊：侯忠穎〉
http://artemperor.tw/art/videos/10 (April 21, 2017)

國家教育研究院雙語詞彙、學術名詞暨辭書資訊網
http://terms.naer.edu.tw/ (May 21, 2016 )

Alexander Music Online: Classical Music Library
http://0-search.alexanderstreet.com.opac.lib.ntnu.edu.tw/clmu (December 12, 2016)

RILM
http://0-web.a.ebscohost.com.opac.lib.ntnu.edu.tw/ehost/resultsadvanced?sid=47e49299-75db-4c77-90de-ee68e8d90edc%40sessionmgr4008&vid=2&hid=4207&bquery=takemitsu&bdata=JmRiPXJpaCZjbGkwPUZUJmNsdjA9WSZsYW5nPXpoLXR3JnR5cGU9MSZzaXRlPWVob3N0LWxpdmU%3d (August 26, 2016)

Schott Japan Company Ltd.
http://www.schottjapan.com/composer/takemitsu/bio.html (Septmeber 15, 2016)

Yoko Narazaki and Masakata Kanazawa. "Takemitsu, Tōru."
Grove Music Online. Oxford Music Online. Oxford University Press, accessed August 12, 2016, http://0-www.oxfordmusiconline.com.opac.lib.ntnu.edu.tw/subscriber/article/grove/music/27403.

樂譜
Takemitsu, Toru. A Bird Came Down The Walk: Schott Japan Company Ltd. 2002

_____________. A way a lone, Tokyo: Schott Japan Company Ltd. 2005

_____________. Air, Tokyo: Schott Japan Company Ltd. 1996

_____________. Corona for pianist, Paris: Salabert Editions. 1970

_____________. Cross Hatch, Schott Japan Company Ltd. 2003

_____________. Entre-temps, Tokyo: Schott Japan Company Ltd. 1987

_____________. Litany: In Memory of Michael Vyner, Tokyo: Schott Japan Company Ltd.
1987

_____________. The Dorian Horizon, Tokyo: Ongaku no Tomo Sha Corp. 1967

_____________. Toward the Sea I & II, Tokyo: Schott Japan Company Ltd. 2000

_____________. Rain tree, Tokyo: Schott Japan Company Ltd. 1981

_____________. Romance. Tokyo: Schott Japan Company Ltd. 2000
_____________. Uninterrupted Rest, Paris: Salabert Editions. 1962

錄音資料
Takemitsu, Toru. Entre-temps. conducted by Rudolf Werthen, performed by I Fiamminghi Oboe & Strings quartet. Telarc. CD-80469. 1998

Takemitsu, Toru. Entre-temps. performed by Jeffrey Crellin Oboe, Arditti Quartet Strings quartet. Fontec. FOCD-9227. 2005

Takemitsu, Toru. Entre-temps. performed by芝山洋 Oboe, 松原勝也 Vn.I, 鈴木理恵子 Vn.II, 城戸喜代 Vla. 安田謙一郎 Vc. KING RECORDS. KICC 583. 2006