身為偉大小提琴家與作曲家的伊撒意（Eugène Ysaÿe, 1858-1931），於1924年創作作品第二十七號的六首無伴奏小提琴奏鳴曲；此作品堪稱繼巴赫六首無伴奏小提琴奏鳴曲、帕格尼尼（Nicolò Paganini）二十四首隨想曲之後最重要的無伴奏小提琴作品，其風格與美學繼承了巴赫作品的精髓，技巧上則延續了帕格尼尼隨想曲的技術難度，並平衡了前代作曲家偏重音樂，或是偏重技巧的創作局面；且在寫作手法等方面融入嶄新的思維，呈現出有別於過往時代作品不同的變化性與高度的技術性；因此這部作品著實延續了小提琴無伴奏曲目的優良傳統，成為現代小提琴演奏的經典必備曲目。

本文第一章以伊撒意之生平為開端，接續是六首無伴奏奏鳴曲的概論性介紹；第二章及第三章分別針對第三號與第六號奏鳴曲做曲式的分析和詮釋的探討，筆者在這兩章中以實地練習與操作之心得，向讀者分享個人對於音樂詮釋的理念及技術表現的觀點。

As a great violinist and composer, Eugène Ysaÿe composed his Six Sonatas for Solo Violin, Op. 27 in 1924. The composition is regarded as the most important work for solo violin after Bach’s Six Sonatas and Partitas and Paganini’s 24 Caprices. The style and aesthetics of this composition inherit the essence of Bach’s works; its technique follows the high-level difficulty of Paganini’s Caprices. Reversing the situation that composers from the preceding generation overemphasized music or technique, it introduces fresh thoughts in different aspects, including composition, and displays variety and high degree of technique different from works in the past. Therefore, the composition indeed continues the sublime traditions of works for solo violin and has become a classic modern violin repertoire.

　　The first chapter begins with Ysaÿe’s background, followed by a brief introduction of six Sonatas for Solo Violin. Chapter two and three analyze the form of Sonata No. 3 and No. 6 respectively and discuss their interpretations. In these two chapters, with the experiences of practice, the author elaborates on his own perspectives on music interpretation and performance of technique.

中文書籍
Campbell, Margaret.《不朽的小提琴家》。張世祥譯。台北：世界文物出版社，1998。
Raaben, Lev N..《古今傑出小提琴家》。廖叔同譯。台北：世界文物出版社，1993。
Stowell, Robin.《小提琴指南》。湯定九譯。台北：世界文物出版社，1996。
陳沁紅。《貝多芬小提琴奏鳴曲研究》。全音樂譜出版社，2001。
陳藍谷。《小提琴演奏之系統理論》。台北：全音樂譜出版社，1989。
Galamian, Ivan.《小提琴演奏與教學法》。林維中、陳謙斌譯。台北：全音樂譜出版社，1980。
劉志明。《西洋音樂史與風格》。台北：大陸書店，1983。
Stein, Leon. 《音樂的結構與風格》。台北：全音樂譜出版社，1978。

中文學術論文
吳稚敏。〈伊撒意無伴奏小提琴奏鳴曲第二號之作曲背景及演奏分析〉。私立輔仁大學音樂研究所碩士論文，2003。
張瓊紋。〈伊撒意第四號、第五號小提琴無伴奏奏鳴曲之詮釋報告〉。國立台灣師範大學碩士論文，2004。
劉佳穎。〈伊撒意對法比樂派小提琴技術之傳承與創新~以其第四號無伴奏小提琴奏鳴曲為例〉。國立交通大學音樂研究所碩士論文，2005。

中文期刊
林暉鈞。〈維多皮凱森與易薩伊六首小提琴無伴奏奏鳴曲〉。台北：國家演奏廳，2001。

西文書籍
Brown, Howard Mayer, and Stanley Sadie, ed. Performance Practice- Music After 1600. Hong Kong: Macmillan Press, 1989.
Flesch, Carl. The Memoirs of Carl Flesh. London: Rockliff, 1957.
Ginsburg, Lev. Ysaÿe. New York: Paganiniana, 1980.
Neumann, Frederick. Performance Practice. University of Rochester Press, 1992.
Schwarz, Boris. Great Masters of the Violin. New York: Simon&Schuster, 1985.
Szigeti, Joseph. With Strings Attached. New York: Da Capo, 1947.
Ysaÿe, Antoine and Bertram Ratcliffe. Ysaÿe: His Life, Work and Influence. London: Windmill, 1947.

西文期刊
Denton, David. CD Review of Ysaÿe: Six Solo Violin Sonatas op.27, performed by Leonidas Kavakos (BIS-CD-1046). Strad 111 (July, 2000): 779.
Magil, Joseph. CD Review of Ysaÿe: Solo Violin Sonatas (6), performed by Oscar Shumsky (Nimbus 7715). American Record Guide 60 Issue 1 (January/February, 1997): 191-192.
________. CD Review of Ysaÿe: Solo Violin Sonatas, performed by Leonidas Kavakos (BIS 1046). American Record Guide 63 Issue 3 (May/June, 2000): 227.
Stowell, Robin. CD Review of Ysaye: Six Solo Sonatas op.27, performed by Benjamin Schmid (ARTE NOVA 74321 67511 2). Strad 111 (June, 2000): 665.

有聲資料
Campbell, Margaret. Notes to Eugène Ysaÿe, Six Sonatas for Solo Violin, Opus 27, performed by Oscar Shumsky. CD, NIMBUS- 5039, 1982.
Hu, Nai-Yuan. Notes to Nai-Yuan Hu, Unaccompanied: Bach, Paganini, Ysaÿe, Hsu, Kreisler, performed by Nai-Yuan Hu. CD, EMI 7243 5 57102 2 2, 2000.
Scholz, Horst A. “The Knight of the Violin and the Last of the Grand Virtuoso.”
Notes to Eugène Ysaÿe, 6 Sonatas for Solo Violin op. 27, performed by Leonidas Kavakos. CD, BIS-CD-1046, 1999.
Stockhem, Michel. Notes to Eugène Ysaÿe, 6 Sonatas pour violin solo op. 27, performed by Frank Peter Zimmermann. CD, EMI 7243 5 552552 2 9, 1994.